Submitted by PPG Letras (letraspg@pucrs.br) on 2018-02-22T12:55:05Z No. of bitstreams: 1 DISSERTA??O_Graziella.pdf: 3225430 bytes, checksum: 2dddb2cb19affaa83f3cf1b4b53c66e0 (MD5) / Approved for entry into archive by Caroline Xavier (caroline.xavier@pucrs.br) on 2018-02-26T19:12:10Z (GMT) No. of bitstreams: 1 DISSERTA??O_Graziella.pdf: 3225430 bytes, checksum: 2dddb2cb19affaa83f3cf1b4b53c66e0 (MD5) / Made available in DSpace on 2018-02-26T19:15:07Z (GMT). No. of bitstreams: 1 DISSERTA??O_Graziella.pdf: 3225430 bytes, checksum: 2dddb2cb19affaa83f3cf1b4b53c66e0 (MD5) Previous issue date: 2017-12-19 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES / The object of our scrutiny is one humorous-prejudiced sketch broadcast by the television channel Multishow, which can, alternatively, also be viewed via internet and all digital means at our disposal, such as smart phone apps, tablets, etc. We chose as the theme of our research the television show called 220 Volts, which aired 5 seasons, from 2011 to 2016. More specifically, we will work with one sketch (season 2, episode 9) by the character entitled Senhora dos Absurdos (Lady of Absurd, in a free translation). We can see in this character's speech all sorts of prejudice. She speaks against indians, black people, the obese, illiterates, elders and homosexuals, among other minorities. We will focus our attention particularly on the prejudice against women, men, indians and black people. Considering the relation between humor and prejudice found in Senhora dos Absurdos, our research question, therefore, is: how the discourse of a sketch which is considered humorous-prejudiced can create meaning relations towards a possible social critic? Our objective is to observe how discourses as found in the sketch which consists our corpus, besides aiming to be comical, can be used to legitimate social exclusion, even though they seek to promote a potential social critic. As an analytical bias, we will make use of the theory postulated by the Bakhtin Circle, especially with regard to the notions of dialogism, utterance, sociocultural voices, ideological sign, and genres of discourse. The Bakhtnian theory, along with notions coming from connected areas (such as humor, prejudice, intolerance and stereotypes) will provide us with the basis to answer the question above. The present research is in consonance with the methodological propositions presented by Voloch?nov in Marxism and Philosophy of Language ([1929] 2017, p. 220), observing the inevitable relation among utterance, genres of discourse and the discursive communication spheres, as to perceive the complex dialogical construction of meanings in the humorous-prejudiced discourse. As a result, we hope that, with our study, we can contribute to the understanding of humor and prejudice as a social critic, evidencing the various clashes of sociocultural voices that are engendered in the particular discourse chosen as the object of this research. / Consiste em objeto de nosso escrut?nio um esquete humor?stico-preconceituoso veiculado pelo canal de televis?o Multishow, mas que, de forma alternativa, tamb?m pode ser assistido via internet e outros meios digitais que se encontram ? disposi??o do telespectador (aplicativo de celular, tablete etc.). Elegemos para reflex?o nesta pesquisa um esquete do programa televisivo chamado 220 Volts, que foi ao ar em 5 temporadas, de 2011 a 2016. Mais especificamente, trabalharemos com um esquete da personagem intitulada Senhora dos Absurdos (temporada 2, epis?dio 9). Percebe-se na fala dessa personagem preconceito contra, dentre outros, ?ndios, negros, obesos, analfabetos, idosos e homossexuais. Considerando a rela??o entre humor e preconceito em a Senhora dos Absurdos, procuramos desenvolver a seguinte quest?o norteadora: como o discurso de um esquete considerado humor?sticopreconceituoso pode criar rela??es de sentido voltadas para uma poss?vel cr?tica social? Assim, temos como objetivo tratar do preconceito voltado contra a mulher, o homem, o ?ndio e o negro, buscando observar como discursos como o encontrado no esquete em quest?o, al?m de procurarem promover o humor, podem servir como legitima??o para a exclus?o, ainda que busquem apresentar uma poss?vel cr?tica social. Quanto ao referencial te?rico, esta pesquisa respalda-se nos estudos do C?rculo de Bakhtin, principalmente no que tange a no??es como dialogismo, enunciado, vozes socioculturais, signo ideol?gico e g?neros do discurso. Esse aporte te?rico, junto a no??es de ?reas conexas que tratam de humor, preconceito, intoler?ncia e estere?tipos, fornecem embasamento para o desenvolvimento da pesquisa. No que se refere ? metodologia, a presente reflex?o segue as orienta??es de Voloch?nov ([1929] 2017, p. 220), quanto ? observa??o da indissoci?vel rela??o entre enunciado, g?nero do discurso e esfera de comunica??o discursiva, de modo a observar a complexa constru??o dial?gica de sentidos no discurso humor?stico-preconceituoso. Com os resultados da pesquisa, esperamos contribuir para a compreens?o do humor que tematiza o preconceito com vistas ? cr?tica social, tendo em vista os diversos embates de vozes socioculturais que se engendram no discurso focalizado.