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The unified ring narrative art and the science-fiction novel /Sadler, Frank. January 1900 (has links)
Revision of Thesis (Ph. D.)--University of Florida, 1974. / Includes bibliographical references (p. [111]-114) and index.
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Science fiction (SF) als Literatur in der Bundesrepublik der siebziger und achtziger Jahre /Gottwald, Ulrike, January 1900 (has links)
Diss.--Universität Düsseldorf, 1989.
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The unified ring narrative art and the science-fiction novel /Sadler, Frank. January 1900 (has links)
Revision of Thesis (Ph. D.)--University of Florida, 1974. / Includes bibliographical references (p. [111]-114) and index.
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Estranging science, fictionalizing bodiesDiehl, Laura Anne. January 2008 (has links)
Thesis (Ph. D.)--Rutgers University, 2008. / "Graduate Program in Literatures in English." Includes bibliographical references (p. 288-304).
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Futurism and decadence in French science fiction 1870-1900 /Von Dran, Raymond F., January 1972 (has links)
Thesis (M.A.)--University of Wisconsin--Madison, 1972. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
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Utopia and dystopia in futuristic nonfiction televisionJackson, Sarah Anne. January 2010 (has links) (PDF)
Thesis (MFA)--Montana State University--Bozeman, 2010. / Typescript. Chairperson, Graduate Committee: Theo Lipfert. Our tomorrow is a DVD accompanying the thesis. Includes bibliographical references (leaves 40-41).
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And Consumption For All: The Science Fiction Pulps and the Rhetoric of TechnologyScott, Ronald. January 2005 (has links) (PDF)
Dissertation (AuD)--University of Arizona, Tucson, Arizona, 2005.
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A Study of Science Reasoning Abilities of Science Fiction ReadersBlack, Eldred 01 June 1959 (has links)
No description available.
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Teaching creativity in chemistry through science fictionGoldstein, Marsha January 1957 (has links)
Thesis (M.A.)--Boston University. Missing page 52
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Pain in Parallel Places: Interventions in Disability Studies and Science FictionMiles, Martina 18 August 2015 (has links)
Pain is a physical experience that is often imbued with metaphorical significance. Understanding better how pain operates as a cultural signifier can reveal assumptions about the status of different bodies and subjects. Even though pain is a nearly universal phenomenon, there is currently a dearth of sustained inquiry into pain as a literary, physical, and social phenomenon. What critical analysis there is about pain often metaphorizes the experience and forgets the lived, material realities of pain. At the same time, pain is a factor in virtually all cultural and social interactions, influencing everything from medical care to community acceptance. Thus, uncovering the functions of pain is a necessity. This dissertation reads for the ways pain forges intercorporeal relationships between bodies through the process of co-suffering, offering a new way of looking at the grotesque body. Using examples from a broad range of science fiction texts, from popular non-fiction science writing to superhero comics to novels to television, this dissertation explores the various ways that normative and non-normative pain response is witnessed and perceived. Putting forth a theory of co-suffering as a form of attention to and embodied translation of pain language, this dissertation examines the various ways in which listening to the voice of pain creates intercorporeal kinship between bodies. Through this kinship, bodies become subjects and gain access to community. Ultimately, this dissertation shows that, while pain can foster such kinship, predictable and standard pain responses are necessary for creating co-suffering. Thus co-suffering can be emancipatory, as it helps marginalized bodies gain subjectivity, but it can also be a way for cultures to enforce rigid behaviors on subjects, as it requires that bodies conform to those standard pain responses.
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