• Refine Query
  • Source
  • Publication year
  • to
  • Language
  • 137
  • 39
  • 39
  • 39
  • 39
  • 39
  • 38
  • 35
  • 33
  • 7
  • 5
  • 4
  • 4
  • 3
  • 3
  • Tagged with
  • 312
  • 312
  • 312
  • 312
  • 85
  • 82
  • 58
  • 47
  • 45
  • 44
  • 37
  • 29
  • 24
  • 24
  • 23
  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
41

Teaching 'Hamlet' in South Africa: refining, developing and applying the Wits School Shakespeare Model.

Ringwood, Frances 02 April 2014 (has links)
Thesis (M.A.)--University of the Witwatersrand, Faculty of Humanities, 2014.
42

Infinite gesture : an approach to Shakespearean character

Travis, Keira. January 2006 (has links)
No description available.
43

Counselling and obedience in Shakespeare's Richard II and Winter's tale

Hill, Lynne January 1976 (has links)
No description available.
44

"Present fears" and "Horrible Imaginings" : Gothic elements in Shakespearean Tragedy

Appel, Ian S. 11 November 2003 (has links)
Gothic literary works are characterized as such by their ability to represent and evoke terror. The form this representation takes is varied; often terror originates in the atmospheric effects of settings, in the appearance of mysterious, supposedly supernatural phenomena, and, perhaps most significantly, in the behavior of villainous characters. Shakespearean tragedy participates in just such an exploration of the origins and effects of terror. This thesis will examine three aspects of the Shakespearean Gothic in three of his most frightening and disturbing tragedies: Macbeth, King Lear and Titus Andronicus. All three of these texts represent terror in ways that are significant not only for genre studies but for historicist cultural studies as well. Shakespeare's particular vision of the terrible tends to represent unruly women and ethnic minorities as demonized others who threaten normalized social and moral order, and also evokes a religious dread--a fear of the cruelty or, more radically, the nonexistence of God--that would have proved particularly disturbing for Early Modem Christian culture. This reading of Shakespeare demonstrates both the influence of his vision on later writers and the trans-historic applicability of the Gothic aesthetic. / Graduation date: 2004
45

Absent fathers in Shakespeare's middle comedies

Dobranski, Shannon Prosser 20 April 2011 (has links)
Not available / text
46

Thersites in Troilus and Cressida; Shakespeare's use of the traditional fool figures

Wilson, Martena Gray Kreimeyer, 1941- January 1965 (has links)
No description available.
47

The repentance theme in Shakespeare's comedies

Baroody, Wilson George, 1931- January 1955 (has links)
No description available.
48

An art director's project, unifying the technical aspects for a two play Shakespearean festival, Othello and Much ado about nothing

Schwanke, Jack H. January 1965 (has links)
No description available.
49

Measure for measure and Shakespeare's "Dark period"

Fisher, William J., 1919- January 1945 (has links)
No description available.
50

Counselling and obedience in Shakespeare's Richard II and Winter's tale

Hill, Lynne January 1976 (has links)
No description available.

Page generated in 0.0702 seconds