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The medieval pulpit as reflected in the Canterbury talesCrook, William Estes, 1899- January 1947 (has links)
No description available.
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The world "up so doun" : plague, society, and the discourse of order in the Canterbury talesWalsh Morrissey, Jake January 2005 (has links)
Witnesses believed that the Black Death and subsequent fourteenth-century plagues threatened profound social change. However, Geoffrey Chaucer (c.1340-1400) does not appear to accord the plague a place of any importance in his works. This is especially surprising in the case of the Canterbury Tales , which presents a complex portrait of plague-era society. Chaucer's silence on the plague is reinforced by critical positions that deemphasize the effects of the plague and emphasize Chaucer's supposed lack of interest in his world. This thesis contends that the plague is in fact present in the Canterbury Tales in the guise of the changes that it threatened. By situating the Canterbury Tales in a network of literary and non-literary responses to the plague, I demonstrate that Chaucer participated in a discourse that attempted to restore order to a world that was seen to have been disordered---morally, socially, and physically---by the plague.
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Literary self-reflexivity in the Canterbury talesLord, Ursula. January 1984 (has links)
No description available.
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Chaucers Canterbury-pilger und ihre Tracht ...Markert, Emil, January 1911 (has links)
Inaug.-Diss.--Würzburg. / Lebenslauf. "Literaturverzeichnis": p. [i]-iv.
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Literary self-reflexivity in the Canterbury talesLord, Ursula. January 1984 (has links)
No description available.
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The vessel of gold and the vessel of wood : the description of the body of Chaucer’s "Canterbury tales"Sixt, Frank John. January 1978 (has links)
Note:
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The world "up so doun" : plague, society, and the discourse of order in the Canterbury talesWalsh Morrissey, Jake January 2005 (has links)
No description available.
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Canterburské povídky v českém překladu Františka Vrby: lingvistická analýza / The Canterbury Tales as translated into Czech by František Vrba: a linguistic analysisSlabyhoudová, Zuzana January 2014 (has links)
The diploma thesis offers a philological analysis of František Vrba's translation into Czech of The Canterbury Tales by Geoffrey Chaucer. The paper is composed of three major parts: "Theoretical background", "Hypothesis and Method", and "Analysis". The analysis addresses matters of lexical, syntactic, stylistic, metrical and cultural nature. The analysis focuses on The Knight's Tale, The Miller's Tale, The Nun's Priest's Tale and The Wife of Bath's Tale as convenient manifestations of stylistic variation, cross-generic links and structural correspondences and contrasts in The Canterbury Tales. The aim of this thesis is to analyze and evaluate the quality of František Vrba's Czech translation.
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Medieval Feminine Humanism and Geoffrey Chaucer's Presentation of the Anti-CeciliaFlewellyn, Meghan 20 December 2009 (has links)
Perhaps due to its seemingly straightforward religious nature, the Second Nun's Cecelia Legend in The Canterbury Tales is often dismissed by scholars and readers alike. However, through analyzing Chaucer's earlier analogues, it becomes apparent that Chaucer has left out key pieces of the Life of Saint Cecelia. These omissions can be explained as attempts to illustrate the humanistic beliefs of both St. Augustine and Christine de Pizan. Further, the etymology of key words which appear in the "Second Nun's Prologue and Tale" help to reinforce the satire which Chaucer creates. Chaucer has deleted the humanism from the Saint Cecelia Legend in order to illustrate the potential for the corruption of female virtue.
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Individual Spirituality and The Canterbury Tales: An Analysis of the Philosophical Connection Between The Tale of Melibee and The Parson’s Tale as It Operates within the Narrative FrameworkMartin, Chelsea R 18 May 2012 (has links)
An analysis of both the placement and the philosophical connections between The Tale of Melibee and The Parson’s Tale suggests that a highly individual spiritual philosophy is being presented within The Canterbury Tales. This philosophy is exemplified via an analysis of both the role of The Tale of Melibee within the work, and the manner in which it is historically developed. The highest form of individual spirituality is revealed within The Tale of Melibee, through the spiritual developments occurring within the character Melibeus and his wife Prudence. This development serves to unify the exemplified extremes of satire and spirituality presented throughout the work, as well as to illustrate the manner in which the individual human being develops his or her own individual spirituality through an active engagement with life, which in turn promotes a unity of the aforementioned extremes.
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