Submitted by Natalie Mendes (nataliermendes@gmail.com) on 2015-11-13T00:30:24Z No. of bitstreams: 1 Naiara Gomes - Mestrado - Disserta??o Final 2013 PPGDCI UEFS.pdf: 5767713 bytes, checksum: 555b12dc47fbc13770ceb28f642bd8f0 (MD5) / Made available in DSpace on 2015-11-13T00:30:24Z (GMT). No. of bitstreams: 1 Naiara Gomes - Mestrado - Disserta??o Final 2013 PPGDCI UEFS.pdf: 5767713 bytes, checksum: 555b12dc47fbc13770ceb28f642bd8f0 (MD5) Previous issue date: 2013-07-25 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES / This study proposes a reflection on the representations of the imaginary in the work of Tereza Costa R?go, through the images of mythical and symbolic articulations between the sacred and the erotic particularly on the "The Bride", which comprises the step "Pernambucanos Brothels". Interest in the study of the work of Tereza Costa R?go originated from research on women artists and Northeastern have undertaken in 2009 at the School of Fine Arts of the Federal University of Bahia ? UFBA. The analyzes are based on the analytic method about the mitocr?tica proposed by Gilbert Durand, trying to understand how the author makes the intersection (or interrelationship) between the two universes (the erotic and the sacred) from the point of view of visual storytelling. Ride the universe mitocr?tica, which confirms the power of symbolic image and rehabilitates the size of the archetypes and the driving force of myths. Reflect the erotic from the point of view of Georges Bataille and the sacred through studies Mircea Eliade. Therefore, research has characterized the concepts and key elements of the sacred and the erotic imagery. The research approach is qualitative and ethnographic study that investigates the dynamic relationship between the objective world and the subjectivity of the subject. Besides the pictorial work, we use the considerations of the artist to guide the manifestations of mythic images that reveal meanings and answers about the role of imagination in building imagery. The party erotic and sacred in the work, specifically in the "Bride" is the culmination of investigative activity. Tereza Costa R?go does not break with the natural movement of contrasts, it integrates harmoniously. / A presente disserta??o prop?e uma an?lise e reflex?o sobre as representa??es do imagin?rio na obra de Tereza Costa R?go, por meio das imagens m?ticas e das articula??es simb?licas entre o sagrado e o er?tico, particularmente na tela ?A Noiva?, que compreende a fase ?Bord?is Pernambucanos?. O interesse pelo estudo da obra de Tereza Costa R?go originou-se a partir de uma pesquisa sobre artistas mulheres e nordestinas que empreendi em 2009 na Escola de Belas Artes da Universidade Federal da Bahia ? UFBA. As an?lises baseiam-se no m?todo de an?lise da mitocr?tica proposto por Gilbert Durand, buscando compreender como a autora faz a interse??o (ou inter-rela??o) entre os dois universos (o er?tico e o sagrado) do ponto de vista da narrativa visual. Percorremos o universo da mitocr?tica, que ratifica a pot?ncia da imagem simb?lica e reabilita a dimens?o dos arqu?tipos e a for?a diretiva dos mitos. Refletimos o er?tico sob o ponto de vista de Georges Bataille e o sagrado atrav?s dos estudos de Mircea Eliade. Para tanto, a investiga??o caracterizou os conceitos e os principais elementos do sagrado, do er?tico e do imagin?rio. A pesquisa tem abordagem qualitativa e estudo etnogr?fico que investiga a rela??o din?mica entre o mundo objetivo e a subjetividade do sujeito. Al?m da obra pict?rica, utilizamos as considera??es da artista para nortear as manifesta??es das imagens m?ticas que revelam respostas e significados sobre o papel do imagin?rio na sua constru??o imag?tica. A festa er?tica e sagrada na obra, especificamente no quadro ?A Noiva? ? o ?pice da atividade investigativa. Tereza Costa R?go n?o rompe com o movimento natural dos contrastes, ela os integra harmonicamente.