Thesis (M. A. (English Studies)) -- University of Limpopo, 2015 / Whereas research has exponentially increased on the understanding of new varieties of English worldwide, there is a paucity of studies that have assessed the degree to which Black South African English is shared and understood across a wider spectrum of the Bantu language speaking communities in South Africa. Because of this, research has been inconclusive on causes and frequencies of identified linguistic properties of the variety. This study investigated the tense and aspect usages in English among mother tongue speakers of Tshivenda learners to develop a taxonomy of characteristic features, sources of production and frequency of occurrence in an educational context. The study focused more attention on the role of mother tongue substrate system which transfers its features to the target language. After a contrastive analysis of the collected data, learners’ essays and storytelling, the findings of the study indicate that the occurrence of tense and aspect properties among grade 11 learners is first language (L1) induced and rule-governed. Secondly, the results show that the features occur with high frequency, suggesting that they are institutionalised. In particular, the study denotes that expressions of temporal reasoning follow the L1 grammatical structure that favours external formation to the verb phrase; i.e., verbal arguments are preferred to morphological conjugations. Based on these findings, it is concluded that the logic of temporal reasoning, described as Bantu language logic as developed by Makalela (2004, 2007, and 2013), rather than grammatical forms, is transferred in the production of BSAE tense and aspect properties. When seen in this light, it is evident that BSAE cuts across different Bantu languages of South Africa, it has evolved towards being an endonormative variety, relying on its own internal logic (substrate forms) to be a new and distinct variety of English. In the end, recommendations for more robust and large scale studies in high prestige domains such as the media and institutions of higher learning are made for augmentation of these findings.

This thesis provides a literature review on various topics related to the aims of the research project. In the process of sketching the rationale of this study, the language-in-education policy (LiEP) of South Africa is examined. The reasons why this policy is not successful, is discussed. Emanating from this discussion, the low literacy scores amongst young learners in South Africa are described and possible reasons for this occurrence are cited (Howie, Van Staden, Tshele, Dowse, & Zimmerman, 2012). The hypothesis that perceptual and articulation training of the vowels of English would enhance young English second language (Setswana first language-speaking) learners? awareness of English vowels, is posited and defended by referring to previous research (Moats, 2007; Trehearne, 2011; Seeff-Gabriel, 2003). In addition, it is stated that increased knowledge of the vowel system of English will improve English second language (EL2) learners? literacy skills (Moats, 2007). In order to explain and discuss the results of the investigations into the literacy skills of the EL2 learners participating in this study, the notions of literacy acquisition, phonological awareness skills, and language acquisition and language learning are examined. The main aim of this study is to assess the effects of intervention on the auditory perception and articulatory skills of English second language-speaking (EL2) (Setswana L1-speaking) learners in Grade 3, in the production of the monophthongs and diphthongs of the standard variety of South African English, namely White South African English (WSAfE) (Bekker, 2009). The effects are determined by acoustically comparing the vowel spaces of the participants before and after intervention. Therefore, a discussion of acoustic concepts such as the vowel space and the parameters thereof are provided. In addition, the vowels of WSAfE, those of Black South African English (BSAE), and the vowels of Setswana are discussed and compared according to their acoustic features. The results of this quasi-experimental, comparative study indicate that the vowel spaces of the EL1 and EL2 participants differ markedly before intervention, especially when comparing those of the short and long monophthongs of English. After intervention, the vowel spaces of especially the Experimental group are seen to approximate those of the EL1 participants in the Norm group. Interesting findings concerning the central schwa vowels and the diphthongs were made. These indicate that young EL2 (Setswana L1-speaking) learners do not use BSAE, but use a new? variety of English that is closer to WSAfE (Mesthrie, 2008). Pertaining to the measurable sub-aims of this study, the phonological awareness skills and literacy skills of the participants are assessed and compared, before and after intervention. The improvement of the phonological awareness skills and literacy skills of the Experimental group, as well as the changes in the vowel spaces that are noted for this group, prove the hypothesis that intervention in the form of additional input concerning the English vowels will enhance second language learners? perception and articulation. This strengthens the opinion that second language learners need quality teaching of the sound system of the language of learning and teaching. / Thesis (DPhil)--University of Pretoria, 2016. / African Languages / DPhil / Unrestricted

