Thesis (Ph. D.)--Illinois State University, 2000. / Title from title page screen, viewed May 9, 2006. Dissertation Committee: Graham A. Jones (chair), Cynthia W. Langrall, Michael Marsalli. Includes bibliographical references (leaves 123-131) and abstract. Also available in print.

'What is a chief?' and 'what do chiefs do?' are the two questions which begin this study of political authority in rural Lesotho. These questions are contained within a broader one, 'why do villagers often hold chiefs, individually and generally, in contempt but recoil at the suggestion of dissolution of the chieftainship?' The latter question arose from the author's initial field experiences to become the basis for a study which examines the history of the chieftainship in Lesotho. This history is seen as a dialectical process involving a struggle over, and a struggle for, the chieftainship. The former struggle refers to the interventions of elites in society, namely senior chiefs, colonial government officials and, in more recent times, post-independence governments and foreign aid agencies. The latter struggle refers to the interventions of chiefs and the rural populace. Having outlined different ethnographic descriptions of Lesotho's chieftainship, in order to illustrate the different criteria of authority which were applied in the making of the chieftainship, the study goes on to consider the efforts of different agencies to make the chieftainship in the image they desired. The contradictions within, and between, these interventions are explored as the study moves towards consideration of why rural Basotho still support the chieftainship. This analysis takes the discussion from the colonial context, during which Basutoland and the chieftainship were created, to contemporary regional and local rural contexts, in which the chieftainship exists. The discussion illustrates how chiefs have been personifications of family and society, and how this representation is being challenged amongst the rural populace today. The multiplicity of forces which have shaped the chieftainship are then drawn together in a conclusion which examines the pivotal role of the chieftainship in the creation of a national identity and in the crisis of legitimacy facing the contemporary state in Lesotho. The study is informed by a marxist theoretical perspective, but it is also influenced by the debate on postmodernism in Anthropology. This leads the study to acknowledge the current context of theoretical uncertainty for ethnographic research, and the opportunities this affords for exploration of new perspectives. One result is that the study examines tentatively the role of bio-physical phenomena in the way Basotho have constructed society and nature, and represented this construction in their collective understanding of political authority.

Bibliography: pages 93-108. / It still remains the case that there has been very little attention given to African Traditional Religion in Southern Africa by both Western and African authors. It is not an easy area to research for it no longer exists in its undisturbed coherent form, but only as preserved in fragmented bits of culture. This thesis attempts some reconstruction of Basotho religion just prior to their settlement in Lesotho and the arrival of the Christian traditions. It makes use of whatever sources are available both written and oral including interviews in the field. It also employs Cumpsty's theory of religion to raise some questions about what might be expected given what is known of the pre-history of the people. Through a critical analysis of various Basotho cultural elements, oral prayers, sayings, beliefs, songs, rites of passage and other customs, a picture of early Basotho religion begins to emerge focused around the Supreme Being, Water Snake, and his different manifestations. It seems that we are looking at a group who had never been settled until they came to Lesotho, although they may have remained in particular places for considerable periods of time. On the other hand they were probable not, as some other groups were, consciously migrating, looking for a place of their own. It may well be this situation which is reflected in the constant prioritizing of the high god (Water Snake) in their dealings with the ancestors, and even their direct dealings with Water Snake, while at the same time other aspects of transcendence do not become emphasized.

Thesis (M.T.S.)--Catholic Theological Union at Chicago, 1991. / Vita. Includes bibliographical references (leaves 90-91).

Bibliography: pages 368-396. / This thesis examines how Lesotho came to depend on the export of its men to South African mines; what the experiences of these men were; and how all this impacted on Basotho society during the years between c.1890 and 1940. The thesis is divided into three parts. Part I focuses on the context and dynamics of labour migration and recruitment in Lesotho during the late 1880s to the late 1930s. This Part lays the basis for subsequent sections by showing which sections of Basotho opted for labour migrancy; and why it was men and not women who, initially at least, became migrants. In discussing the decline of the Basotho economy in the 1920s and 1930s, this section also shows how this was characterised not only by dependence on migrants' earnings, but also by the orientation to and concentration of Basotho labour on the Witwatersrand gold mines. Part II discusses various themes relating to life and conditions on the mines and in the compounds during the period up to c.1940. While specific note is taken of the African miners' death and accident rate, most attention is devoted to the various ways which Basotho miners developed for dealing with the sickness, death and destitution befalling their compatriots in the compounds and on the mines. Conversion to Christianity was an important part of some miners experience, as church forums and the bible could be used for recreational purposes, while literacy classes imparted many with essential skills which could lead to promotion on the mine. But competition for promotion and favours, as well as conflicting survival strategies, often resulted in violent conflict among African miners. Although some scholars have mistakenly attributed such conflict to ethnic factors alone, this thesis argues for an approach which is simultaneously historically and materially grounded. Part III, by using the case of infectious and occupational diseases, and prostitution and commercial beer-brewing, traces and analyses the impact of the migrant labour system on Lesotho. The thesis shows how the spread to Lesotho of such diseases as syphilis and tuberculosis was directly linked to contact with South African towns and mining centres through wage labour. Beer canteens and brothels emerged and flourished in colonial Lesotho not only because of the decline of the country's economy and the breakdown of Basotho social structures, but also because these establishments serviced the migrant labour traffic itself. The significance of this study lies in two areas. Historiographically, this study seeks to contribute to migrant labour studies in Lesotho in particular and Southern Africa in general. Its approach stands between economism which attributes the causes of labour migrancy solely to economic factors, and those paradigms which privilege ideas and culture over material factors. There is a dialectical interplay between material factors and ideas, although the former ultimately determines the latter. Secondly, the significance of this study lies in the fact that many of the issues raised, especially those in Part III, continue to pose serious problems for Basotho people and their government to this day. Knowing something about the origins and history of these problems may contribute to finding lasting solutions. This study, therefore, is about Lesotho, Basotho, and the mines.

