Thesis (Ph. D.)--University of Chicago. / Reprinted from American Journal of Philology, vol. XXVII, no. 2-3. The appendix is reprinted from the American Journal of Archaeology, 2d ser. Journal of the Archaeological Institute of America, vol. IX (1905) no. 3. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.

Thesis (Ph. D.)--University of Chicago. / Reprinted from American Journal of Philology, vol. XXVII, no. 2-3. The appendix is reprinted from the American Journal of Archaeology, 2d ser. Journal of the Archaeological Institute of America, vol. IX (1905) no. 3. Includes bibliographical references. Also available on the Internet.

Thesis (Ph. D.)--University of Chicago. / Reprinted from American Journal of Philology, vol. XXVII, no. 2-3. The appendix is reprinted from the American Journal of Archaeology, 2d ser. Journal of the Archaeological Institute of America, vol. IX (1905) no. 3. Includes bibliographical references.

L’atelier de Sinope (Turquie), cité située sur les rivages du Pont-Euxin, a émis des monnaies de bronze depuis la fondation coloniale, en 46 av. J.-C. jusqu’à l’arrêt des productions sous Gallien (260-268). Le présent ouvrage, qui s’accompagne d’un catalogue et de planches illustratives, en reconstitue l’histoire, en le replacant dans son contexte. La production est analysée selon deux grilles de lecture : l’objet-monnaie en tant que tel (sa diffusion, ses caractéristiques métrologiques, la répartition chronologique des émissions) et la monnaie comme support d’images et de textes, témoin privilégié de l’évolution de ses allégeances et de ses croyances, au premier chef desquels figure le dieu Sérapis. / The mint of Sinope (Turkey), a roman city on the Pontus Euxinus, has produced bronze coins since the colonial foundation in 46 a.C. up to Gallienus (260-268). This thesis, accompanied by a catalogue and illustrative plates, is devoted to explain its history. The coinage, contextualized, is studied within two approaches: the coin as an object (chronological and geographical distribution, intrinsic characteristics) and as a means to convey images and text. Those testify mainly of its allegiance and its beliefs, in first place the god Sarapis, and how they evolved.