This study examines the figures of theיקדִּ צַ and עשָׁ רָ in psalms. Drawing on both semantics and poetics, this study argues that the contrast between the figures represented by these terms is part of the conventions of Hebrew psalmody and, as such, can serve various discursive functions within an individual psalm. Using insights from the field of lexical semantics, the study clarifies the possible uses of the words Justand עשָׁ רָ, emphasizing a wider range of uses than is typically offered within a broad behavioral domain for these terms. The study summarizes ways that various books in the Hebrew Bible use the contrast of these figures to develop a description of the literary features related to their presentations. The analysis of 18 psalms that include both figures utilizes insights from narratological theories of character to explore the functions of the contrast between קידִּ צַ and עשָׁ רָ as literary figures within the overall discourse of the psalm. Focusing on the setting of an individual psalm and embracing the possibility of variation reveals that קידִּ צַ and עשָׁ רָ are not only, or even usually, employed to describe the “prototypically good” or “prototypically bad” person in psalms. Rather, the עשָׁ רָ is often a designation for an antagonist, and the קידִּ צַ is often understood as one who is innocently wronged. As such, the literary pattern of their contrast does not focus on the moral character of these figures but on the fairness or justice of God to eventually elevate the position of the קידִּ צַ and destroy the עשָׁ רָ.

The Hebrew language of remembering is complex and theologically interesting. The effective, relational, actualising aspects of zkr are particularly evident in language of prayer, especially in Psalm texts. Prayer is a remembering of God, a reminding of God, and a call to remember the pray-er herself, and such performative illocutions are addressed to both human and divine audience alike. The texts become not only present acts of remembering, but also means by which future acts of remembering are to be performed. Questions in Psalms criticism, of public or private Sitz-im-Leben, of form classification, and the ongoing debate about which critical methods to bring to Psalms scholarship, are brought together in an attempt to answer how remembering in prayer works in the Psalms. By employing hermeneutics informed by linguistics, not only the semantic field of zkr may be studied, but also pragmatic questions appropriately tackled. Thus the potential contributions of speech-act theory and discourse analysis when applied to the Psalms are indicated, alongside what comparable work has already been done by others in Psalms scholarship in these areas. Further linguistic insights which have not previously been applied to Psalms study, such as Audience Design, are then also brought to bear. Broader areas such as the theological nexus of memory, prayer, place and time, are then explored. Memory is thus seen to be an important constituent of Psalmic prayer at all levels of analysis, as a tool by which prayers are passed down and God and his people remain in relationship. Connections between remembering, didactic, and Wisdom are noted. The centrality of memory in the performance of prayer is viewed as a prototype for New Testament prayers, culminating in the Eucharist and evident for instance also in the Lord’s Prayer. Memory, in prayer texts and in their hermeneutics, both enshrines the past, and makes an ever-relevant present anticipate the future.

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Thesis (DTh (Old and New Testament))--University of Stellenbosch, 2006. / This dissertation focuses on studying the relationship between humankind and nature in Psalm 8. The study of this relationship was triggered by Psalm 8 which, when closely examined, reveals a relationship suggesting an interrelatedness between humankind and nature. This research investigates the cause, nature, and result of that interrelatedness. The hypothesis that has guided this study has been that humankind and nature form a oneness or holism and partnership, and this oneness or holism and partnership lead to interrelatedness between these two entities. Our appreciation of this can be enhanced by approaching it from a Xhosa perspective. This approach also makes a contribution to Seventh-day Adventist theological reflection. In support of this hypothesis an exegesis of Psalm 8 is presented. Psalm 8 is one of the several Old Testament texts that seem to reflect this oneness and partnership, suggesting the interrelatedness between humankind and nature. In this exegesis a close reading approach was employed. The close reading approach refers to the studying of the language in the text, the style of the writing, the metaphors, and the relation of these to one another [Childs 1983:33, 34]. Xhosa and Seventh-day Adventist perspectives of the relationship between humankind and nature have been considered in this discussion: the Xhosa perspective because of my affiliation to these people, and also because Xhosas maintain that there is oneness or holism between humankind and nature. The Seventh-day Adventist perspective has been incorporated since I am a Seventh-day Adventist and have derived my theology from this tradition. Exegesis of Psalm 8 reveals a oneness or holism and partnership of humankind and nature, and this oneness or holism and partnership of these two entities leads to their interrelatedness. Moreover, this oneness and partnership that leads to the interrelatedness of the two entities is rooted in the creation of Genesis 1 of which Psalm 8 seems to be a development. In this relationship each party (humankind and other created beings) plays a role. Humans play the role of leading and representing the group in such a way that their actions or the results of those actions – good or bad - influence all members of the partnership. On the other hand, the other members of this partnership are there to serve the rest of the body, including humanity. In short, the emphasis on the relationship of Psalm 8 is that humankind and nature are so connected that they can hardly survive without each other. The benefit of this research is two-fold. First, it has provided an alternative perspective into the modern theological debate of the relationship of humankind and nature based on the Old Testament. This alternative is that humankind and nature form oneness or holism. Therefore, rather than separating humankind from nature and focusing the attention on humanity to the exclusion of nature, let the debate recognize this oneness and inseparableness.

