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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Jan Steen "de kluchtschilder"

Vries, Lyckle de, January 1977 (has links)
Thesis--Groningen. / At head of title: Rijksuniversiteit Groningen. "Stellingen" ([4] p.) inserted. Summary in German. Includes bibliographical references.
2

Counterbalancing classicism : Jan Steen and the 'socratic style' /

Cloutier-Blazzard, Kimberlee Ann. January 2003 (has links)
Thesis (Ph. D.)--University of Virginia, 2003. / Includes bibliographical references (leaves 233-242). Also available online through Digital Dissertations.
3

The mother in seventeenth-century Dutch art

Dick, Christina Sorrell. January 2009 (has links) (PDF)
Thesis (M.A.)--University of Alabama at Birmingham, 2009. / Title from PDF title page (viewed Jan. 25, 2010). Includes bibliographical references (p. 74-76).
4

The battle of changing times : picaresque parodies from Bruegel to Grosz

Cornew, Clive 11 1900 (has links)
This study focuses on Bruegel's parodic legacy in the picaresque tradition. It is based, on the one hand, on visual rhetoric, visual parody, and the poetics of epideictic rhetoric; and, on the other, on the interaction between epideictic rhetoric's salient features and the Bruegelian themes of camivalisation, the satirising of human folly, and the ontic order of the World Upside Down topos as organising principles. The relationships between the above themes are chronologically traced in various disguises in pictures by representative picaresque artists from the sixteenth to the twentieth centuries: i.e., in Bruegel, Steen, Hogarth, Daumier, and Grosz. Each of these picaresque artists battled with their own times, parodying the paradigmatic targets of the high mode, in both social and genre hierarchy, and in doing so revealed the complexities of the above themes at work within an ever changing context-bound rhetoricity. / Art History, Visual Arts & Musicology / Thesis (D.Litt. et Phil.)
5

The battle of changing times : picaresque parodies from Bruegel to Grosz

Cornew, Clive 11 1900 (has links)
This study focuses on Bruegel's parodic legacy in the picaresque tradition. It is based, on the one hand, on visual rhetoric, visual parody, and the poetics of epideictic rhetoric; and, on the other, on the interaction between epideictic rhetoric's salient features and the Bruegelian themes of camivalisation, the satirising of human folly, and the ontic order of the World Upside Down topos as organising principles. The relationships between the above themes are chronologically traced in various disguises in pictures by representative picaresque artists from the sixteenth to the twentieth centuries: i.e., in Bruegel, Steen, Hogarth, Daumier, and Grosz. Each of these picaresque artists battled with their own times, parodying the paradigmatic targets of the high mode, in both social and genre hierarchy, and in doing so revealed the complexities of the above themes at work within an ever changing context-bound rhetoricity. / Art History, Visual Arts and Musicology / Thesis (D.Litt. et Phil.)

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