Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2017-01-13T12:34:54Z No. of bitstreams: 1 AndreManuelDeOliveiraSalvador_DISSERT.pdf: 3143650 bytes, checksum: afe1900d461e1b83ec5d6784a4651c86 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2017-01-23T14:38:02Z (GMT) No. of bitstreams: 1 AndreManuelDeOliveiraSalvador_DISSERT.pdf: 3143650 bytes, checksum: afe1900d461e1b83ec5d6784a4651c86 (MD5) / Made available in DSpace on 2017-01-23T14:38:02Z (GMT). No. of bitstreams: 1 AndreManuelDeOliveiraSalvador_DISSERT.pdf: 3143650 bytes, checksum: afe1900d461e1b83ec5d6784a4651c86 (MD5) Previous issue date: 2016-02-16 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior (CAPES) / O objetivo desta disserta??o foi estabelecer um di?logo entre arte e pol?tica, a partir dos estudos da performance (COHEN, 1989), (F?RAL, 2014), (SCHECHNER, 2007), (ZUMTHOR, 2007), (PHELAN, 1992). Tomando como hip?tese que as fric??es entre inscri??o (GIL, 2004, 2009, 2014) e n?o-inscri??o que caracterizam o sujeito portugu?s constru?ram o meu percurso art?stico no teatro de metamorfoses imperiais (SLOTERDIJK, 2002). Ou seja, onde o meu corpo surge como espa?o de inscri??o construiu-se um jogo para uma performance de metamorfoses. Para tal, desenvolvi textos autobiogr?ficos que traduzem as metamorfoses vividas tanto em Portugal como Brasil. Incidindo sobretudo no per?odo em que Portugal aderiu ? Zona Euro e ?s manifesta??es ocorridas no Brasil desde a minha chegada. A partir da literatura consultada este contexto de crise foi nomeado como teatro da metamorfoses imperais criando o con(texto) para a performance FENDA - Zonas de Negocia??o Tempor?rias (2016), que se traduz em dois processos de cria??o que desenvolvi ao longo da pesquisa e nas experi?ncias art?sticas, culturais e sociais que vivi em solo brasileiro. O professor Bhabha, entre outros, ajudou-me, antropologicamente, a pensar em modos de organiza??o do espa?o nos pa?ses colonizados e nos pa?ses colonizadores. No jogo que criei na performance, busquei, ent?o, mecanismos para a negociar a diferen?a (BHABHA, 2000), e criar as rela??es de alteridade e o saber que pretendo politizar. / The purpose of this dissertation was to establish a dialog between art and politics, through performance studies (COHEN, 1989), (F?RAL, 2014), (SCHECHNER, 2007), (ZUMTHOR, 2007), (PHELAN, 1992). Assuming as a hypothesis that the frictions between inscription (GIL, 2004, 2009, 2014) and non-inscription that characterize the Portuguese individual make my artistic course in the theatre of imperial metamorphosis (SLOTERDIJK, 2002). Meaning, where my body emerges as a space of inscription it was built a set for a performance of metamorphosis. For such, I?ve developed autobiographical texts that translate the metamorphosis lived both in Portugal as in Brazil. Focusing mostly in the period of Portugal?s adhesion to the Euro Zone and the manifestations occurred in Brazil during my stay. Through consulted literature, this context of crisis was designated as theatre of imperial metamorphosis creating a con(text) for the performance FENDA ? Zonas de Negocia??o Tempor?rias, that translates in two processes of creation that I?ve developed throughout the research and in the artistic, social and cultural experiences that I lived in Brazilian soil. Professor Bhabha, amongst others, helped me anthropologically to think in modes of space organization in colonized and colonizing countries. Therefore in the performative game I have created, I sought mechanisms to negotiate the difference and create the relations of alterity and the knowledge I intend to politicize.