Thesis abstract The aim of this thesis is to provide a detailed analysis of the chosen poems "on things" of natural origin written by Li Shangyin and their interpretation. Based on the analysis, I will make an attempt to find out how the author handles the conventions of the yongwu genre, to what extent his poems "on things" correspond to the previous poetic tradition and to what extent they are innovative from the point of view of the choice of topics, symbolism, language techniques and the overall message of the poem. The opening chapter of the thesis includes Li Shangyin's biography, a short overview of his writings and basic approaches to their interpretation, as well as a brief introduction of the yongwu genre and the basic peculiarities of Li Shangyin's poems, which belong to this genre. The next chapter is the essential part of the thesis, which provides the actual analysis of the chosen poems, supplemented with prosaic literal translations. This part of the thesis consists of a few sections, which are dedicated either to some particular type of Li Shangyin's yongwu or to a precise aspect of his poems, which belong to this genre. The conclusion of this study is that Li Shangyin's greatest contribution to the tradition of the yongwu genre is the transformation of poems "on things" into a kind of...

余雪霞. / Thesis (M.A.)--香港中文大學, 1987. / Reprint of manuscript. / Includes bibliographical references (leaves 248-284). / Yu Xuexia. / Thesis (M.A.)--Xianggang Zhong wen da xue, 1987. / 撮要 --- p.I / 序言 --- p.IIII / 目錄 / Chapter 第一章 --- 總論唐代壁畫的重要性及唐墓壁畫概況 / Chapter 第一節 --- 唐代背景概述 --- p.1 / Chapter 第二節 --- 唐代壁畫之功用 --- p.4 / Chapter 第三節 --- 唐代墓葬之分佈及墓葬形制與壁畫內容、佈局之關係 --- p.13 / 注釋 --- p.26 / Chapter 第二章 --- 從唐代墓葬壁畫看唐代繪畫之特色──人物畫和山水畫 / Chapter 第一節 --- 前言──唐代繪畫之分科 --- p.30 / Chapter 第二節 --- 人物畫──兼論《樹下人物 圖》 --- p.37 / Chapter 一 --- 綺羅人物 --- p.39 / Chapter 二 --- 步卒屬吏與男僕 --- p.53 / Chapter 三 --- 樹下人物圖與墓主肖像 --- p.59 / Chapter 甲 --- 樹下人物圖之源起 --- p.60 / Chapter 乙 --- 唐墓中的樹下人物圖 --- p.83 / Chapter 丙 --- 樹下人物圖之藝術特色 --- p.82 / Chapter 第三節 --- 山水畫 --- p.88 / 注釋 --- p.112 / Chapter 第三章 --- 從唐代墓葬壁畫看唐代繪畫之特色──花鳥畫和界畫 / Chapter 第一節 --- 花鳥畫 / Chapter 一 --- 前言 --- p.125 / Chapter 二 --- 花卉翎毛 --- p.135 / Chapter 三 --- 鞍馬走獸 --- p.162 / Chapter 四 --- 小結 --- p.170 / Chapter 第二節 --- 界畫 --- p.172 / 注釋 --- p.191 / Chapter 第四章 --- 唐代繪畫之風格分析 / Chapter 第一節 --- 從唐代墓葬壁畫總論唐畫之風格 --- p.201 / Chapter 第二節 --- 由唐代墓葬壁畫看唐代 之畫評 --- p.210 / 注釋 --- p.235 / Chapter 第五章 --- 結論 --- p.239 / 附表一 --- p.243 / 附表二 --- p.244 / 附表三 --- p.245 / 附表四 --- p.246 / 附表五 --- p.247 / 參考書目 --- p.248 / 附圖 --- p.285

