El presente trabajo analiza el discurso de los programas periodísticos Beto a saber y 2020 sobre la construcción de la identidad de la denominada Generación del Bicentenario como actores en las protestas que ocurrieron durante la crisis política en noviembre del 2020 en el Perú. El propósito es identificar, desde ambos medios, las matices y diferencias que contribuyeron con la construcción de los actores mencionados. El análisis se conforma de la selección de tres programas de cada espacio periodístico. Para lograr los objetivos planteados, se emplea un método de investigación de tipo aplicada con enfoque cualitativo y de nivel descriptivo interpretativo. Con los resultados obtenidos se alcanza a descubrir y describir las particularidades en el modo de construir la identidad de los actores, es decir, de la Generación del Bicentenario en cada uno de los programas. Además, pone en evidencia criterios y percepciones de los enunciadores frente a esta problemática. / The present investigation analyzes the discourse of the journalistic programs Beto a saber and 2020 on the construction of the identity of the so-called Generación del Bicentenario (or Bicentennial Generation) as actors in the protests that occurred during the political crisis in November 2020 in Peru. The purpose is to identify, from both journalistic spaces, the nuances and differences that contributed to the construction of the aforementioned actors. The analysis is made up of the selection of three programs from each space. To achieve the proposed objectives, an applied research method with a qualitative approach and a descriptive-interpretive level is used. With the results obtained, it is possible to discover and describe the particularities in the way of constructing the identity of the actors, the Generación del Bicentenario (or Bicentennial Generation) in each of the programs. In addition, it highlights the criteria and perceptions of the enunciators in the face of this problem. / Tesis

The aim of the diploma thesis "Non- standard photography methods in audiovisual journalism" is to present image and production methods that are used in television news and journalism - particularly those ones that defy standard methods. These methods appear, considering technological development and the endeavour of making neutral visual space of television journalism, more attractive. First chapter of the thesis presents television news, its history, characteristics, elements and typology of television news production. Next chapter deals with the visual aspects of audiovisual works. The audiovisual language, its expressive elements and specific aspects of the image in television are presented. Main part of the thesis focuses on the photography methods in television journalism. Based on the literature and interviews with creative workers from the Czech television it presents photography methods and especially non- standard methods that use small sports action cameras, unmanned air devices or hidden cameras. The thesis mentions also production methods videojournalism and mobile journalism (MoJo) that uses standard mobile devices for professional news production. Particular examples from the broadcasting of the Czech televison are presented in the final chapter.