Cette thèse porte sur l’étude des stratégies de compréhension de l’oral des apprenants de français dans le contexte hétéroglotte thaïlandais. Nos travaux ont pour objectifs d’étudier ainsi que d’analyser les stratégies de la compréhension de l’oral, le rôle du multimédia dans l’acquisition de cette compétence et de proposer des macro-tâches d’entraînement individuel à la compréhension de l’oral du français en tant que langue étrangère dans des environnements multimédias. Nos deux expérimentations ont été menées auprès de 30 apprenants de français en tant que langue étrangère au centre de langues étrangères de l’université Suan Dusit Rajabhat, à Bangkok en Thaïlande. Nous avons effectué différents modes de collectes de données : observation, questionnaire et entretien. La réalisation de cette recherche nous a permis non seulement de répondre aux questions initiales mais aussi de valider nos hypothèses et d’obtenir des résultats positifs et favorables chez les apprenants, comme point de départ de l’amélioration de la compétence d’écoute. Le type de stratégie employée dépend du niveau linguistique. Les apprenants adaptent leurs stratégies d’écoute aux types de tâches à résoudre et de documents sonores. Ils sont favorables à nos tâches d’écoute médiatisées avec les supports TIC permettant un rythme d’apprentissage personnalisé qui facilite la gestion et la répartition du temps, l’individualisation et l’autonomie dans l’apprentissage, sans regard ni jugement unique du formateur, mais une gestion partagée de l’évaluation. Tous les apprenants ont tiré le plus grand profit de ces expérimentations d’entraînement à l’écoute qui leur permettent d’améliorer leur compétence dans la compréhension de l’oral ainsi que leur autonomie. Cette étude analytique nous amènera à tirer profit, pour l’enseignement et l’entraînement de l’utilisation des stratégies adéquates, pouvant être intégrées en début d’apprentissage linguistique, qui seraient bénéfiques à la compréhension de l’oral ainsi qu’à d’autres compétences langagières (compréhension de l’écrit, production orale et production écrite) du français en tant que langue étrangère. / This thesis focuses on the study of listening strategies to learn French in the Thai heteroglott context. Our work has two main aims. The first is to study and analyze listening strategies and the role of multimedia in the acquisition of this skill. The second is to provide individual macro-task training in multimedia environments to improve listening comprehension of French as a foreign language. The study was conducted with 30 learners of French as a foreign language at the institute of language, art and culture at Suan Dusit Rajabhat University, Bangkok, Thailand. We collected the data by using three different methods : observation, questionnaire and interview. The realization of this research has enabled us not only to respond to initial questions and to validate our assumptions, but also to develop methods that can be used by learners as a starting point to improve the skill of listening. We found that the type of listening strategy employed depended on the learner’s language level. Students adjusted their listening strategies according to the type of task that needed to be carried out and the type of sound recording. Students used the support of ICT to learn at their own pace, manage their time more effectively, be more autonomous, and learn according to their individual needs without the need for feedback from the teacher. All learners have taken advantage of our listening training experiments to enable them to improve their listening skills and be more autonomous learners. This analytical study has enabled us to devise and make use of the best teaching and training strategies for early language learning that can improve learners’ listening and other language skills (reading, speaking and writing) when studying French as a foreign language.

This thesis studies the impact of the work of Elena Jordi during the first Spanish avant-garde period (1890-1920) and the relationship between the myth of Thaïs and her homonymous film released in 1918. Here I track the trajectory of her career from its beginnings to culmination, when she directed Thaïs while leading an innovative vaudeville theatre company. The first chapter discusses the activity of Jordi as a Catalan actress, and woman entrepreneur in vaudeville. It analyzes the effect of the introduction of foreign vaudevilles on the reception of her work by critics through the theorization of Herni Gidel´s on vaudeville as genre. The second chapter reviews the cinematographic work of Jordi and situates it within the context of Catalan cinema´s early development as Spain´s first woman film director. After reflecting about the possible cultural influences that informed Jordi’s Thaïs, I explore the literary origins of the Legend of the Saint, an hagiography of Greek origins, and review relevant literary, operatic, and cinematic productions that incorporated this myth during the early Spanish avant-garde period. My conclusion highlights the original and similar features of Elena Jordi and Thaïs in their respective fields and different manifestations, simultaneously placing Jordi’s Thaïs in dialogue with the myth´s resurrection and its impact on the avant-garde feminist milieu. This demonstrates the formative influence of both Jordi as a pioneering artist and the enduring cultural influence of the myth of Thais on twentieth-century cultural production.

This thesis considers the ways in which Australia has been publicly represented in ten Asian societies in the twentieth century. It shows how these representations are at odds with Australian opinion leaders’ assertions about being a multicultural society, with their claims about engagement with Asia, and with their understanding of what is ‘typically’ Australian. It reviews the emergence and development of Asian regionalism in the twentieth century, and considers how Occidentalist strategies have come to be used to exclude and marginalise Australia. A historical survey outlines the origins of representations of Australia in each of the ten Asian countries, detecting the enduring influence both of past perceptions and of the interests of each country’s opinion leaders. Three test cases evaluate these findings in the light of events in the late twentieth century: the first considers the response in the region to the One Nation party, the second compares that with opinion leaders’ reaction to the crisis in East Timor; and the third presents a synthesis of recent Asian Australian fiction and what it reveals about Asian representations of Australia from inside Australian society. The thesis concludes that Australian policies and practices enable opinion leaders in the ten countries to construct representations of Australia in accordance with their own priorities and concerns, and in response to their agendas of Occidentalism, racism, and regionalism.