楊宗耀. / 論文 (哲學碩士)--香港中文大學, 1999. / 參考文獻 (leaves 262-271). / 附中英文摘要. / Yang Zongyao. / Lun wen (zhe xue shuo shi)-- Xianggang Zhong wen da xue, 1999. / Can kao wen xian (leaves 262-271). / Fu Zhong Ying wen zhai yao. / 敘例 / Chapter 第一章 --- 序言 --- p.1-4 / Chapter 第二章 --- 《道德經》帝王注疏的特色 --- p.5-14 / Chapter 第三章 --- 《御註》與《御疏》的成書背景 / Chapter 3.1. --- 老學思想在唐朝初年的發展 --- p.15-8 / Chapter 3.2. --- 唐玄宗的得位與道士的交結 --- p.19-26 / Chapter 3.3. --- 唐玄宗宣揚《老子》的政策 --- p.27-30 / Chapter 3.4. --- 小結 --- p.31 / Chapter 第四章 --- 《御註》與《御疏》的著者及年代商榷 / Chapter 4.1. --- 《御註》與《御疏》的撰者及寫作年代 / Chapter 4.1.1. --- 《御註》的撰者及寫作年代 --- p.32-43 / Chapter 4.1.2. --- 《御疏》的撰者及寫作年代 --- p.44-47 / Chapter 4.2. --- 《御註》爲策試所用本子的探討 --- p.48-59 / Chapter 4.3. --- 小結 --- p.60 / Chapter 第五章 --- 《御註》與《御疏》版本硏究 / Chapter 5.1. --- 《御註》與《御疏》版本分述 --- p.61-65 / Chapter 5.2. --- 《御註》、《御疏》與河上公本、王弼本及《老子指歸》本 《道德經》的異同 --- p.66-77 / Chapter 5.3. --- 小結 --- p.78 / Chapter 第六章 --- 《御註》與《御疏》的體例 / Chapter 6.1. --- 《御註》與《御疏》分卷狀況 / Chapter 6.1.1 --- 《唐玄宗御註道德真經》的分卷狀況 --- p.79-80 / Chapter 6.1.2 --- 《唐玄宗御製道德真經疏》的分卷狀況 --- p.80-85 / Chapter 6.2. --- 《御註》與《御疏》的篇章名稱 --- p.86-92 / Chapter 6.3. --- 《御註》與《御疏》的序文 --- p.93-104 / Chapter 6.4 . --- 《御註》與《御疏》的注疏形式 / Chapter 6.4.1. --- 《御註》與《御疏》釋文用語 --- p.105-112 / Chapter 6.4.2. --- 《御註》與《御疏》的經文分句比較 --- p.113-116 / Chapter 6.4.3. --- 《御註》與《御疏》引用典籍硏究 --- p.117-127 / Chapter 6.5. --- 小結 --- p.128-129 / Chapter 第七章 --- 《御註》與《御疏》的思想內容 / Chapter 7.1. --- 援佛釋老的理念 --- p.130-148 / Chapter 7.2. --- 妙本論 --- p.149-154 / Chapter 7.3. --- 無爲論 --- p.155-162 / Chapter 7.4. --- 論兵之道 --- p.163-173 / Chapter 7.5. --- 權術與權道 --- p.174-182 / Chapter 7.6. --- 小結 --- p.183 / Chapter 第八章 --- 《御註》與《御疏》對後世老學著作的影響 / Chapter 8.1. --- 玄宗注疏對帝王老學著述的影響 --- p.184 / Chapter 8.1.1. --- 《宋徽宗御解道德真經》 --- p.184-200 / Chapter 8.1.2. --- 《大明太祖高皇帝御註道德真經》 --- p.201-213 / Chapter 8.1.3. --- 小結 --- p.214-214 / Chapter 8.2. --- 玄宗注疏對文人老學著述的影響 / Chapter 8.2.1. --- 杜光庭《道德真經廣聖義》 --- p.215-228 / Chapter 8.2.2. --- 李約《道德真經新註》 --- p.229-239 / Chapter 8.2.3. --- 蘇轍《老子解》 --- p.240-248 / Chapter 8.2.4. --- 小結 --- p.249-250 / Chapter 第九章 --- 總結 / 附錄 --- p.254-261 / 參考書目 --- p.262-271

This thesis analyses education and upbringing of children in China during the rule of the Qing dynasty and it concretely focuses on poetry, mainly the anthology Three Hundred Tang Poems. The thesis is based on the overall characterization of traditional education in China, how it is described in contemporary literary science, and more specifically it concentrates on the anthology of verses which was intended for educating children in the intellectually developed households. The paper consists of two main parts. The first part discusses aspects of the traditional Chinese educational system. The second part in detail introduces the above-mentioned anthology, its historical formation, content and an analysis of its themes. A conclusion aims to answer the question of role of the poetry in the Chinese educational system and to summarise approaches for teaching poetry. Keywords: Tang shi sanbai shou 唐詩三百首, Chinese poetry, Traditional Chinese Education

