- About
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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
Search results
Showing 1 to 10 of 25 (0.036 seconds)Spelling suggestions: "subject:"statuary"" "subject:"statuaria""
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Estatuetas funerárias egípcias da XXI dinastia (1970-945 a. C.)Araújo, Luís Manuel de, 1949- January 1998 (has links)
No description available.
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| 2 |
A insularidade de Canto da MaiaHenriques, Paulo, 1957- January 1989 (has links)
No description available.
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| 3 |
Imagens da morte-a escultura funerária do século XIX nos cemitérios de Lisboa e PortoMega, Rita January 2001 (has links)
No description available.
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| 4 |
A mulher na escultura em António Teixeira LopesTeixeira, José Manuel da Silva January 2001 (has links)
No description available.
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| 5 |
A escultura como símbolo nos jardins do silêncio-1850-1925 : cemitérios do Alto de S. João e PrazeresVareda, Júlia Piedade de Sousa Rosa January 2001 (has links)
No description available.
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| 6 |
Alabastros medievais ingleses nos museus de PortugalSanta-Rita, Sílvia Maria Monteiro de Sousa January 2000 (has links)
No description available.
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| 7 |
Arte Pública-sua identidade e funçãoCorreia, Victor Manuel dos Santos January 2002 (has links)
No description available.
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| 8 |
Claude de Laprade e o túmulo da Vista AlegreLopes, José Maria da Silva January 2001 (has links)
No description available.
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| 9 |
The Image of Antinous in Imperial IdeologyFleming, James 14 May 2019 (has links)
The statues of Antinous, Hadrian’s favourite, are often believed to be primarily products of Hadrian’s philhellenism. The easiest explanation for Antinous’ unusual historical profile is that Hadrian loved Greek culture, Antinous was Greek, and the statues, mimicking Greek art, are an extravagant commemorative effort. Closer examination reveals that this is too simplistic an explanation. By quantifying extant statues of Antinous based on provenance and iconography, summarizing Hadrian’s ideology, examining Hadrian’s own image, and considering the cult of Antinous, we can see that Antinous played an important role in Hadrian’s ideology. His cult was a social and religious unifier and helped bridge the gaps between communities and foster shared pride and community amongst adherents; the statues, often cultic objects, visually conveyed this purpose through various iconographic connections to other cults. All this complemented Hadrian’s agenda of imperial unity and consolidation. Philhellenism cannot be denied entirely, but the primary purpose of Antinous’ statues was ideological.
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| 10 |
Escultura funerária portuguesa do século XVDavid, Dionísio M. M. January 1990 (has links)
No description available.
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