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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

From head to hand and beyond : 'thought-image' drawing in sketchbooks

Hooper, Margaret J. January 2008 (has links)
Situated between embryonic ideas and 'finished' work are thought-image drawings, the tangible evidence of the exploratory thinking of artists. Often found in sketchbooks, these drawings are ?becoming-art?, precursors to the work exhibited or performed in galleries and public places. Thought- image drawings are private drawings that reveal the uncensored hand at play, and hide in the shadows of public discourse. They are too easily ignored or forgotten, and if they are kept, they are relegated to archives where they remain, under-utilised. In this study, I explore and establish sketchbooks as dynamic, dual sites of discovery in which artists encode a plethora of ideas for themselves and for others, as long as they are saved and shown at some future time.
2

Acumular tesouros : um olhar sobre os cadernos de desenho

Pereira, Marcelo Eugênio Soares January 2015 (has links)
A pesquisa intitulada Acumular tesouros: um olhar sobre os cadernos de desenho analisa um conjunto de cadernos de desenho, elaborados por mim, entre 2006 e 2015. O objetivo desse estudo é investigar de que modo a utilização frequente dos cadernos de desenho constitui uma poética e de que forma os cadernos são abordados na história da arte. A metodologia, de ordem qualitativa, possui por principal ação a continuidade da produção prática, assim como as relações estabelecidas entre os meus cadernos e os de outros artistas. Neste estudo, evidencio o aspecto heterogêneo dos cadernos, já que estes comportam e agregam grande quantidade de elementos gráficos, além dos desenhos, tais como colagens e escritos. É explorada a hipótese de que os cadernos não são apenas instrumentos para obras futuras; mas que são, principalmente, veículos que possibilitam experimentações artísticas das mais variadas naturezas. São abordados os conceitos de hupomnêmata a partir de Michel Foucault (2004; 2010; 2011); colagem por Antoine Compagnon (1996); e desenho a partir de John Berger (2010). / The present research entitled Accumulating treasures: a look upon sketchbooks analyzes a set of sketchbooks, created by myself between 2006 and 2015. The main objective of this research is to investigate in what way the frequent use of sketchbooks constitutes a poetics and how sketchbooks are addressed in Art History and in contemporary artistic production. The methodology – which follows a qualitative approach – has as main procedure the continuity of practical production as well as the establishment of relations among my sketchbooks and other artists’. I emphasize, in this study, the heterogeneous aspect of the sketchbooks, considering that they contain and aggregate a considerable amount of graphic elements besides the drawings, as well as collages and writings. The hypothesis explored is that the sketchbooks are not just an instrument to future works, but they are mainly means that allow artistic experiments of several kinds to be carried out. The concepts of hupomnêmata by Michel Foucault (2004; 2010; 2011); and collages by Antoine Compagnon (1996) are addressed along with the concept of drawing according to John Berger (2010).
3

Acumular tesouros : um olhar sobre os cadernos de desenho

Pereira, Marcelo Eugênio Soares January 2015 (has links)
A pesquisa intitulada Acumular tesouros: um olhar sobre os cadernos de desenho analisa um conjunto de cadernos de desenho, elaborados por mim, entre 2006 e 2015. O objetivo desse estudo é investigar de que modo a utilização frequente dos cadernos de desenho constitui uma poética e de que forma os cadernos são abordados na história da arte. A metodologia, de ordem qualitativa, possui por principal ação a continuidade da produção prática, assim como as relações estabelecidas entre os meus cadernos e os de outros artistas. Neste estudo, evidencio o aspecto heterogêneo dos cadernos, já que estes comportam e agregam grande quantidade de elementos gráficos, além dos desenhos, tais como colagens e escritos. É explorada a hipótese de que os cadernos não são apenas instrumentos para obras futuras; mas que são, principalmente, veículos que possibilitam experimentações artísticas das mais variadas naturezas. São abordados os conceitos de hupomnêmata a partir de Michel Foucault (2004; 2010; 2011); colagem por Antoine Compagnon (1996); e desenho a partir de John Berger (2010). / The present research entitled Accumulating treasures: a look upon sketchbooks analyzes a set of sketchbooks, created by myself between 2006 and 2015. The main objective of this research is to investigate in what way the frequent use of sketchbooks constitutes a poetics and how sketchbooks are addressed in Art History and in contemporary artistic production. The methodology – which follows a qualitative approach – has as main procedure the continuity of practical production as well as the establishment of relations among my sketchbooks and other artists’. I emphasize, in this study, the heterogeneous aspect of the sketchbooks, considering that they contain and aggregate a considerable amount of graphic elements besides the drawings, as well as collages and writings. The hypothesis explored is that the sketchbooks are not just an instrument to future works, but they are mainly means that allow artistic experiments of several kinds to be carried out. The concepts of hupomnêmata by Michel Foucault (2004; 2010; 2011); and collages by Antoine Compagnon (1996) are addressed along with the concept of drawing according to John Berger (2010).
4