A dissertation submitted to the Faculty of Arts, University of the Witwatersrand, Johannesburg, in fulfilment of the criteria for the c[egree of Master of Arts / The literature produced by writers who align themselves with national liberation and resistance movements presents a serious challenge to dominant standards of literary . aesthetics. Resistance writing aims to break down the assumed division between art and politics. and in this view literature becomes an arena of conflict and struggle. This dissertation examines certain aspects of the poetry of Mongane Wally Serote in order to explore the relationship between aesthetics and resistance in his writing. Over the last two decades, Serote has made a significant contribution to the development of South African literature, and his work has important implications for literary criticism in South Africa. Chapter 1 looks at some of these implications by discussing the concept of resistance literature and the main issues arising from the debates and polemics surrounding the work of Serote and other black political writers. Perhaps the most important here is the need to construct a critical approach to South African resistance literature that can come to terms with both its aesthetic qualities and political effects. This kind of approach would in some way attempt to integrate the seemingly incompatible critical practices of idealism and materialism. Accordingly, Chapter 2 is a materialist approach to aspects of Serote's early poetry. The critical model used is a simplified version of the interpretive schema set out by Fredric Jameson in The Political Unconscious. This model enables a discussion of the poetry in relation to ideology, and also suggests ways of examining the discursive strategies and symbolic processes in this particular phase of Serote's development. Serote's later work is 'characterised by the attempt to create a unifying mythology of resistance. Chapter 3 thus looks at Serote's long poems from an idealist perspective that is based on the principles of myth-criticism, As this is a complex area, this chapter merely sketches the main features of Serote' s use of myth as a form of resistance, and then suggests further avenues of exploration along these lines. The dissertation concludes by pointing towards some of the implications of recent political developments in South Africa for Serote and other resistance writers. / Andrew Chakane 2018

A thesis submitted to the Faculty of Arts, University of the Witwatersrand, Johannesburg in fulfilment of the requirements for the degree of Master of Arts / This dissertation shows how both poets and their audiences have played a central role in the emergence of Durban Worker poetry. A review of critical responses to worker poetry concludes that insufficient attention has been paid to questions of audience. Performances of worker poetry are analysed, highlighting the conventions used by the audience when participating in and evaluating the poetry, Social, political and literary factors which have influenced the audience of worker poetry are explored, as are the factors which led to the emergence of worker poetry. In discussing the influence of the Zulu izibongo (praise poetry) on worker poetry, particular attention is paid to formal and performative qualities. The waye in Which worker poetry has been utilised by both poets and audience as a powerful intellectual resource are debated. Finally, the implications of publishing worker poetry via the media of print, audio-cassettes and video-Cassettes are discussed. / Andrew Chakane 2019