The primary purpose of this dissertation is to study the necessity of genre consideration in the three important sermon-making process--exegetical, theological, and homiletical--and propose a holistic preaching methodology for the lament psalms with genre-sensitivity. Chapter 1 discusses the definitional nature, criteria, and communicational function of genre and examines the current defective and deficient preaching method with genre-sensitivity, and also indicates the lack of concern of the lament psalms in biblical preaching. Chapter 2 examines a holistic exegetical method for preaching a lament psalm by emphasizing the necessity of the analysis and appreciation of the mood of the text based upon the interlocking nature of genre-based textual elements (the message, medium, and mood of the text) and genre-based contextual element (the purpose of the text). This chapter provides a step-by step holistic procedure for preaching a lament psalm with genre-sensitivity. Chapter 3 investigates the necessity of genre consideration in the theological process. This section emphasizes that consideration of the genre characteristics is an essential process for discerning a timeless theological implication and communicational impact of a lament psalm. This chapter suggests a step-by-step holistic theological procedure for preaching a lament psalm with genre-sensitivity. Chapter 4 discusses the necessity of a genre-sensitive homiletical method that reflects the genre-based essentials into the sermon-making process. This section emphasizes the necessity of a holistic integration of the genre-sensitive homiletical components for preaching a lament psalm. This chapter presents a step-by-step procedure for a holistic homiletical method for preaching a lament psalm with genre-sensitivity. Chapter 5 analyzes Psalm 31 as a case study of a genre-sensitive methodology for preaching a lament psalm proposed in the previous chapters. This chapter elaborates and verifies the twelve steps for preaching a lament psalm with genre-sensitivity. Chapter 6 concludes that biblical preachers need to preach the lament psalms with genre-sensitivity by honoring the message, medium, and mood of the text throughout the entire sermon-making process in pursuit of honoring the authority of the Scripture and remodeling the relevance of the biblical communication.

ABSTRACT THE ROYAL PRIEST: PSALM 110 IN BIBLICAL- THEOLOGICAL PERSPECTIVE Matthew Habib Emadi, Ph.D. The Southern Baptist Theological Seminary, 2016 Chair: Dr. James M. Hamilton, Jr. This dissertation develops the biblical-theological rationale for the union of kingship and priesthood in Psalm 110 in the context of the entire canon. The thesis of this project is that a canonical reading of David’s depiction of the eschatological Melchizedekian priest-king develops God’s creational purpose for humanity to establish God’s kingdom (king) by mediating God’s covenantal blessings from his temple sanctuary (priest), and simultaneously advances God’s redemption project by depicting the order of royal priesthood that would bring the promises of the Abrahamic covenant to fruition. Chapter 1 introduces the thesis and methodological issues pertaining to this study, and surveys the research in the modern period in order to identify how scholars have handled the union of kingship and priesthood in a single figure in Psalm 110. Chapter 2 examines the concept of royal priesthood in the Torah. This examination demonstrates that Adam is the Bible’s royal priestly prototype and that his royal priesthood is recapitulated in important covenantal figures—Noah, Abraham, Melchizedek, Israel, and Aaron. Melchizedek, in particular, is a priest-king uniquely associated with Abraham and the Abrahamic covenant. Chapter 3 situates Psalm 110 in its Old Testament context and hones in on the patterns of David’s own life experiences—revealed in 1–2 Samuel—and the content of the Davidic covenant in order to show how David would have arrived at the conclusion that the messiah was to be a royal priest after the order of Melchizedek. Chapter 4 briefly investigates the intertestamental literature in order to show how the union of priesthood and kingship in Psalm 110 influenced the messianic expectations of the authors of the Testament of Levi, 1 Enoch, 2 Enoch, and 11QMelchizedek. Chapter 5 focuses on how the New Testament develops the union of priesthood and kingship in the person and work of Jesus Christ on the basis of Psalm 110. The Gospel of Mark and the epistle to the Hebrews pick up the royal priestly logic of Psalm 110 in their respective Christological arguments. Chapter 6 is the conclusion. It summarizes the arguments of the previous chapters and proposes some theological implications from this study.

