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This dissertation consists of two parts, the theoretical one and the practical one. In the theoretical part, I pay attention first to the terminology of comic, the questions of what the comic actually is and what are the rules which form the genre. Next, I look into the usage of comic in the art lessons and what approach should the teacher take when teaching how to make a comic book or comic strip. In the next part, I consider, what knowledge should a cartoonist have when drawing a comic strip. I also explain methods which I have used when inking my comic book. In every chapter, I mention significant persons who influenced the world of comic either from the theoretical or the practical point of view. The practical part consists of collection of sketches, anatomical studies and comic strips, which have been inked by India ink and colorized in computer.

The aim of this thesis is to describe the visual phenomenon of home movies and their relation to the authorial subject. The subject of home movies is introduced in the first chapters and it deals with technology and its impact on amateur film work as well as the use of technical terms and academic reflection of home movies. The aspect of the authorial subject is viewed through the works of several personalities, who represent both typical and marginal attitudes to home movies production. One of these personalities is Ludvík Šváb whose private and experimental films proved to be a source of friction, which enabled me to track down and define the genre of home movies and realize that it does not have to be viewed solely within the amateur discourse. The method of creative recycling and reinterpretation of home movies by a filmmaker Martin Ježek offers almost a transcendental perspective. The paper also presents an analysis of the means of expression in the home movies and their use within given model authorial subjects.

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Analysis of the texts written about Jeff Wall. Exploring the relationship between texts about Wall and his own essays about his work. Looking for some links or some conflicts between texts. Studying structure of the main topics discussed in essays about Wall and his own written replies to these topics. Wall's position on the art scene based on literature.