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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

The Federal Theatre Project fractured national identity and the silencing of America's only national theatre: with a special look at Sinclair Lewis's It can't happen here /

Monroe, Rebecca A. January 1996 (has links)
Thesis (M.A.)--Kutztown University, 1996. / Source: Masters Abstracts International, Volume: 45-06, page: 2834. Typescript. Includes bibliographical references (leaves 86-92).
2

Manipulating the Stage: A Comparison of the Government-Sponsored Theaters of the United States and Nazi Germany

Midthun, Amy L. 16 December 2002 (has links)
No description available.
3

Entertainment News: Agitprop to Colbertisms

Vigue, Chanelle Renee 01 January 2008 (has links)
At the beginning of the twentieth century, newspaper theatre was born from the need to inform those who could not read the news for themselves. There have been many contributors and influential factors to the multi-faceted evolution of newspaper theatre. Contributors include Meyerhold, Piscator, Brecht, Hallie Flanagan and Arthur Arent, and Augusto Boal. Influential factors include technology, politics, and the influence of theatrical movements. The most popular and most frequent contributors to contemporary newspaper theatre are the legitimate news media and comedy news shows.
4

The Artistry and Activism of Shirley Graham Du Bois: A Twentieth Century African American Torchbearer

McFadden, Alesia Elaine 01 May 2009 (has links)
This dissertation traces the early origins of Shirley Graham Du Bois, a well known Negro achiever in the 1930s and 1940s, from the decades preceding her birth in 1896 up through the mid-twentieth century when she has reached mid life and achieved a number of successes. It attempts to reclaim from obscurity the significant cultural production that Shirley Graham contributed to American society. Her artistry and activism were manifested in many ways. As a very young woman she conducted, throughout the northern and eastern parts of the U. S., musical concerts extolling the beauty and significance of spirituals. While attending school at Oberlin College, she wrote a musical opera that was regarded during its time as the world's first race opera. In 1936 she assumed the role of Director for the Chicago Black Unit of the Federal Theatre Project (FTP). After the FTP phased out, she attended Yale School of Drama to learn the craft of playwriting, and proceeded to write several plays that were staged and viewed by interracial audiences. As the country prepared for WWII, she was selected to head USO activities in Fort Huachuca, Arizona where the largest aggregation of Negro soldiers were stationed before being sent off to battle. She subsequently became a field secretary for the NAACP during this period of tumultuous change in the nation and the world. The early 1940s would see Graham reach the pinnacle of success during this phase of her life by writing biographies for a national children's audience. This success was short lived due to the political climate of red-baiting that became fashionable during the political reign of Senator Joseph McCarthy. Graham's progressive politics, communist affiliation and marriage to W. E. B. Du Bois placed her on the wrong side of the establishment. Each chapter develops the varying forms her activism took shape in each given situation. Following the example of fore-parents who were politically and socially engaged during their lifetimes, Graham follows suit. Her efforts reveal a woman who educated, inspired and empowered others while demonstrating the different ways one could use her abilities to confront racism.

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