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1	La mise en scène de l'interaction dans l'œuvre de Jacques Poulin / Bujold, Marie-France. January 2008 (has links) Everyone would agree that there is little action in Jacques Poulin's works. This minimalism, which characterizes his writing, is based on solitary individuals who share similar difficulties with social interactions. In Poulin's novels, every interaction seems like an event in itself, as if communicating with others was an adventure. Poulin places the interactions at the heart of his narrative writing. This thesis studies the similarities of these social interactions throughout his eleven novels published to date. The interaction will be analyzed in three phases: as recurring ritual, in connection with the representation of the reader, and with regard to the very language. Social interaction in literature.
2	La mise en scène de l'interaction dans l'œuvre de Jacques Poulin / Bujold, Marie-France. January 2008 (has links) No description available. Social interaction in literature.
3	Milford, Delaware, of all places ten stories by Gregory S. Layton / Layton, Gregory Scott. January 2004 (has links) Thesis (M.A.)--Miami University, Dept. of English, 2004. / Title from first page of PDF document.
4	Historical formation of romantic egotism: sensibility, radicalism, and the reception of Wordsworth's and Coleridge's early poetry. January 1994 (has links) by Eric Kwan-wai Yu. / Thesis (Ph.D.)--Chinese University of Hong Kong, 1994. / Includes bibliographical references (leaves 250-264). / Preface --- p.1 / Chapter Chapter 1 --- "A Portrait of the Romantic as a Solipsist The ""Romantic Revolt,"" Lyricism and Selfhood" --- p.9 / Chapter Chapter 2 --- Romantic Alienation Reconsidered --- p.38 / Chapter Chapter 3 --- Burdens of the Past The Poetic Vocation and Elitist Leanings --- p.83 / Chapter Chapter 4 --- "Wordsworth's and Coleridge's Early Poetry Sensibility, Radical ism and Reception" --- p.121 / Chapter Chapter 5 --- "Egotism Established The Reception of Wordsworth's Poems (1807) and the General Attack on the ""Lake School""" --- p.153 / Chapter Chapter 6 --- "Egotism Transformed Hazlitt's Criticism, the Acceptance of Wordsworth, and Twentieth-Century Romantic Scholarship" --- p.195 / Notes --- p.224 / Works Cited --- p.250 Romanticism Social interaction in literature Radicalism in literature English poetry--History and criticism
5	The relevance of the speech act theory to Buzani Kubawo Scheckle, Linda Ann 10 1900 (has links) Austin's Speech Act Theory is a valuable tool for the analysis of a literary text. In interaction, the intentionand purpose-success of linguistic communication can be gauged by establishing whether participants have met felicity conditions and have respected maxims. When the Co-operative Principle is ignored, special effects are achieved and receivers can only make sense of utterances through implicature and inferences based on background knowledge and mutual contextual beliefs. In the drama, Buzani kubawo, characters interact on four levels of time in space and place. They reveal themselves and convey theme through their speech and actions. Conflict is entrenched by lines of force drawn between opposing characters and between sub-worlds contrasted. Cohesion, determined by plot structure, and form, expressed on the endophoric and exophoric levels, give meaning to the drama. The micro-analysis of the wedding scene illustrates how communication can misfire should the playwright allow it! / African Languages / M.A. (African languages) Communication Intention Purpose Implicature Felicity conditions Maxims Co-operative principle Principle of literalness Inferences Illocutionary (speech) acts Perlocutionary effects Conflict Unity I coherence Drama Decoders Mutual contextual beliefs Function 896.398522 TAMS SCHE 896.398522 Tamsanqa, Witness K. Buzani ku, awo. Reader-response criticism. Speech acts (Linguistics) Communication -- Psychological aspects. Discourse analysis Reader-response criticism Speech acts (Linguistics) Communication -- Psychological aspects Discourse analysis, Literary Connotation (Linguistics) Drama -- History and criticism Social interaction in literature Communication and culture -- Africa Intention (Logic) in literature Tamsanqa, Witness K. -- Buzani ku, awo
6	The relevance of the speech act theory to Buzani Kubawo Scheckle, Linda Ann 10 1900 (has links) Austin's Speech Act Theory is a valuable tool for the analysis of a literary text. In interaction, the intentionand purpose-success of linguistic communication can be gauged by establishing whether participants have met felicity conditions and have respected maxims. When the Co-operative Principle is ignored, special effects are achieved and receivers can only make sense of utterances through implicature and inferences based on background knowledge and mutual contextual beliefs. In the drama, Buzani kubawo, characters interact on four levels of time in space and place. They reveal themselves and convey theme through their speech and actions. Conflict is entrenched by lines of force drawn between opposing characters and between sub-worlds contrasted. Cohesion, determined by plot structure, and form, expressed on the endophoric and exophoric levels, give meaning to the drama. The micro-analysis of the wedding scene illustrates how communication can misfire should the playwright allow it! / African Languages / M.A. (African languages) Communication Intention Purpose Implicature Felicity conditions Maxims Co-operative principle Principle of literalness Inferences Illocutionary (speech) acts Perlocutionary effects Conflict Unity I coherence Drama Decoders Mutual contextual beliefs Function 896.398522 TAMS SCHE 896.398522 Tamsanqa, Witness K. Buzani ku, awo. Reader-response criticism. Speech acts (Linguistics) Communication -- Psychological aspects. Discourse analysis Reader-response criticism Speech acts (Linguistics) Communication -- Psychological aspects Discourse analysis, Literary Connotation (Linguistics) Drama -- History and criticism Social interaction in literature Communication and culture -- Africa Intention (Logic) in literature Tamsanqa, Witness K. -- Buzani ku, awo

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