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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
21

A Consideration of Some Linguistic Phenomena in Othello and King Lear

Jones, Beulah Pender January 1944 (has links)
This study was undertaken with the idea of determining to some extent the contribution of Shakespeare's linguistic peculiarities to his effectiveness.
22

Of gods, heroes, and men : identity, orientation, and historical providence in Shakespeare

Fahmi, Mustapha January 2001 (has links)
Thèse numérisée par la Direction des bibliothèques de l'Université de Montréal.
23

Medievalism in Shakespeare's Hamlet

McKenna, M. Bonaventure. January 1937 (has links)
Call number: LD2668 .T4 1937 M33
24

The mythic significance of Shakespeare's The tempest as evidenced by its mythic quality and its adherence to models of established myths

Corrick, Annabelle Louise January 2010 (has links)
Digitized by Kansas Correctional Industries
25

Shakespeare's children

Krupski, Jadwiga January 1992 (has links)
No description available.
26

Time imagery in Shakespeare's plays and poems

Grant, Arthur T. January 1953 (has links)
No description available.
27

The interpretation of Shakespeare's Henry V

Donnan, Betty Ann, 1921- January 1948 (has links)
No description available.
28

An actor's approach to the title role in The tragedy of King Lear

Spies, William Eugene, 1923- January 1959 (has links)
No description available.
29

A reinterpretation of Shakespeare's Troilus and Cressida in the light of modern criticism

English, Rosemary Joan, 1916- January 1941 (has links)
No description available.
30

The Quarto of the Merry Wives of Windsor : a critical study with text and notes.

Meadowcroft, James William Robert. January 1952 (has links)
It is my contention that those critics are right who hold that the Q text of the Merry Wives of Windsor is a reported text -- that is, that some stage of its transmission was memorial. I certainly cannot believe that Q represents a Shakespearian first draft and F a Shaskepearian revision, or that Q is a farce interlude adapted from F. Limitations of space prohibit discussion of the possibility that Q is a stenographic report. But the problem of Elisabethan shorthand has been thoroughly investigated by competent scholars, and their findings convince me that there was no contemporary system capable of reproducing the best reported parts of Q from performance in the theatre. Surely, on the basis of the shorthand theory, we should have to assume an extraordinarily low standard of accuracy in the actors of Shakespeare’s company to account for the wholesale memorial corruption also observable in Q. The only reasonable hypothesis seems to me to be that the ‘gross corruption, constant mutilation, meaningless inversion and clumsy transposition’ in Q are solely the result of inept memorial reconstruction. It is my further belief that Q is a report of an original in substantial agreement with the F text. I propose now to adduce fresh evidence pointing to the conclusion that the Q text is indeed memorial; at the same time attempting to show that the theories which represent Q as a first sketch of the F text or a farce interlude adapted from F are untenable. [...]

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