Acumular tesouros : um olhar sobre os cadernos de desenho

Pereira, Marcelo Eugênio Soares January 2015 (has links)
A pesquisa intitulada Acumular tesouros: um olhar sobre os cadernos de desenho analisa um conjunto de cadernos de desenho, elaborados por mim, entre 2006 e 2015. O objetivo desse estudo é investigar de que modo a utilização frequente dos cadernos de desenho constitui uma poética e de que forma os cadernos são abordados na história da arte. A metodologia, de ordem qualitativa, possui por principal ação a continuidade da produção prática, assim como as relações estabelecidas entre os meus cadernos e os de outros artistas. Neste estudo, evidencio o aspecto heterogêneo dos cadernos, já que estes comportam e agregam grande quantidade de elementos gráficos, além dos desenhos, tais como colagens e escritos. É explorada a hipótese de que os cadernos não são apenas instrumentos para obras futuras; mas que são, principalmente, veículos que possibilitam experimentações artísticas das mais variadas naturezas. São abordados os conceitos de hupomnêmata a partir de Michel Foucault (2004; 2010; 2011); colagem por Antoine Compagnon (1996); e desenho a partir de John Berger (2010). / The present research entitled Accumulating treasures: a look upon sketchbooks analyzes a set of sketchbooks, created by myself between 2006 and 2015. The main objective of this research is to investigate in what way the frequent use of sketchbooks constitutes a poetics and how sketchbooks are addressed in Art History and in contemporary artistic production. The methodology – which follows a qualitative approach – has as main procedure the continuity of practical production as well as the establishment of relations among my sketchbooks and other artists’. I emphasize, in this study, the heterogeneous aspect of the sketchbooks, considering that they contain and aggregate a considerable amount of graphic elements besides the drawings, as well as collages and writings. The hypothesis explored is that the sketchbooks are not just an instrument to future works, but they are mainly means that allow artistic experiments of several kinds to be carried out. The concepts of hupomnêmata by Michel Foucault (2004; 2010; 2011); and collages by Antoine Compagnon (1996) are addressed along with the concept of drawing according to John Berger (2010).
5

One view into the house

Hubbard, James Christopher January 1983 (has links)
M. Arch.
6

Crow

Price, William T. January 1994 (has links)
[no abstract provided by author] / M. Arch.
7

A wall and a city

Dunn, Cary Franklin January 1983 (has links)
To consider a wall as a city element, a city addition, a wall proportioned to the scale of a city where the wall ls proposed not as a building, but rather as a community of buildings whose presence demands that their external possibilities are as significant as their internal obligations, a wall whose position brings order to the means of movement vital to the life of the city. / M. Arch.
8

An interstice

Solomon, Lee Ann 24 February 2010 (has links)
In this exploration of nature and symbolism, catalyzed and expressed in architectural form, an environment emerges which provides both an intellectual and sensual world. These ideas are expressed on a general, architectural, and case study level. Nondiscursive and discursive thoughts have been applied in the hopes of bringing together people, architecture, and nature to make a place a whole. / Master of Architecture
9

A thesis of architecture

Delgado, Eduard 26 January 2010 (has links)
As we move from one dimension to the next, there are cycles from cosmic to chaotic order, each element is part of a bigger one. It can be concluded there is a whole to which all things form part, the parts can be seen as articulations of the whole. It makes sense that the whole which contains all and is not contained be of cosmic order. / Master of Architecture
10

SHAWN KERNS

Kerns, Shawn Allan 23 April 2014 (has links)
No description available.

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