Practical Theology / D.Litt. et Phil. (Theory of Literature)

Philosophy, Practical and Systematic Theology / D.Litt. et Phil. (Theory of Literature)

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Contemporary literary approaches have caused paradigm shifts in Biblical Studies in the last two decades as it appears in a great deal of Markan studies using narrative, reader-response, deconstructive, feminist, and new historicist approaches. However, literary studies on the Gospel of Mark have not taken into account theoretical questions underlying those approaches. As a result biblical critics are driven by new trends without ever having a chance to examine the critical baggage of the approaches. Consequently, there is a gap of communication between the old and the new one. Therefore this thesis is an attempt to meet the need of enhancing the quality of critical endeavour in biblical studies. In the light of most recent competing critical theories of literature, the first contribution of this thesis is the methodological finding that Bakhtinian dialogic criticism contains the most profound philosophical and practical foundations for solving some crucial theoretical problems in contemporary literary theories. It is a critique to a Saussurian linguistic system of language which becomes the very foundation of modern and postmodern literary criticism. Bakhtinian literary theory shifts the foundation of literary criticism on linguistic signs into the creative activity of the socio-cultural production of human communication. The shift into socio-cultural reality of language communication makes the notion of 'genre' very important to unlock the problem of text and context in literary studies. Since the Gospel of Mark has fascinated most literary critics in Biblical Studies, the problem of 'genre' of this gospel is chosen as the focus of this study. Secondly, as no agreement is reached as to what 'genre' the Gospel of Mark belongs, this thesis makes its contribution to the discussion by locating the problem of 'genre' of Mark in the context of genre theories and argues that the Bakhtinian suggestion to find genre in the socio-cultural sphere by analysing artistic intercourse between narrative agents in Mark has freed the competing analysis from the unresolved problem between the kerygmatic (content oriented) approach and the analogical (form oriented) approach. To achieve finding 'genre' in the socio-cultural sphere, this thesis focuses on Bakhtinian analysis of the process of artistic intercourse between narrative agents. The narrative communicative interrelationships between narrative agents is constructed in this thesis as a 'stereophonic' Bakhtinian model of dialogic communication. This model is an original contribution of this thesis for revising the traditional two dimensional model of narrative communication. Based on this dialogical model of communication, a special role is given to the Bakhtinian 'author-creator' in the realization process of genre through the interaction of polyphonic voices. Through the interaction of voices of the author-artist and the hero we are led to discover a relatively stable type of portraying and controlling reality in Mark, known as the genre of Roman 'satire'. The closest literary affinity is Satyrica by Petronius. This narrative strategy of 'satire' in Mark has its root in the prophetic discourse of the Old Testament which is saturating the speech of the narrator, John the Immerser, the centurion, the people, and even Jesus. Finally, the whole search for Markan 'genre' culminates in the analysis of the realization of genre through the analysis of Bakhtinian chronotope. The reality of the genre of Mark is its social reality that is in its role as dpxrj/ 'beginning'. As the Gospel of Mark proclaims itself as 'a beginning', it defines its claim of socio-cultural 'authority' in early Christianity. It is this 'sense of beginning' which enables the narrating and the narrated world of Mark to interact dialogically.

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M.Litt. et Phil. / Die boek Openbaring word nie net deur helder en dramatiese beelde gekenmerk nie, maar ook deur die verskeidenheid name wat aan Jesus gegee word. Elke naam hou verband met een of meer eienskappe van Jesus en dui op 'n aspek van sy funksie binne God se verlossingsplan. In die simboliek van Openbaring staan die plek en rol van die Lam sentraal in die afloop van die eskatologiese gebeure. Hy wat as Leeu van Juda histories van Dawid afstam, maar as lam "geslag, (tot versoening aan God geoffer) is het die bevoegdheid ontvang om die boekrol met sewe seels in die hand van God oop te maak (hfst.5). Volgens Botha, De Villiers en Engelbrecht (1988:12) bevat Openbaring 'n potpourri van motiewe en idees wat verband hou met ander godsdienste of Bybelse tye byvoorbeeld Persiese, Babiloniese en Gnostiese motiewe. Die invloed van die ou Oosterse mitologie kan duidelik bespeur word in byvoorbeeld die Babiloniese weergawe van die stryd tussen die Skepper en 'n grout seemonster'. Ook die "hemelse tablette" wat tydens die Nuwejaarsfees 'n uiters belangrike rol gespeel het wanneer die god, Marduk, die draak, Tiamat oorwin en die tablette in sy hand geplaas word om sy mag en oorwinning aan te dui. In Openbaring het die Lam alleen die mag om die boek uit die hand van God te neem en die seals daarvan te breek. Die boekrol wat Johannes sien, bevat al die inligting van God se planne met die geskiedenis. Die feit dat die boekrol met sewe seels verseel is, is 'n aanduiding daarvan dat dit volkome geslote en ontoeganklik is. Niemand in die hemel, op die aarde of onder die aarde kon gevind word om God se plan vir die wereldgeskiedenis te laat oopvou nie. Totdat een van die ouderlinge die aandag vestig dat Jesus Christus, die Lam, waardig is om die seels te breek.

