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1	Middle Eastern Style Influences in Shulamit Ran’s Flute Compositions Han, Yungkyung 27 October 2014 (has links) No description available. Music Shulamit Ran flute East Wind Mirage Voices Middle Eastern
2	Ran, Shulamit: Concerto da Camera II, Analysis of Pitch and Formal Structure Lin, Sheng 05 1900 (has links) The thesis speculates upon the three movements of Concerto da Camera II (1987), scored for Bb clarinet, string quartet and piano) in these four aspects: 1) the formal structure, 2) the manipulation of the notes of whole-tone, octatonic, and chromatic scales in octave displacement, 3) the potential combination of subsets that present different levels of pitch transformation in melodic and harmonic structure, and 4) the usage of intervals of minor seconds, tritones, and perfect fourths or fifths which dominates the linear writing. All of these features demonstrate that the music has strong structural elements in form, motives, and sonorities, which unify the piece in an aurally coherent style as an organic whole. This study should provide more insight into the understanding of Ran's unique compositional technique and style. Shulamit Ran clarinet literature
3	The Solo Violin Works of Samuel Adler, Chen Yi, and Shulamit Ran: A Performer's Perspective Galu, Ioana 16 July 2012 (has links) No description available. Music Music Education Ioana Galu violin Samuel Adler Chen Yi Shulamit Ran Canto III In Memory of Milton Memory Inscriptions BGSU Bowling Green State University Penny Thompson Kruse solo violin works for solo violin solo violin works contemporary solo violin

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