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Doctoral thesis recital (conducting)Larsen, Chris 09 May 2014 (has links)
Sei Lob und Ehr dem hochsten Gut : BWV 117 ; Ach lieben Christen, seid getrost : BWV 114 / J. S. Bach -- Rejoice in the Lamb / B. Britten. / text
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The masses of Giovanni RovettaDrennan, Jonathan R. J. January 2002 (has links)
No description available.
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The 'Wanley' manuscripts : Oxford, Bodleian Library, MSS MUS.SCH.E.420-22; an edition and commentaryWrightson, J. R. S. January 1984 (has links)
No description available.
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The concept of prana in Vedic literature and its development in the Vedanta, Samkhya and Pancaratra traditionsConnolly, P. January 1987 (has links)
No description available.
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Musica Christi : a Lutheran aestheticHendrickson, Marion Lars January 2003 (has links)
No description available.
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Music for women's chorus from the Venetian Ospedali by Nicola Porpora : the British museum manuscripts /Harris, Robert Lawton. January 1979 (has links)
Thesis (D.Mus.Arts)--University of Washington. / Vita. Another copy has number: Thesis 26869. Bibliography: leaves [138]-145.
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Go down death; a cantata for solo and mixed voices; poem by James Weldon Johnson; music by Myrtlebelle JarrettJarrett, Myrtlebelle, 1913- January 1937 (has links)
No description available.
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Secularizing tendencies in medieval Russian hagiography of the sixteenth and seventeenth centuriesMcKenzie, Rosalind Yvonne January 1998 (has links)
This thesis seeks to demonstrate the extent to which secularizing tendencies are present in Russian vitae of the sixteenth and seventeenth centuries, to examine what role these tendencies play in the evolution of sacred life-writing and also consider how they reflect changing perceptions of and attitudes towards sanctity. By the later medieval period, Russian hagiographical writing had evolved beyond the primarily edificatory goals of the early Russian Orthodox Church, and had become a more varied and sophisticated literary medium used to great effect by the hagiographer to present a political, legal, socio-cultural or ideological message which was distinctly secular in nature. Despite the continuing ideological constraints of the Church, hagiographers succeeded in manipulating and refashioning the established patterns of traditional rhetorical vitae in order to express more powerfully an opinion on a variety of non-ecclesiastical affairs. Several native Russian vitae dating to the sixteenth and seventeenth centuries are analysed in detail to demonstrate the development of this tendency in hagiography. The four main chapters of the thesis focus upon different groups of hagiographical works which demonstrate clear evidence of secularizing tendencies: first, vitae composed in northern Russia during the sixteenth century; secondly, works influenced structurally and thematically by oral tradition largely pre- Christian in origin; thirdly, vitae devoted to female protagonists; and finally, seventeenth-century autohagiography. An examination of the relevant historical and socio-political events of the period helps place the vitae chosen for detailed analysis in a wider critical context than simply that of literary genre. Each chapter also includes a section on the contextual hagiographical background which determines the extent to which earlier works of Russian hagiography acted as models or inspiration for the sixteenth- and seventeenth-century vitae.
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Designing in sacred landscapes : a case study of Govardhan Parvat (hill) - Krishna's form in nature /Runit Chhaya. January 2000 (has links) (PDF)
Thesis (M.Land.Arch.) -- University of Adelaide, School of Architecture, Landscape Architecture and Urban Design, 2000. / "February 2000" Bibliography: leaves 235-239.
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Theology of the cultus of the Sacred Heart a moral, dogmatic and historical study /Petrovits, Joseph J. C. January 1917 (has links)
Thesis (S.D.T.)--Catholic University of America, 1917. / Vita. Includes bibliographical references (p. 202-208) and index.
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