The primary objective of this study is to explore the social functions of drumming and singing based on the perspectives of three Northwest First Nations teachers named James (ʔUu-Kwa-Qum) [pronounced: OO-Kwa-Koom] Swan of the Ahousaht Nuu-chah-nulth Nation, Ax7wil [ACKh-wheel] of the Secwepemc [She-KWE-pem] and St̓át̓imc [Stat-lee-um-c] Nations, and Spuska7 [SPU-skah] of the St̓át̓imc Nations. It further aims to determine whether the author’s etic, or outsider, perspective on function can contribute new and useful insights into how drumming and singing function in diverse First Nations cultural contexts. Community involvement prior to the initiation of this study constituted a fundamental methodological step. Such involvement resulted in the acquaintances of James (ʔUu-Kwa-Qum) Swan, Ax7wil, and Spuska7, and facilitated participation in certain drumming and singing practices. Following processes of request for teachings and ethical and informed consent, interviews were conducted with James, Ax7wil, and Spuska7, which were transcribed and used as primary resources for this largely biographical study. The method of collaborative ethnography was applied, with each chapter being provided to the respective teacher for editing three weeks prior to a follow-up editing meeting. The combination of interview data and participatory research through community involvement resulted in a unique merging of observation, experience, and interpretation from three distinct perspectives: an intercultural perspective, between Nuu-chah-nulth, Secwepemc, and St̓át̓imc First Nations; an interpersonal perspective, between James, Ax7wil, and Spuska7; and an etic perspective, from the author’s analysis of data observed, experienced, and collected. Two main conclusions were drawn from this multivalent approach: firstly, while purpose and function, as defined from emic, or insider, perspectives were often analogous, the author’s etic analysis frequently defined functions distinct from purposes emically described. This difference was tentatively attributed to the fact that function, that is, what drumming and singing effectively do for those involved, may not be fully experienced by those lacking cultural background and understanding, and thus analysed and defined according to broader criteria. Secondly, it was suggested that from the author’s etic perspective, though the purpose of diverse drumming and singing practices according to the teachings of James (ʔUu-Kwa-Qum) Swan, Ax7wil, and Spuska7 were multifarious, a general overriding function was found to be the strengthening and affirmation of specific social relationships. / Graduate