Thesis (doctoral)--Friedrich-Wilhelm-Universität zu Bonn, 1985. / Vita. Includes bibliographical references.

This dissertation addresses the question: how might the Sufi master, Muḥyī al-Dīn Ibn al-ʿArabī (1165-1240 CE), have read the Gospel of John? Although the Gospel of John belongs originally to the Christian tradition, this dissertation is a contribution to Islamic Studies, endeavoring to illuminate Ibn al-ʿArabī’s distinctive manner of reading religious texts and to highlight features of his negotiation of a dual heritage from Jesus and Muḥammad. To set Ibn al-ʿArabī’s thought against an Islamic backdrop and situate it in an Islamic context, this dissertation adopts the device of constructing a commentary, guided by seminal passages in Ibn al-ʿArabī’s written corpus, on an Arabic translation of the Gospel of John: the Alexandrian Vulgate, widely circulated in the Arab world during Ibn al-ʿArabī’s time. This amounts not only to a comparison between Johannine doctrines and Ibn al-ʿArabī’s doctrines, but also a comparison between the latter and historical Muslim commentaries on the Christian scriptures—particularly the Biblical commentary (in circulation by the thirteenth century) attributed to the famed Sufi theologian Abū Ḥāmid al-Ghazālī, and the fourteenth-century Muslim Biblical commentary by Najm al-Dīn al-Ṭūfī (d. 1316 CE). Part I of the dissertation establishes a foundation for the commentary, inquiring into Ibn al-ʿArabī’s general attitudes towards non-Islamic religions, then considering autobiographical accounts of his relationship to Christianity, the question of his familiarity with the New Testament, and illustrations of his creative engagement with Christian doctrines. Part II of the dissertation constitutes the commentary, considering Ibn al-ʿArabī’s possible views on a number of Johannine doctrines: Jesus’ claim to have been the son of God; Jesus’ claim to have been one with God; the doctrine that Jesus was the embodied Word; the expiatory and epistemic functions of the embodied Word (paralleled by a dialectic relationship between two divergent kinds of witnessing); and the rumor, at the end of the Gospel of John, that the Beloved Disciple would never die.

Thesis (Ph.D.)--York University, 2006. Graduate Programme in History. / Typescript. Includes bibliographical references (leaves 331-350). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:NR39017

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<p>This study is a theoretical research concerning Ibn Arabi's Sufi experience and his philosophy of the &quot / unity of being&quot / (also his poetical talent). I therefore adopted the historical and analytical methodologies to analyse and reply on the questions and suggestions I have raised in this paper. Both of the methodologies reveal the actual status of the Sufism of Ibn Arabi who came with a challenging sufi doctrine. Also, in the theoretical methodology I attempt to define Sufism by giving a panoramic history of it. I have also researched Ibn Arabi's status amongst his contemporaries for example, Al-Hallaj and Ibn Al Farid, and how they influenced him as a Sufi thinker during this time.</p> <p><br /> In the analytical study I explore the poems &quot / Tarjuman al Ashwaq&quot / of Ibn Arabi, of which I have selected some poems to study analytically. Through this I discovered Ibn Arabi's Sufi inclinations and the criticisms of various literary scholars, theologians, philosophers and also sufi thinkers, both from the East and the West. In this analysis I have also focused on the artistic value of the poetry which he utilized to promote his own doctrine &quot / the unity of being.&quot / </p>

<p>This study is a theoretical research concerning Ibn Arabi's Sufi experience and his philosophy of the &quot / unity of being&quot / (also his poetical talent). I therefore adopted the historical and analytical methodologies to analyse and reply on the questions and suggestions I have raised in this paper. Both of the methodologies reveal the actual status of the Sufism of Ibn Arabi who came with a challenging sufi doctrine. Also, in the theoretical methodology I attempt to define Sufism by giving a panoramic history of it. I have also researched Ibn Arabi's status amongst his contemporaries for example, Al-Hallaj and Ibn Al Farid, and how they influenced him as a Sufi thinker during this time.</p> <p><br /> In the analytical study I explore the poems &quot / Tarjuman al Ashwaq&quot / of Ibn Arabi, of which I have selected some poems to study analytically. Through this I discovered Ibn Arabi's Sufi inclinations and the criticisms of various literary scholars, theologians, philosophers and also sufi thinkers, both from the East and the West. In this analysis I have also focused on the artistic value of the poetry which he utilized to promote his own doctrine &quot / the unity of being.&quot / </p>

Magister Artium - MA / This study is a theoretical research concerning Ibn Arabi's Sufi experience and his philosophy of the &quot;unity of being&quot; (also his poetical talent). I therefore adopted the historical and analytical methodologies to analyse and reply on the questions and suggestions I have raised in this paper. Both of the methodologies reveal the actual status of the Sufism of Ibn Arabi who came with a challenging sufi doctrine. Also, in the theoretical methodology I attempt to define Sufism by giving a panoramic history of it. I have also researched Ibn Arabi's status amongst his contemporaries for example, Al-Hallaj and Ibn Al Farid, and how they influenced him as a Sufi thinker during this time.In the analytical study I explore the poems &quot;Tarjuman al Ashwaq&quot; of Ibn Arabi, of which I have selected some poems to study analytically. Through this I discovered Ibn Arabi's Sufi inclinations and the criticisms of various literary scholars, theologians, philosophers and also sufi thinkers, both from the East and the West. In this analysis I have also focused on the artistic value of the poetry which he utilized to promote his own doctrine &quot;the unity of being.&quot; / South Africa

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This dissertation engages a cultural discussion on time concepts that took place between Arab thinkers and creative writers in the aftermath of the June War of 1967 against Israel and the onset of a period of Arab cultural self-critique. It focuses on a set of intellectual projects and examines their propositions on Islamic notions of time and their place in the modernity of Arab thought. Intellectuals such as the Syrian poet Adonis (b. 1930), the Moroccan philosopher Mohammed ʿAbed al-Jabri (1935-2000), and the Lebanese psychologist Mustapha Hijazi (b. 1937) critiqued the alleged Arab “event-based” and “discontinuous” perception of time which lacks the notion of the temporal as a homogenous impersonal medium. Focusing on the example of Sufism, they argued that time in the Islamic worldview is a heterogenous mix of sacred and profane events in an ontology deprived of change. My dissertation debates these findings in two ways. I first draw on the French philosopher Henri Bergson’s concept of “duration” to problematize these thinkers’ discursive ideal of homogenous time which imposes on the heterogeneity of lived temporality the attributes of space and, as such, produces a mechanistic vision of the world. I then focus on the discourse of Ibn ʿArabi (d. 637/1240) and Mulla Sudra (d. 1049/1640) to demonstrate that Sufism advances a view of time as a flux of change internal to the life of the soul and leading to moral self-perfection. Finally, my dissertation focuses on alternative Arabic engagements with Sufi writings on time through the works of the Moroccan ethicist ʿAbdurrahman Taha (b.1944), the Iraqi Marxist Hadi al-ʿAlawi (1933-1998), and the Egyptian novelist Gamal al-Ghitani (1945-2015). I argue that these thinkers and writers draw on the heterogeneity of time in Sufism to critique the semantic neutrality and abstraction of modern time which depends on capitalism as a life form.