No description available.

The purpose of this paper is to record for all interested persons the available facts concerning the life and works of Earl Heika, Montana artist/sculptor. Heika, who lived most of his life in Great Falls, Montana, depicted Western subjects in his art.

Thesis (Ed.D.)--Teachers College, Columbia University, 1970. / Typescript; issued also on microfilm. Sponsor: William Mahoney. Dissertation Committee: Maxine Greene. Includes bibliographical references.

No description available.

Thesis (doctoral)--Freie Universität, Berlin, 2002. / Includes bibliographical references (p. 225-237) and index.

No description available.

Thesis (Ph. D.)--Bern. / Includes bibliographical references (p. 91).

No description available.

Orientador(a): Sergio Mauro Romagnolo / Banca: José Paiani Spaniol / Banca: Daniel Albernaz Acosta / Resumo: A escultura no flagrante da ação, consiste no processo de produção de uma série de esculturas em bronze focadas na construção de narrativas e na representação de ações que problematizam a relação entre tempo/espaço/obra/ ação, entrelaçadas às minhas preocupações conceituais, meus processos e procedimentos artísticos relacionados a pontos de convergência na produção de outros artistas / Abstract: The thesis "A escultura no flagrante da ação" [The Sculpture at the Moment of the Action] concerns the production process of a series of bronze sculptures focused on the construction of narratives and on the representation of actions that problematize the relation between time/ space/artwork/action, interlinked with my conceptual concerns, my processes and artistic procedures related to points of convergence with the production of other artists / Mestre

The portrait of sculptor emerged in the sixteenth century, where the sitter’s occupation was indicated by his holding a statue. This thesis has focus on portraits of sculptors at the turn of 1900, which have indications of profession. 60 artworks created between 1872 and 1927 are analyzed.  The goal of the thesis is to identify new facets that modernism introduced to the portraits of sculptors. The thesis covers the evolution of artistic convention in the depiction of sculptor. The comparison of portraits at the turn of 1900 with portraits of sculptors from previous epochs is included. The thesis is also a contribution to the bibliography of portraits of sculptors.