The principal argument of this thesis is that royalist literary publishing in the civil wars and Interregnum was a more coherent and wider movement than has been recognised. It asserts the importance of print culture to royalists, both as a vehicle for personal responses to political circumstances, and as a means to criticize and undermine the opposition. The thesis uses the publisher Humphrey Moseley as a lens through which to examine the publisher's role in the dissemination of a wide range of royalist texts. It demonstrates that publishers, as well as authors, were driven by their political and ideological opinions. The thesis begins by establishing that the royalist and Anglican convictions expressed within the texts published by Moseley corresponded with his own. This opening chapter also demonstrates the editorial control that he exerted when publishing a book. Next follow five case studies. In the second chapter I examine writings of Moseley's most prolific author, James Howell. I show that until the censorship legislation of September 1649, Howell published royalist polemical pamphlets. I argue that in response to the censorship act Howell shifted to a more subtle method of polemical writing, most notably when he embedded extracts from his polemical pamphlets in his historical allegory Dodona's Grove which Moseley published in 1650. Chapters Three to Six are genre-based case studies. These chapters analyse the ways that a variety of genres were used by royalists in support of the Stuart cause and the Anglican Church. In the final chapter I set Moseley within the context of royalist publishing more widely. I review the careers of Henry Seile and Richard Royston to demonstrate that Moseley was not the only publisher committed to the royalist cause and that his productions belonged to a broad spectrum of royalist publishing.

Psalm 23 is a sacred work in four movements, written for women's chorus (SSAA), a tenor solo and a chamber ensemble consisting of flute, oboe, trumpet, percussion, timpani, and string quartet. It is designed to be performed as a portion of a church service or in concert. The text, Psalm 23 from the Bible is sung in Chinese, and the verses of the Psalm are arranged as follows: Movement 1, Verse 1, General musical characteristics: pastoral; Movement 2, Verses 2-3, General musical characteristics: peaceful; Movement 3, Verses 4-5, General musical characteristics: agitated; Movement 4, Verse 6, General musical characteristics: majestic. The form, tonal structure and harmony of each movement are influenced by the characteristics of an original synthetic scale.

Though perhaps we shall never know the music to which these religious lyrics were written, the poems have never ceased to be the source of inspiration for the spirits of men since they were first sung. Each psalm seems to have an underlying purpose with a personal message for each reader. In the Book one can find a reply to every sort of question, for the Psalms are filled with expressions of emotion brought about by all human experience. The collection of these 150 songs or psalms makes up what is known as the Hebrew hymn-book or the Book of Psalms.

Essa pesquisa tem como objetivo analisar a tradução dos salmos na NTLH (Nova Tradução na Linguagem de Hoje), a qual segue o princípio da equivalência dinâmica ou funcional de Eugene Nida, em que o sentido prevalece sobre a forma. Investigamos como essa tradução lida com textos poéticos, abundantes em figuras de linguagem e onde aspectos formais geram sentido. Para isso, descrevemos a teoria de Nida e as críticas pertinentes da teoria de tradução, aspectos da Poesia Hebraica e finalizamos com o estudo da tradução de alguns salmos feita pela NTLH. / This research aims at analyzing the translation of the Psalms in NTLH (Nova Tradução na Linguagem de Hoje), which adopts Eugene Nidas principles of Dynamic Equivalence or Functional Equivalence, in which sense prevails over form. We investigate how this translation deals with poetic texts that abound with figures of speech and in which formal aspects generate sense. Therefore, we describe Nidas theory and some of its pertinent criticism; aspects of Hebrew Poetry; and, finally, we analyze some of the Psalms translations in NTLH.