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Pornocultura e feminismo : as SuicideGirls ao vivo no FacebookAngonese, Marjulie January 2018 (has links)
Este estudo teve como objetivo compreender as manifestações nos discursos de modelos SuicideGirls das ideologias feministas e de poder capitalístico. Esta dissertação teve como esforço teórico entrecruzar conceitos relativos à subjetivação proporcionada pelas pressões ideológicas, tanto feministas quanto de poder capitalístico, aos ligados ao domínio da performance. Nesse sentido, foram realizadas entrevistas semiestruturadas junto a quatro SuicideGirls e analisados seus discursos, bem como de vídeos transmitidos ao vivo por elas no Facebook. A pesquisa considera que as transmissões por streaming analisadas estão inseridas em um contexto pornocultural, já que o site divulga fotos de soft porn. Como resultado, a análise de discurso apontou para concepções de autonomia feminina calcadas em objetivos provenientes do capitalismo e para o desejo conflitante das participantes de não terem seus corpos considerados como mercadorias pornificadas. Os discursos apontam para uma chancela econômica conferida pelo status de SuicideGirl para aquisição do capital social necessário para serem influenciadoras digitais. / This study aimed to understand the manifestations in the discourses of SuicideGirls models of feminist ideologies and capitalist power. This dissertation had as a theoretical effort to interrelate concepts related to the subjectivation provided by ideological pressures, both feminist and capitalist power, to those related to the performance domain. In this sense, semi-structured interviews were conducted with four SuicideGirls and analysed their speeches, as well as videos transmitted live by them on Facebook. The research considers that the streaming streams analysed are inserted in a pornocultural context, since the site publishes photos of soft porn. As a result, the discourse analysis pointed to conceptions of female autonomy based on goals from capitalism and to the participants' conflicting desire for not having their bodies considered as pornographic goods. The speeches point to an economic seal bestowed by SuicideGirl status to acquire the social capital necessary to be digital influencers.
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Pornocultura e feminismo : as SuicideGirls ao vivo no FacebookAngonese, Marjulie January 2018 (has links)
Este estudo teve como objetivo compreender as manifestações nos discursos de modelos SuicideGirls das ideologias feministas e de poder capitalístico. Esta dissertação teve como esforço teórico entrecruzar conceitos relativos à subjetivação proporcionada pelas pressões ideológicas, tanto feministas quanto de poder capitalístico, aos ligados ao domínio da performance. Nesse sentido, foram realizadas entrevistas semiestruturadas junto a quatro SuicideGirls e analisados seus discursos, bem como de vídeos transmitidos ao vivo por elas no Facebook. A pesquisa considera que as transmissões por streaming analisadas estão inseridas em um contexto pornocultural, já que o site divulga fotos de soft porn. Como resultado, a análise de discurso apontou para concepções de autonomia feminina calcadas em objetivos provenientes do capitalismo e para o desejo conflitante das participantes de não terem seus corpos considerados como mercadorias pornificadas. Os discursos apontam para uma chancela econômica conferida pelo status de SuicideGirl para aquisição do capital social necessário para serem influenciadoras digitais. / This study aimed to understand the manifestations in the discourses of SuicideGirls models of feminist ideologies and capitalist power. This dissertation had as a theoretical effort to interrelate concepts related to the subjectivation provided by ideological pressures, both feminist and capitalist power, to those related to the performance domain. In this sense, semi-structured interviews were conducted with four SuicideGirls and analysed their speeches, as well as videos transmitted live by them on Facebook. The research considers that the streaming streams analysed are inserted in a pornocultural context, since the site publishes photos of soft porn. As a result, the discourse analysis pointed to conceptions of female autonomy based on goals from capitalism and to the participants' conflicting desire for not having their bodies considered as pornographic goods. The speeches point to an economic seal bestowed by SuicideGirl status to acquire the social capital necessary to be digital influencers.
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Pornocultura e feminismo : as SuicideGirls ao vivo no FacebookAngonese, Marjulie January 2018 (has links)
Este estudo teve como objetivo compreender as manifestações nos discursos de modelos SuicideGirls das ideologias feministas e de poder capitalístico. Esta dissertação teve como esforço teórico entrecruzar conceitos relativos à subjetivação proporcionada pelas pressões ideológicas, tanto feministas quanto de poder capitalístico, aos ligados ao domínio da performance. Nesse sentido, foram realizadas entrevistas semiestruturadas junto a quatro SuicideGirls e analisados seus discursos, bem como de vídeos transmitidos ao vivo por elas no Facebook. A pesquisa considera que as transmissões por streaming analisadas estão inseridas em um contexto pornocultural, já que o site divulga fotos de soft porn. Como resultado, a análise de discurso apontou para concepções de autonomia feminina calcadas em objetivos provenientes do capitalismo e para o desejo conflitante das participantes de não terem seus corpos considerados como mercadorias pornificadas. Os discursos apontam para uma chancela econômica conferida pelo status de SuicideGirl para aquisição do capital social necessário para serem influenciadoras digitais. / This study aimed to understand the manifestations in the discourses of SuicideGirls models of feminist ideologies and capitalist power. This dissertation had as a theoretical effort to interrelate concepts related to the subjectivation provided by ideological pressures, both feminist and capitalist power, to those related to the performance domain. In this sense, semi-structured interviews were conducted with four SuicideGirls and analysed their speeches, as well as videos transmitted live by them on Facebook. The research considers that the streaming streams analysed are inserted in a pornocultural context, since the site publishes photos of soft porn. As a result, the discourse analysis pointed to conceptions of female autonomy based on goals from capitalism and to the participants' conflicting desire for not having their bodies considered as pornographic goods. The speeches point to an economic seal bestowed by SuicideGirl status to acquire the social capital necessary to be digital influencers.
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Sémioprostor Self v diskurzu webových stránek SuicideGirls.com a facebookové skupiny Suicide Girls Czech / Semiospace of self in discourse of webpage suicidegirls.com and facebook community suicide girls czechVávra, Jan January 2014 (has links)
The erotic website SuicideGirls.com can be viewed in the context of striptease culture. The term was coined by the sociologist Brian McNair in 2002 in order to describe the tendency to openly theme the human sexuality within media content. Simultaneously with the metaphorical and literal exposing, the intimacy is being constructed within the discourse as an expression of true self and, as Feona Attwood develops McNair's claims speaking about sexualization of culture, the representation becomes the selfrepresentation. The SuicideGirls present themselves especially on soft-pornographic photographs through a significant alternative stylization, mostly tattoos and piercing. While for example Megan Jean Harlow (2009), a feminist critique representative, considers the style-creating elements of tattoo as an expression of distinctive practices, according to Shoshana Magnet (2007) the soft-pornographic mode of representation reduces the distinctiveness of SuicideGirls to a certain form of standard pornography. The semiotic and psychoanalytical interpretation of SuicideGirls.com focuses on softpornographic symbolic of the distinctiveness perceived by the community. Jacques Lacan's mirror stage concept explains the principles of subject's identification with his or her specular image. It is also important to...
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