書名據目次前. / 手稿覆寫本. / Thesis (M.A.)--香港中文大學. / Shu ming ju mu ci qian. / Shou gao fu xie ben. / Includes bibliographical references (leaves 302-307). / Thesis (M.A.)--Xianggang Zhong wen da xue. / Chapter 第一章 --- 導論 --- p.1 / Chapter 第二章 --- 六朝清商曲之淵源與發展 / Chapter 第一節 --- 清商釋名 --- p.13 / Chapter 第二節 --- 相和歌與三調曲之關係及運用之法 --- p.28 / Chapter 第三節 --- 六朝清商曲之運用與相和歌之關係 --- p.51 / Chapter 附 --- 子夜諸曲考 / Chapter 第三章 --- 六朝清商曲之興盛原因及衰亡 / Chapter 第一節 --- 六朝清商曲之流行 --- p.70 / Chapter 第二節 --- 六朝清商曲之興盛原因 --- p.84 / Chapter 第三節 --- 六朝清商曲之衰落 --- p.112 / Chapter 第四章 --- 六朝清商曲之內容 --- p.128 / Chapter 第一節 --- 吳聲歌與西曲歌 --- p.130 / Chapter 第二節 --- 神弦歌 --- p.168 / Chapter 第三節 --- 江南弄上雲樂與梁雅歌 --- p.181 / Chapter 第四節 --- 吳聲歌與西曲歌之匿別 --- p.194 / Chapter 第五章 --- 吳聲歌與西曲歌之特色及其表達方法 / Chapter 第一節 --- 吳聲西曲雙關諧聲詞格發達原因 --- p.207 / Chapter 第二節 --- 表達方法 --- p.222 / Chapter 第三節 --- 重複詞格 --- p.226 / Chapter 第四節 --- 女樂 --- p.229 / Chapter 第六章 --- 六朝清商曲對後世之影響 / Chapter 第一節 --- 對五言絶句之影響 --- p.234 / Chapter 第二節 --- 對詞之影響 --- p.253 / Chapter 附 --- 鐃選堂先生和聲與聯歌 / Chapter 第三節 --- 對唐法曲之影響 --- p.284 / Chapter 第七章 --- 結論 --- p.296 / 參考書目舉要

published_or_final_version / Chinese / Doctoral / Doctor of Philosophy

Thesis--University of Michigan. / Includes bibliographical references.

張可久，名久可，號小山，是元後期的散曲家。元散曲作家當中，他的作品最多，他一生只創作散曲，不作雜劇，可稱「散曲專家」。他在散曲史上，是元後期「清麗騷雅派」的關鍵人物。而他的散曲在文字運用上，可說是宋詞以後中國韻文的繼承者。故他有「詞林宗匠」之稱。本論文以隋樹森輯《全元散曲》載的小山散曲作品為主要範圍。本論文共分六章，主要內容如下︰首章敘述「研究動機、方法」、「元代的時代背景」、「元後期散曲之潮流」，並簡介「小山作品版本」。第二章探討「小山生平略考」，先研討「名號問題」、「生卒年考」，而後論述「生平略述」、「交遊」。通過這一章，可以深刻地認識作者的生活環境。第三章探討「小山散曲之內容分析」，將小山散曲的內容歸納為十類來說明其作品的內容。第四章探討「小山散曲之藝術技巧」，論述小山散曲在文字上、格律上的技巧，是對小山散曲的形式的探析。第五章探討「小山散曲之風格」，將小山散曲的風格分為「清麗華美」、「騷雅蘊藉」、「積鬱淒婉」、「超脫豪放」四點來論述其風格。第六章為「結論」，綜論「小山散曲的藝術特色」，探討「小山在中國散曲史上的地位」。

 Li Kaixian (1502-1568), a scholar-official living in the mid-Ming dynasty, was renowned for his efforts in collecting books, both rare and common, and also for his talents in writing the literary genre called sanqu, a subcategory of the genre qu. While qu consists of drama and sanqu, nonetheless the attention devoted to the latter has been much weaker than the former within the academic circle. In the case of Li Kaixian, his dramas such as The Tale of A Treasured Sword have been reviewed much more frequently than his sanqu compilations. To fill up this gap, this thesis attempts to study in depth Li Kaixian?s sanqu. It is organized into 6 major chapters. The first chapter comes with an introduction reviewing the status of Ming sanqu as a whole and its social-ideological background, including a literature review on the subject. To facilitate a better understanding of Li?s rationales in writing sanqu, the second chapter deals with his life and the themes of his sanqu. The third chapter is an analysis of his thoughts towards the writing of sanqu, The fourth and fifth chapters mainly provide a critical review on Li?s sanqu, both thematically and aesthetically. The sixth chapter, a tentative evaluation of the status of Li?s sanqu, serves as the conclusion. / published_or_final_version / Chinese / Master / Master of Philosophy

published_or_final_version / Chinese / Master / Master of Philosophy