This dissertation addresses the question: how might the Sufi master, Muḥyī al-Dīn Ibn al-ʿArabī (1165-1240 CE), have read the Gospel of John? Although the Gospel of John belongs originally to the Christian tradition, this dissertation is a contribution to Islamic Studies, endeavoring to illuminate Ibn al-ʿArabī’s distinctive manner of reading religious texts and to highlight features of his negotiation of a dual heritage from Jesus and Muḥammad. To set Ibn al-ʿArabī’s thought against an Islamic backdrop and situate it in an Islamic context, this dissertation adopts the device of constructing a commentary, guided by seminal passages in Ibn al-ʿArabī’s written corpus, on an Arabic translation of the Gospel of John: the Alexandrian Vulgate, widely circulated in the Arab world during Ibn al-ʿArabī’s time. This amounts not only to a comparison between Johannine doctrines and Ibn al-ʿArabī’s doctrines, but also a comparison between the latter and historical Muslim commentaries on the Christian scriptures—particularly the Biblical commentary (in circulation by the thirteenth century) attributed to the famed Sufi theologian Abū Ḥāmid al-Ghazālī, and the fourteenth-century Muslim Biblical commentary by Najm al-Dīn al-Ṭūfī (d. 1316 CE). Part I of the dissertation establishes a foundation for the commentary, inquiring into Ibn al-ʿArabī’s general attitudes towards non-Islamic religions, then considering autobiographical accounts of his relationship to Christianity, the question of his familiarity with the New Testament, and illustrations of his creative engagement with Christian doctrines. Part II of the dissertation constitutes the commentary, considering Ibn al-ʿArabī’s possible views on a number of Johannine doctrines: Jesus’ claim to have been the son of God; Jesus’ claim to have been one with God; the doctrine that Jesus was the embodied Word; the expiatory and epistemic functions of the embodied Word (paralleled by a dialectic relationship between two divergent kinds of witnessing); and the rumor, at the end of the Gospel of John, that the Beloved Disciple would never die.

This dissertation seeks to find Christ in the Old Testament by examining the targumic passages in which Memra, Shekinah, or Yeqara occur as God's agent or manifestation. Chapter 1 demonstrates that scholars view the Memra, Shekinah, and Yeqara as agents for God or manifestations of God even though many scholars reject the notion of Christological implications found in the New Testament appropriation of these terms and concepts. Chapter 2 discusses the close connection between the targumic Memra, Shekinah, and Yeqara and the New Testament by citing clear instances where the New Testament authors appropriated targumic terms and concepts to speak of Jesus. By using targumic terms and concepts, the New Testament authors provided an exegetical method for finding Christ in the Old Testament through Targum. Chapter 3 examines the occurrences of Memra, presenting examples of passages that certainly refer to Christ, do not refer to Christ, and probably refer to Christ. In this chapter, the Memra refers to Christ or probably refers to Christ when the Memra functions as God's agent, carrying out God's work in the world. Chapter 4 investigates the occurrences of Shekinah and Yeqara, but under the influence of the New Testament, nearly all of the occurrences of Shekinah, and most occurrences of Yeqara refer to Jesus. Shekinah and Yeqara are delineated into categories of occurrences that refer to God's manifestation and God's manifestation with agency. Even though most occurrences of Shekinah and Yeqara refer to Christ, some occurrences of Yeqara are a literal translation of the Hebrew and do not refer to Jesus. Chapter 5 concludes the dissertation by tying several themes together to show the consistency and validity of finding Christ in the Old Testament through Aramaic terms and concepts. This dissertation argues that when the Memra, Shekinah, or Yeqara appear as God's agent(s) or as manifestations of God, one may find Christ in those Old Testament passages. One may find Christ in these passages because the New Testament authors present Jesus as the premier agent and manifestation of God using targumic terms and concepts.

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