This article studies the possibility of perpetrator trauma in Edwidge Danticat's The Dew Breaker. The article gives a brief historical background of the political violence in Haiti that occurred under the Duvalier dictatorship and focuses specifically on the role of Tonton Macoutes, the violent enforcers of much of Duvalier's oppression. Drawing on trauma theory, the article argues that perpetrators have been very little studied within trauma studies because of the possible moral implications of giving research time to individuals who have often chosen their own path of violence. Along with theorists such as Kali Tal and Dominick LaCapra, this article investigates the difficult position of perpetrators who are also victims or those who have been traumatized in the act of violence. The paper finally argues that perpetrators may benefit from the opportunity to work through their trauma in the same way that victims work through trauma as a means of healing. In making this argument, this article shows the need for trauma theorists to study perpetrators in addition to current studies on victims and also shows an in depth study of the main character and primary perpetrator in The Dew Breaker.

Indiana University-Purdue University Indianapolis (IUPUI) / For women in patriarchal societies, life is stitched with silence and violence. This is especially true for women of color. In a world that has cast women as invisible and voiceless, to create from the margins is to demand to be seen and heard. Thus, women’s art has never had the privilege of being art for art’s sake and instead is necessarily involved in the work of articulating and (re)writing female experience. When women seek, through their work and art, to feel deeply and connect with other women, they tap into what Audre Lorde has famously termed “the power of the erotic.” Lorde suggests that to acknowledge and trust those deepest feelings within our bodies is a subversive power that spurs social change. In the following work, novels by Kate Chopin, Gayl Jones, and Edwidge Danticat are linked by their female characters who seek the erotic via their art of choice and, in doing so, resist disempowerment and explore the life-giving nature of female connection. Furthermore, because the authors themselves are engaged in rendering the female experience visible, the novels discussed actively converse with their respective waves of feminism and propel social activism and feminist discourse. Hence, this project provides both a close reading of The Awakening, Corregidora, and The Dew Breaker, and a broader contention on the role of women’s literature in social justice.