Previous studies with pharmacopuncture in dogs showed its advantage for sedation, minimizing undesirable effects. The use of pharmocopuncture with xylazine in Yin Tang acupoint of dogs is investigated. Eight dogs were randomly submitted to four different treatment protocols according to a Latin Square double blind design: 1) 0.01 mL/kg of saline injected into Yin Tang acupoint (aquapuncture), 2) 1 mg/kg of xylazine injected subcutaneously at the dorsal region, 3) 0.2 mg/kg of xylazine injected subcutaneously at the dorsal region and 4) 0.2 mg/kg of xylazine injected into Yin-Tang acupoint (pharmacopuncture). Rectal temperature, heart and respiratory rates, arterial blood pressure, oxygen hemoglobin saturation and pulse rate and degree of sedation were measured before and at 5, 10, 30, 40, 50 and 60 minutes after treatments. Sedation was observed in xylazine and pharmacopuncture groups while saline injection and sub -dose of xylazine did not induce sedation. Both xylazine and pharmacopuncture induced reduction in respiratory rate, heart rate and arterial blood pressure. In conclusion, pharmacopuncture and the conventional dose of xylazine produced similar sedation in dogs. The results indicate the potential application of pharmacopuncture in dogs. Further studies could elucidate the optimal doses, drugs and acupoints to achieve the best effect. / Acupuntura é uma técnica terapêutica milenar reconhecida pela OMS (Organização Mundial de Saúde) que consiste na inserção de agulhas em pontos específicos do corpo. A farmacopuntura é uma importante área da acupuntura que consiste no uso de fármacos injetados em acupontos para potencializar seus efeitos. Um exemplo é o uso de sedativos como a Xilazina, uma droga agonista a2- adrenérgico, muito utilizada na rotina clínica em animais, que promove sedação, analgesia e miorrelaxamento dose-dependentes. O trabalho objetivou investigar o efeito sedativo da farmacopuntura com xilazina, bem como da aquapuntura no acuponto Yin tang em cães, além de verificar se este efeito é suficiente para realização de pequenos procedimentos clínicos e cirúrgicos. O experimento consistiu em quatro tratamentos (T1: controle da droga (Xilazina 1mg/kg) (Xil), T2: controle da subdose (0,01mL/kg Xilazina no subcutâneo) (1/5 Xil s.c), T3: controle do estímulo mecânico do ponto (0,01mL/kg solução salina no Yin tang) (AquaAP), T4: teste (Xilazina 0,2mg/kg no Yin tang) (FarmacoAP), em oito cadelas, distribuídas em um quadrado latino com intervalos de sete dias, de forma que todos os animais passaram pelos tratamentos. O grupo FarmacoAP apresentou efeito sedativo semelhante ao grupo controle Xil, porém a duração deste foi menor, demonstrando que a farmacopuntura funcionou e potencializou o efeito da droga. / Mestre em Ciências Veterinárias

Han Yu is famous in Chinese history both for his literature and for his defense of Confucianism at a time when it was being seriously challenged by Buddhism and religious Taoism. Although his influ- ence was limited during his own lifetime, in later times Han Yu came to symbolize the conservative Confucian values that are often identi- fied with the traditional Chinese state. This study examines Han Yu's life and thought in an attempt to determine to what extent his later image as an ideal Confucian was or was not justified. A chapter on the historical background provides the context for Han Yu's biography, which is divided into five chap- ters. This is followed by a chapter discussing the intellectual back- ground of Han Yu's thought. Two further chapters discuss, first, the basis of Han Yu's conservative image, and, second, a number of his writings which illustrate the limits of his conservatism. Han Yu's ideas are related to the political and social circumstan- ces of his times, and it is found that while he is indeed a conservative and a Confucian, the extent of both his conservatism and his Confucian orthodoxy have been exaggerated.

published_or_final_version / Chinese / Master / Master of Philosophy

published_or_final_version / Chinese / Master / Master of Philosophy

published_or_final_version / Chinese / Master / Master of Philosophy

published_or_final_version / Chinese Language and Literature / Master / Master of Arts