Several theorists (amongst whom Halliday & Matthiessen, 2004:175) have stated that the verb (or the verbal group) is the core element in clauses and is largely responsible for the grammatical structure of language. In spite of this pivotal role that verbs fulfil in clauses, lexical specificity is rarely investigated in this class. Instead researchers prefer to investigate lexical specificity in the noun class. It is against this background that the main purpose of this study is to investigate specificity in the lexical verbs of first language (L1) English users and Black South African English (BSAE) users. In order to achieve this aim the secondary aims of the study are: to develop a framework for the analysis of lexical specificity in the lexical verb word class (ii) to compare specificity with regard to lexical verbs in L1 English and BSAE by using corpora, which allows one to firstly test the analysis framework on corpus data and secondly to determine whether or not lexical verbs in BSAE are less specific than lexical verbs in L1 English (iii) to establish the reasons for the differences in lexical specificity with regard to lexical verbs between L1 English and BSAE English. In order to achieve these aims, two corpora were used: the Louvain Corpus of Native English Essays (also known as LOCNESS) that consists of texts written by a subpopulation of L1 English users and the Tswana Learner English Corpus (also known as the TLE) that consists of texts written by a subpopulation of BSAE users. The results obtained in this study were interpreted from both a systemic functional perspective and a cognitive perspective. The initial quantitative results indicated that even though the BSAE users use lexical verbs (tokens) more frequently than L1 English users do, the BSAE users have fewer lexical verb lemmas (types) at their disposal than the L1 English users. Statistical tests determined that the mean type/token ratio between the two independent corpora is not only significant, but that the degree to which there is more specificity in the lexical verbs of the L1 English users than in the lexical verbs of the BSAE users is large. Due to space constraints, the qualitative part of the study focused only on the communication verbs in LOCNESS and the TLE. In order to provide an in-depth overview of the communication verbs, the communication verbs were divided into five semantic subcategories (using frequency counts and semantic considerations). They are: (i) to say something in a particular manner] (ii) to say something in order to express one’s feelings] (iii) to say something in order to convey information] (iv) to say something to someone in order to elicit a certain response] (v) to say something in response to something already said] Each of these semantic categories in turn was divided into semantic subcategories to present a detailed insight into the communication verbs employed in both LOCNESS and the TLE. In the study it was determined that there is overall more specificity in the lexical verbs of the L1 English users than in the lexical verbs of the L2 English users. It was also determined that there is overall more lexical diversity within the lexical verbs of the L1 English users. The following factors influenced the lexical specificity and lexical diversity in the corpora: (i) In cases where more general communication verbs are elaborated by verbs containing manner elaborations, the BSAE users tend not to use the more specific verbs. (ii) Communication verbs that usually play an important role in academic literacy (such as summarise and argue) are used to a lesser extent by the BSAE users than the L1 English users. (iii) In cases where a communication verb could possibly belong to another semantic category (as is the case with the verbs stress and maintain) the BSAE users tend to avoid using the verbs as communication verbs. (iv) Some communication verbs (such as demand and beg) acquired additional meanings in BSAE. (v) Some essay topics in both LOCNESS and the TLE influenced the frequencies of some communication verbs in the respective corpora. Considering the factors above, it was found that being a L2 English user means that English will not always function in the same contexts for the BSAE users as it would for the L1 English users. Therefore the vocabulary of the BSAE users will only be specific and diversified in those semantic categories needed to function in certain contexts. Consequently, the findings of this study can be used to contribute to the development of pedagogical material in academic literacy courses being presented to BSAE users to create an awareness of the variation in English and all the contexts in which it can function. The findings can also be of value to researchers in the fields of lexicography and computational linguistics. / Thesis (M.A. (English))--North-West University, Vaal Triangle Campus, 2011

