À commencer avec les premiers contacts présentés dans le Chapitre 1, jusqu'à l'essor des relations franco-roumaines, nous avons restitué par cette thèse une image sur la manière dans laquelle a été bâtie et développée l'histoire commune des deux peuples, de sorte que nous pouvons parler finalement du franco - roumanisme en tant que phénomène d'ampleur. Le document sur lequel se basent nos études est la première édition du Règlement Organique, rédigé en alphabet cyrillique, mais la variante qui nous a été très utile est la variante bilingue, roumaine - française, préservée dans les Annales Parlementaires de la Roumanie, 1890. Elle a été une source très riche d'exploitation lexicale, stylistique, morphosyntaxique et de la traduction, aspects abordés dans le Chapitre 3. Celui-ci, nous l'avons structuré en deux parties : théorique, comprenant les principes de deux grands noms de la stylistique, Charles Bally, représentant suisse et Tudor Vianu, représentant roumain et des théoriciens de la traduction parmi lesquels : Georges Mounin, Marianne Lederer, John Catford, Henri Meschonnic, Algirdas-Julien Greimas, Eugene Nida, etc. et pratique, avec des analyses contrastives franco-roumaines, sur des exemples de la variante roumaine – le texte source et la variante française – le texte cible. A la fin de notre thèse, dans le Chapitre 4., nous avons exposé quelques aspects du franco - roumanisme actuel et de la variante actuelle de la Constitution roumaine, variante bilingue qui reflète très bien le saut considérable du XIXe siècle à l'époque actuelle. / Starting with the first contacts mentioned in Chapter 1., to the flourishing of French-Romanian relationships, we have offered through this thesis an image of how has been built and developed the common history of two peoples, so that we can speak afterward of the significant French-Romanian phenomenon. The document that constitutes the basis of our studies is the first edition of the Romanian Constitutional Texts, written in Cyrillic Alphabet, but the version that has been very useful to us is the bilingual French-Romanian version preserved in the 1890 Romanian Parliamentary Annuaries. This has been a very rich source for our lexical, stylistic, morphological, syntactical and translation analysis, aspects presented in Chapter 3. We have structured it into two sections: a theoretical one, having in center two important names in stylistics, Swiss and Romanian representatives, Charles Bally and Tudor Vianu and different translation theoreticians such as: Georges Mounin, Marianne Lederer, John Catford, Henri Meschonnic, Algirdas-Julien Greimas, Eugene Nida, etc.; the second part is a practical one, with contrastive French-Romanian analysis of the two texts: the Romanian text (the source-text) and the French text (the target-text). At the end of our thesis, in Chapter 4, we have detailed some aspects of the nowadays version of the Romanian Constitutional Texts, bilingual version reflecting very well the significant progressive steps taken from the 19th century until now.

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The thesis consists of three parts. The first part is a Russian translation of selected excerpts from Jan Zábrana's diaries Celý život. The second part is a commentary on the translation, which includes three chapters: translation analysis of the source text, description of the overall approach to the translation and the translation strategy, a typology of the particular translation problems and ways of solving them.

The thesis deals with recent Czech translations of children's poetry in English and their addressees. In the first part, we describe the terminological issues related to the terms dětská literatura and dětská poezie (and their English equivalents), focus on the specific features of children's poetry and the process of translating children's literature, and finally outline the history of children's poetry in the Czech lands, the United Kingdom and the USA. In the second part, we compare target texts with their source texts in terms of content (proper nouns, puns etc.) and form (rhythm, rhyme etc.), thereby showing the strategies the translators used. Finally, we also comment on the issues pertaining to the publishing of children's literature and describe the origination of the Czech translation of Shel Silverstein's A Light in the Attic. Keywords: children's literature, children's poetry, translation, translation analysis, Shel Silverstein, Robert Browning, Robert Louis Stevenson, Alexander Milne, Thomas Stearns Eliot, Lewis Carroll, Norman Lindsay

The aim of this master's thesis is to create a translation of the first half of the literary debut Ça raconte Sarah written by the French author Pauline Delabroy-Allard and to connect it with a study that provides a commentary on the translation of the novel itself, as well as on the process of introducing the literary work to the book market. The first part offers a presentation of the work Ça raconte Sarah - details about the original text, its author and publisher, critical reviews and stylistics. The second and crucial part presents the translation of the first half of the novel. The translation is followed by a commentary on the most complicated extracts and chosen translation technique. Key words: annotated translation, literary translation, Pauline Delabroy-Allard, translation analysis, translation methods, translation strategy, translation problems, reception of literary work, reception of French contemporary literature, book market.

Lenka Mundevová Translation of Colloquial Language Devices in Fiction: A Century of Maupassant's Ivrogne in Czech Translation Abstract The dissertation compares the stylization of the dialogues in the French original of Maupassant's short story Ivrogne (The Drunkard), written in 1884, with five Czech translations published between 1902 and 1997. The comparative analysis is focused on the devices of colloquial language, including dialect, which appear frequently in the dialogues of the story and prove to be extraordinarily useful when interpreting Maupassant's text. The analysis of the excerpted material is preceded by the description of the basic characteristics of colloquial French and Czech, followed by the description of their stratifications. The mutual relation of the colloquial language varieties is an important prerequisite for the evaluation of the translations of colloquial language devices and their appropriateness in the individual Czech versions of Ivrogne. The paper also deals with the development of Czech aesthetic translation standards and their relation to the standard of local fiction, outlining the important tendencies of Czech fiction translation applied when colloquial devices were conveyed from French to Czech during the specified timeframe. The individual language devices used in the...