Bibliography: pages 131-146. / There is presently considerable debate as to the forms of relationships established between hunter-gatherers and their non-forager neighbours and whether relationships which are documented as having been established significantly affected these hunter-gatherer societies. In southern Africa, particular attention has been paid to the effects of such contact on hunter- gatherer communities of the south-western Cape and the Kalahari. The aim of this thesis has been to assess the nature and extent of relationships established between the south-eastern San and southern Nguni and Sotho communities and to identify the extent to which the establishment of these relationships may have brought about changes in the political, social and religious systems of south- eastern hunter-gatherers. General patterns characterising interaction between a number of San and non-San hunter-gatherer societies and farming communities outside the study area are identified and are combined with archaeological and historiographical information to model relationships between the south-eastern San and southern Nguni and Sotho communities. The established and possible effects of these relationships on some south-eastern San groups are presented as well as some of the possible forms in which changes in San religious ideology and ritual practice resultant upon contact were expressed in the rock art. It is suggested that the ideologies of many south-eastern San communities, rather than being characterised by continuity throughout the contact period, were significantly influenced by the ideological systems of the southern Nguni and Sotho and that paintings at the caves of Melikane and upper Mangolong, as well as comments made upon these paintings by the 19th century San informant, Qing, should be interpreted with reference to the religious ideologies and ritual practices of the southern Nguni and Sotho as well as those of the San. Other rock paintings in areas where contact between the south-eastern San and black farming communities was prolonged and symbiotic may need to be similarly interpreted.

This thesis states that the concepts of MODIMO [GOD] (Setiloane 1976) in Sotho Traditional Religion are different to the concepts of the Christian God. The notions of MODIMO are panentheistic (all pervading), whilst the notions of the Christian God are monotheistic. The notions of MODIMO are impersonal whilst those of the Christian God are personal. The monotheistic notions of the Christian God are Hellenized (p'Bitek 1970). The task of this thesis is to de-Hellenize the notions of MODIMO. The Sotho Traditional Religion attributes of deities emphasize their nature and the pragmatism more than their natural and moral attributes. The notions of the Christian God, on the other hand, are conceived through their moral and natural attributes. In addition, the conceptual content of the attributes of the Christian and Sotho Traditional Religion concepts of deities differ. This investigation seeks to present the Sotho concepts of MODIMO as Basotho would express them, to unearth the Sotho concepts of MODIMO and to present them with the concern and the consciousness of the syncretistic fusion (Kgatla 1992) that has inevitably happened due to contact with missionary Christianity and western culture. One feature of this contact was coercion and domination, as missionary-colonizers imposed their Hellenized concepts of the Christian God, as well as imposing the British capitalist mode of production on the African agrarian and pastoral communities in South Africa. The notion of the cultural superiority of western European culture, in which the missionaries and colonizers were immersed, blinded them. This was because of the 'world' from which they came from. Unfortunately, the Christian God they preached to Africans was a strange deity that had no consideration for African people as 'full' humans. The African concepts of MODIMO have been resilient and it is possible to unearth them. / Thesis (Ph.D.)-University of Natal, Pietermaritzburg, 2002.

Basotho family odes (diboko) form part of oral literature, and refer to names of families, clans or totems. They constitute poetic compositions conveying information about clans' historical origin, philosophy and ancestors. The performance of this oral art form makes use of formulaic techniques such as linking, parallelism, alliteration, etc., which are commonly used in praise poetry. As basis to the content of these oral art forms, the genealogies of the various Basotho clans are discussed to show the reflection of the progenitor names in the clan praises. The functions of family odes are of educational, social and religious nature. Other functions include their use in compositions of other genres, such as, praise poems, mine workers' chants, traditional doctors' falls (mawa) and songs. The recitation of this oral art form is characterised by the instability of the texts, which takes the form of extensions, additions, truncations, improvisations and genre transitions. / African Languages / M.A. (African Languages)

Text in English and some in Sesotho / This thesis examined how masculinity develops among the Basotho accordion music artists of the period 1980-2015 with an intention to propose the reshaping of masculinity conducive for a human society. Different factors that influence masculinity among the Basotho as represented by Basotho accordion music artists are scrutinized to find out how masculinity as a thematic aspect in the development of Basotho accordion music has been manifested over a period of thirty-five years. Psycho-masculinity is employed in the present study to find out the impact of the existing form of masculinity among the Basotho. The study concludes that the present form of masculinity among the Basotho is precarious, not only to women and to children, but also to men in their two categories: those who exhibit masculinity as well as those who do not show evidence of it. Therefore, the study recommends that the Basotho masculinity should pay attention to the limitations of masculinity in order to minimize and consequently eradicate its negative side while simultaneously promoting its positive side towards men, women and children at large. / Linguistics and Modern Languages / D. Phil. (Language, Linguistics and Literature)

Basotho family odes (diboko) form part of oral literature, and refer to names of families, clans or totems. They constitute poetic compositions conveying information about clans' historical origin, philosophy and ancestors. The performance of this oral art form makes use of formulaic techniques such as linking, parallelism, alliteration, etc., which are commonly used in praise poetry. As basis to the content of these oral art forms, the genealogies of the various Basotho clans are discussed to show the reflection of the progenitor names in the clan praises. The functions of family odes are of educational, social and religious nature. Other functions include their use in compositions of other genres, such as, praise poems, mine workers' chants, traditional doctors' falls (mawa) and songs. The recitation of this oral art form is characterised by the instability of the texts, which takes the form of extensions, additions, truncations, improvisations and genre transitions. / African Languages / M.A. (African Languages)