El presente trabajo explora cómo el uso de los drones de carrera ayuda a crear una cobertura audiovisual deportiva automotriz en las competencias de derrapes en la ciudad de Lima, Perú. Además, se explicará cómo se iniciaron las competencias de derrapes en el país de origen de Japón, cómo se expandió alrededor del mundo, llegando incluso al Perú y sumado a esto la creación de los drones que, mediante décadas de innovación tecnológica, se han ido perfeccionando hasta hoy en día tener drones más pequeños y con más versatilidad de vuelo que permite a los operadores de drones y creadores de contenido explorar nuevas técnicas de filmación. / This work explores how the use of racing drones help create audiovisual automotive sports coverage in the drift competitions in Lima, Peru. In addition, it will be explained how the drift competitions began in the country of origin of Japan, how it expanded around the world, even reaching Peru and added to this the creation of drones that, through decades of technological innovation, have gone refining to this day having smaller, more versatile drones that allow drone operators and content creators to explore new filming techniques. / Trabajo de investigación

Research to date on women in the sports-media has predominantly concentrated on comparisons of the type and amount of media coverage afforded to sportsmen and women. This substantial body of literature has consistently revealed that sports-media continues to be viewed as an exclusively masculine domain, where women remain under- and misrepresented. While content analyses are important in revealing the sexist portrayal of sportswomen in the media, they do little to provide guidance to sociologists on why this continues to occur. Looking behind the scenes into how sports-media content is produced has rarely been explored internationally, and not at all in France, yet is integral to understanding the process through which gendered coverage is sustained. The aim of this exploratory case study was to redress the deficit of sports-media research in France by undertaking a study of those responsible for the production of sports media content. It was guided by the central question: what role do sports-media producers play in perpetuating dominant ideologies in sport? The nine participants were drawn from experienced male and female sports content decision makers (editors and higher) from the major, national television and print media in France. Data was collected through individual semi-structured, audio-recorded interviews and open coded using NVivo 8. The analysis, based around five themes (ideal profile, feedback, sport selection, women’s sport, blame), revealed that the patterns of sport media decision-making in France show many similarities and some differences to those observed in other countries, but that the end result is the same: sports media content remains dominated by men’s sport. Findings indicate that women’s sport is subject to much harsher editorial selection criteria. Conclusions were drawn on what role the makers of sports media content in France have in reproducing this hegemonic masculinity so inherent in sports coverage. The findings will enable stakeholders such as sociologists, journalism academics, sport media management and sports organisations to consider ways through which hierarchical values and accepted patriarchal practices in the sports-media industry can be transformed.