Several theorists (amongst whom Halliday & Matthiessen, 2004:175) have stated that the verb (or the verbal group) is the core element in clauses and is largely responsible for the grammatical structure of language. In spite of this pivotal role that verbs fulfil in clauses, lexical specificity is rarely investigated in this class. Instead researchers prefer to investigate lexical specificity in the noun class. It is against this background that the main purpose of this study is to investigate specificity in the lexical verbs of first language (L1) English users and Black South African English (BSAE) users. In order to achieve this aim the secondary aims of the study are: to develop a framework for the analysis of lexical specificity in the lexical verb word class (ii) to compare specificity with regard to lexical verbs in L1 English and BSAE by using corpora, which allows one to firstly test the analysis framework on corpus data and secondly to determine whether or not lexical verbs in BSAE are less specific than lexical verbs in L1 English (iii) to establish the reasons for the differences in lexical specificity with regard to lexical verbs between L1 English and BSAE English. In order to achieve these aims, two corpora were used: the Louvain Corpus of Native English Essays (also known as LOCNESS) that consists of texts written by a subpopulation of L1 English users and the Tswana Learner English Corpus (also known as the TLE) that consists of texts written by a subpopulation of BSAE users. The results obtained in this study were interpreted from both a systemic functional perspective and a cognitive perspective. The initial quantitative results indicated that even though the BSAE users use lexical verbs (tokens) more frequently than L1 English users do, the BSAE users have fewer lexical verb lemmas (types) at their disposal than the L1 English users. Statistical tests determined that the mean type/token ratio between the two independent corpora is not only significant, but that the degree to which there is more specificity in the lexical verbs of the L1 English users than in the lexical verbs of the BSAE users is large. Due to space constraints, the qualitative part of the study focused only on the communication verbs in LOCNESS and the TLE. In order to provide an in-depth overview of the communication verbs, the communication verbs were divided into five semantic subcategories (using frequency counts and semantic considerations). They are: (i) to say something in a particular manner] (ii) to say something in order to express one’s feelings] (iii) to say something in order to convey information] (iv) to say something to someone in order to elicit a certain response] (v) to say something in response to something already said] Each of these semantic categories in turn was divided into semantic subcategories to present a detailed insight into the communication verbs employed in both LOCNESS and the TLE. In the study it was determined that there is overall more specificity in the lexical verbs of the L1 English users than in the lexical verbs of the L2 English users. It was also determined that there is overall more lexical diversity within the lexical verbs of the L1 English users. The following factors influenced the lexical specificity and lexical diversity in the corpora: (i) In cases where more general communication verbs are elaborated by verbs containing manner elaborations, the BSAE users tend not to use the more specific verbs. (ii) Communication verbs that usually play an important role in academic literacy (such as summarise and argue) are used to a lesser extent by the BSAE users than the L1 English users. (iii) In cases where a communication verb could possibly belong to another semantic category (as is the case with the verbs stress and maintain) the BSAE users tend to avoid using the verbs as communication verbs. (iv) Some communication verbs (such as demand and beg) acquired additional meanings in BSAE. (v) Some essay topics in both LOCNESS and the TLE influenced the frequencies of some communication verbs in the respective corpora. Considering the factors above, it was found that being a L2 English user means that English will not always function in the same contexts for the BSAE users as it would for the L1 English users. Therefore the vocabulary of the BSAE users will only be specific and diversified in those semantic categories needed to function in certain contexts. Consequently, the findings of this study can be used to contribute to the development of pedagogical material in academic literacy courses being presented to BSAE users to create an awareness of the variation in English and all the contexts in which it can function. The findings can also be of value to researchers in the fields of lexicography and computational linguistics. / Thesis (M.A. (English))--North-West University, Vaal Triangle Campus, 2011

From Introduction: Thus for the black South African, the act of creative writing is inescapably a form of political action, and unless he turns his back on the reality which confronts him and retreats into a private imaginary world, it is also a form of social action, Yet Ezekiel Mphahlele has rightly cautioned that "creating an imaginary world" can never be an effective substitute for social act ion . Composing fictions about social and political problems is an indubitably oblique way of seeking a solution to them, and even the tendentious recreation of reality is only a metaphor for its actual transformation. Protest writing in South Africa is paradoxically a form of social action which is also only a parasitical imitation of social action, and therefore its avoidance . The freedom of literary creation described above is ambiguously not only a freedom to express reality, but also a freedom from the constraints of reality. And this suggests why the outlaw was such an important symbol to an earlier generation of rather more self-conscious writers.

My collection has the common theme of addiction: addictive personalities strung across the pages. Not only the usual addictions such as the daily-ritualized beer or joint, but also the pain of addiction to anti-social habits, pathologies, forbidden love, etc. I try to capture the behavior and life that surrounds addictions too: relationships, rehab, criminal behavior, all sorts of abuse, etc. Some of the stories are heavy-handed, slapping the reader in the face, some are subtler. Some are told with lightness and humor, some with gravity.

