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1	Religion und Erinnerung : die Religionspolitik Kaiser Hadrians und ihre Rezeption in der antiken Literatur / Kuhlmann, Peter, January 1900 (has links) Texte remanié de: Habilitationsschrift--Fachbereich Geschichts- und Kulturwissenschaften--Gießen--Justus-Liebig-Universität, Wintersemester 2000/2001. / Bibliogr. p. 265-287. Index.
2	The equestrian officials of Trajan and Hadrian their careers, Lacey, Raymond Henry, January 1917 (has links) Thesis (Ph. D.)--Princeton University, 1915. Hadrian, Trajan, Equestrian order (Rome)
3	The Emperor Hadrian as portrayed by Madame Marguerite Yourcenar Goserud, Donna Maria Pinter. January 1976 (has links) Thesis (M.A.)--Kutztown State College, 1976. / Source: Masters Abstracts International, Volume: 45-06, page: 2852. Typescript. Includes bibliographical references (leaves 59-61).
4	The equestrian officials of Trajan and Hadrian their careers, Lacey, Raymond Henry, January 1917 (has links) Thesis (Ph. D.)--Princeton University, 1915. Hadrian, Trajan, Equestrian order (Rome)
5	Kommentar zur Vita Hadriani der Historia Augusta Fündling, Jörg. January 2006 (has links) Thesis (doctoral)--Rheinische Friedrich-Wilhelms-Universität, Bonn, 2005. / Includes bibliographical references and indexes. Hadrian, Historia Augusta (anoniem) Rome
6	Kommentar zur Vita Hadriani der Historia Augusta Fündling, Jörg. January 2006 (has links) Thesis (doctoral)--Rheinische Friedrich-Wilhelms-Universität, Bonn, 2005. / Includes bibliographical references and indexes. Hadrian, Historia Augusta (anoniem) Rome
7	De fontibus vitarum Hadriani et Septimii Severi imperatorum ab Aelio Spartiano conscriptarum ... Perino, Emil. January 1880 (has links) Inaug.-diss.--Freiburg i. B.
8	The Image of Antinous in Imperial Ideology Fleming, James 14 May 2019 (has links) The statues of Antinous, Hadrian’s favourite, are often believed to be primarily products of Hadrian’s philhellenism. The easiest explanation for Antinous’ unusual historical profile is that Hadrian loved Greek culture, Antinous was Greek, and the statues, mimicking Greek art, are an extravagant commemorative effort. Closer examination reveals that this is too simplistic an explanation. By quantifying extant statues of Antinous based on provenance and iconography, summarizing Hadrian’s ideology, examining Hadrian’s own image, and considering the cult of Antinous, we can see that Antinous played an important role in Hadrian’s ideology. His cult was a social and religious unifier and helped bridge the gaps between communities and foster shared pride and community amongst adherents; the statues, often cultic objects, visually conveyed this purpose through various iconographic connections to other cults. All this complemented Hadrian’s agenda of imperial unity and consolidation. Philhellenism cannot be denied entirely, but the primary purpose of Antinous’ statues was ideological. Antinous Portraiture Ideology Hadrian Cult Iconography Philhellenism Statuary
9	Hadrian's Wall : romanization on Rome's northern frontier / Haskett, Joshua P. January 2009 (has links) Thesis (M.A.)--Boise State University, 2009. / Includes abstract. Includes bibliographical references (leaves 89-94).
10	Hadrian's Wall romanization on Rome's northern frontier / Haskett, Joshua P. January 2009 (has links) Thesis (M.A.)--Boise State University, 2009. / Title from t.p. of PDF file (viewed June 30, 2010). Includes abstract. Includes bibliographical references (leaves 89-94).

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