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Whiplash discos e a produ??o da cena headbanger em Natal dos anos 80/90Medeiros, Jo?o Paulo Ara?jo 16 December 2016 (has links)
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Previous issue date: 2016-12-16 / Em Natal dos anos 80, uma cena musical foi sendo montada a partir da inser??o do jovem nos espa?os da cidade, como pra?as, lojas de discos, shows, parques e etc. Contudo, este cen?rio ligado ? m?sica passou por um processo de transforma??o. A cena musical, mundialmente falando, a partir das d?cadas de 50 e 60, teve como um dos atores o jovem que foi mudando seu estilo, corpo de acordo com a moda influenciada pelos artistas nos filmes, nas revistas e nos programas de televis?o. Nesse sentido, este trabalho refere-se ao cen?rio em que Natal, no Rio Grande do Norte, foi influenciado atrav?s do rock, heavy metal e punk, construindo cenas que, de alguma maneira, uniram-se para a produ??o da m?sica. A juventude natalense, de alguma forma, teve a oportunidade de experienciar, nas d?cadas de 80 e 90, a m?sica pesada e criar para si espa?os de sociabilidade. A partir de um cen?rio pol?tico e econ?mico desfavor?vel ao crescimento, a cena heavy metal teve como ponto de encontro a loja de discos Whiplash onde jovens se aglomeravam para criar v?nculos e principalmente ouvir discos que eram tocados de dentro da loja. A partir dessa uni?o, formaram-se bandas e, com isso, puderam tocar em festivais e eventos na cidade com outros grupos de rock e punk. As informa??es que inicialmente circulam dentro das cenas chegavam por meio de fanzines. O fanzine foi o meio pelo qual se criou uma rede de amizades se espalhando pelo Brasil, em que a troca de informa??o e tamb?m de material fonogr?fico ajudava a minimizar o problema da crise financeira, al?m do fato de muitos destes jovens n?o terem trabalho para comprar seus bens de consumo. Estes fanzines funcionaram tamb?m para criar uma imprensa independente onde as bandas locais e eventos eram apresentados. / In Natal of the 80s, a musical scene was being created from the insertion of the young person in the spaces of the city like squares, disc stores, concerts, parks and etc. However, this music-related scenario underwent a process of transformation. The musical scene, worldwide speaking, from the 50s and 60s had as one of the actors the young man who was changing his style, body according to the fashion influenced by the artists in the movies, magazines, and television programs. In this sense, this work refers to the scenario in which Natal in Rio Grande do Norte was influenced through rock, heavy metal and punk, constructing scenes that somehow joined for the production of music. The natal youth somehow had the opportunity to experience heavy music in the 80's and 90's and create spaces for sociability. From a political and economic scenario unfavorable to growth, the heavy metal scene had as a meeting point the Whiplash record store where young people crowded together to create bonds and especially to listen to records that were played from inside the store. From this union, bands were formed and with that they could play in festivals and events in the city with other groups of rock and punk. The information that initially circulated within the scenes came through fanzines. The fanzine was the means by which a network of friendships was created spreading through Brazil where the exchange of information and also of phonographic material helped to minimize the problem of the financial crisis and the fact that many of these young people did not have work to buy their goods of consumption. These fanzines also worked to create an independent press where the local bands and events were presented.
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