The autobiographical prison writings of four South African women - Ruth First, Caesarina Kana Makhoere, Emma Mashinini and Maggie Resha - form the focus of this study. South African autobiography is burdened with the task of producing history in the light of the silences enforced by apartheid security legislation and the dominance of representations of white histories. Autobiography with its promise of 'truth' provides the structure within which to establish a credible subject position. In chapter one I discuss the use of authenticating devices, such as documentary-like prose, and the inclusion in numerous texts of the stories of others. Asserting oneself as a (publicly acknowledged) subject in writing is particularly difficult for women who historically have been denied access to authority: while Maggie Resha's explicit task is to highlight the role women have played in the struggle, her narrative must also be broadly representative, her authority communal. As I discuss in chapter two, prison writing breaks the legal and psychological silences imposed by a hostile penal system. In a context of political repression the notion of the truth becomes complicated, because while it is important to be believed, it is also important, as with Ruth First, not to betray her comrades and values. The writer must therefore negotiate with the (imagined) audience if her signature is to be accepted and her subjectivity affirmed. The struggle to represent oneself in the inimical environment of prison and the redemptive value in doing so are considered in chapter three. The institution of imprisonment as a means of silencing political dissidence targets the body, according to Michel Foucault's theories of discipline and control explored in chapter four. Using the work of Lois McNay and Elizabeth Grosz I argue in chapter five that it is necessary also to pay attention to the specificities of female bodies which are positioned and controlled in particular ways. I argue, too, using N. Chabani Manganyi, that while anatomical differences provide the rationale for racism and sexism, the body is also an instrument for resisting negative cultural significations. For instance, Caesarina Kana Makhoere represents her body as a weapon in her political battle, inside and outside prison. The prison cell itself is formative of subjectivity as it returns an image of criminality and powerlessness to the prisoner. Following the work of human geographers in chapter six I argue that space and subjectivity are mutually constitutive, as shown by the way spatial metaphors operate in prison texts. The subject can redesign hostile space in order to represent herself. As these texts show, relations of viewing are crucial to self-identification: surveillance disempowers the prisoner and produces her as a victim, but prisoners have recourse to alternative ways of (visually) interacting in order to position the dominators as objects of their gaze, through speaking and then also through writing. Elaine Scarry's insights into torture are extended in chapter seven to encompass psychological torture and sexual harassment: inflicting bodily humiliation, as well as pain, on the body, brings it sharply into focus, making speech impossible. By writing testimony and by generating other scenes of dialogue through which subjectivity can be constructed (through being looked at and looking, through having the message of self affirmed in the other's hearing) it is possible to contain, in some way, the horror of detention and to assert a measure of control in authoring oneself. For Mashinini this healing dialogue must take place within an emotionally and ideologically sympathetic context. v For those historical subjects who have found themselves without a legally valued identity and a platform from which to articulate the challenge of their experience, writing a personal narrative may offer an invaluable chance to assert a truth, to reclaim a self and a credibility and in that way to create a kind of freedom. Bibliography: pages 173-182.

During the 1970s the plays of Pieter-Dirk Uys became causes celebres. In the 1980s he was, commercially and artistically, arguably the most successful South African satirist. By 1990 he had gained recognition in the United Kingdom, the United States of America, Canada, Australia, the Netherlands and Germany. Yet relatively little research has been undertaken or published which evaluates his contribution to South African theatre as a playwright and performer of political satire. This dissertation aims to document and assess the satiric work of Uys and that of his precursors and contemporaries. The first chapter identifies certain characteristic features and purposes of satire as a creative method which cannot be defined in purely literary terms. The views of local practitioners and references to its manifestation in various non-literary and indigenous forms are included to support the descriptive approach to satire in performance adopted in later chapters. Of necessity to a study of Uys's lampoons, Chapter 2 discusses the origins of lampoon and the theatrical presentation of actual persons by Aristophanes (the first extant Western playwright to do so). Both the textual and visual ridicule of Socrates, Euripides, Cleon and Lamachus are considered, to argue that Aristophanes employed the nominal character as a factional type to exemplify a concept for humorous rather than meliorative purposes. Part One of Chapter 3 is a necessarily selective survey of the diversity, style and censorship of satire in South Africa in various theatrical, literary and journalistic forms. Part Two describes the use of satire by Adam Leslie, Jeremy Taylor, Robert Kirby and, more recently, Paul Slabolepszy, Mark Banks, Ian Fraser, Eric Miyeni and the 'alternative' Afrikaners in plays and in revue, cabaret and stand-up comedy. Chapter 4 examines the principal themes of Uys's plays to date, the 1981-1992 revues as entertainment and as a reflection of certain social and political issues, the similarities between his theatrical praxis and that of Aristophanes, and his satiric strategies in performance: his preparatory and visual signifiers, his concern with proxemics, and his mastery of kinesics, paralanguage and chronemics in depicting a spectrum of fictional and non-fictional personae, including Evita Bezuidenhout, P.W. Botha and the Uys-persona. / Thesis (Ph.D.)-University of Natal, Durban, 1993.