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This thesis considers the hitherto unexplored question of modernism and non-fictional genres. Although modernist studies have long been attentive to the implications of modernism’s “manifestos”, and recent work on modernist magazines has shed new light on forms beyond poetry and fictional prose, little attention has been afforded to other non-fictional writing. Similarly, although a growing school of criticism has emphasised the significance of “the everyday” in modernist texts, few have examined non-fiction concerned with leisure or daily life – a particularly unusual omission given the rich possibilities such texts offer for our understanding of how everyday lives relate to wider society. This thesis examines instructional texts which make radical interventions in the social and political upheavals which follow the First World War. Contra to the well-debunked yet still pervasive narratives which typify the modernist text as a work of disinterested – even isolated – genius, these examples demonstrate a broad-ranging, complex engagement with popular venues. Surveying examples of popular genres such as cookbooks, travel guides and radio programs written by a range of canonical and lesser-known modernist writers, it demonstrates how modernist writers re-appropriated the common features of such mainstream forms in order to stage various (and varied) interventions in local and national affairs. Its reading of Sylvia Townsend Warner’s Somerset (1949) and Scottish Scene: The Intelligent Man’s Guide to Albyn (1934), by Hugh MacDiarmid and Lewis Grassic Gibbon, shows how adopting the “textual codes” of travel guides provided authors with a means of writing back against the over-simplistic narratives of region and nation popular in other examples of the genre. Likewise, The Alice B Toklas Cook Book (1954) and F.T. Marinetti’s The Futurist Cookbook (1932) are read as divergent examples of texts which stage radical interventions in food practices as they relate to nationhood and conflict. Comparable interventions are also unearthed in the media. Flann O’Brien’s Cruiskeen Lawn columns (1940-66), published under the name Myles na gCopaleen, are often read in studies of Irish political and cultural consciousness. This thesis argues that they must also be read in terms of genre, demonstrating how a subversive use of headlines, bylines and other page architecture signals O’Brien’s use of the newspaper form itself to pass comment on the cultural and political life of the Republic of Ireland. Finally, this thesis turns to broadcast culture, with a chapter on radio and documentary films. Through readings of Virginia Woolf and Elizabeth Bowen's radio broadcasts, and the GPO Film Unit collaboration of Benjamin Britten and W.H. Auden, this chapter shows how irony and experiment allowed writers to turn state-sanctioned media to their own ends during the interwar years – suggesting that literary readings are crucial to understanding modernism's engagement with new media. Through these different readings, this thesis highlights the sheer diversity of modernist genres which have either received little critical attention, or whose formal specifics have been under-acknowledged. As a result, it is able to reframe modernism’s approach to several areas of twentieth-century life, approaching anew pressing areas of concern in the field – for instance, space and place, the circulation of texts, the everyday, and the commercial, lowbrow and domestic – demonstrating the critical importance of instructive genres to understanding literary modernism.

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Thesis (M.A. in National Security Affairs)--Naval Postgraduate School, December 1990. / Thesis Advisor(s): Abenheim, Donald. Second Reader: Teti, Frank M. "December 1990." Description based on title screen as viewed on March 30 2010. DTIC Descriptor(s): Foreign Policy, United States Government, Variations, Abandonment, Pressure, Fear, Dissociation, Policies, Cold War. DTIC Identifier(s): Foreign Policy, History, United States, Isolationism, World War 1, World War 2, Cold War, Post Cold War Era, Theses. Author(s) subject terms: Isolationism, U.S. Foreign Policy, U.S. History - 1914-1990. Includes bibliographical references (p. 177-185). Also available in print.

This dissertation is a history of hemotypology (blood-group studies or ketsuekigatagaku 血液型学) in Imperial Japan. It examines the efforts of both specialists and nonspecialists to produce and proliferate biomedical knowledge, analyzing how a culture centered on blood-group knowledge was created within the Japanese empire. The inquiry combines methodologies from the histories of science, technology, and medicine with a thematic focus on the social and cultural dimensions of imperialism. It offers new perspectives for understanding the development of biomedical knowledge within the sole non-Western empire to arise in modern times. While positioning Imperial Japan within global circuits of scientific knowledge, the study emphasizes the influence of local topographies of cultural and institutional authority in determining a distinctive research trajectory that differed from that found in other empires of the time. It also contributes to a deeper understanding of the epistemology of biomedical knowledge, exploring the implications of unproven scientific assertions beyond the traditional field of medicine.

Thesis advisor: John F. Baldovin / This dissertation is about three key moments in the developing theology of the Church's holiness and sinfulness in the twentieth century: the ressourcement movement of the 1930's-50's, Vatican II, and the pontificate of John Paul II. Chapter One discusses the contributions of these six early-twentieth century theologians: (a) Emile Mersch ---Church as Mystical Body of Christ (b) Henri de Lubac ---the paradoxes in understanding the Church as in time and beyond time (c) Hans urs Von Balthasar ---the Church as covenant (d) Yves Congar ---the scandal of division in the Church and the image of the Church as the People of God (e) Karl Rahner---the Church as sacrament for the World (f) Charles Journet ---the Holy Spirit as the formal cause of the Church Chapter Two discusses the influence of the theologians examined in Chapter One on specific passages in Vatican II's document on the Church, Dogmatic Constitution on the Church, Lumen Gentium (1964). Chapter Three shows how Pope John Paul II further advanced the understanding of the Church's holiness and sinfulness in his millennial program which included two documents, Tertio Millennio Adveniente (1994) and Novo Millennio Ineunte (2001) and a public apology on March 12, 2000 for the sins of the members of the Church. The Conclusion argues that John Paul II's apology was the fruit of a century of theological reflection on the nature and mission of the Church that began with ressourcement theology and was advanced by the convocation of Vatican II and its subsequent documents, particularly Lumen Gentium. Additionally, there is a discussion of the agenda for further theological investigation in the twenty-first century that these three twentieth-century moments suggest. / Thesis (STD) — Boston College, 2012. / Submitted to: Boston College. School of Theology and Ministry. / Discipline: Sacred Theology.

In this thesis I explore how music-text relations in Frank Zappa’s music work together to express a central narrative, with a particular focus on his use of musical allusion. First, I frame Zappa’s creative perspective from a Dadaist philosophy, illuminating an underlying critique of American culture through the use of musical and lyrical devices such as allusion. I explore how Zappa uses allusion as a narrative device and how these allusions affect a listener’s interpretation of a track. Finally, I provide an in-depth analysis of “Billy the Mountain” from the 1972 album Just Another Band From L.A. I first present an overview and analysis of the narrative as it is presented in the lyrics and then explore how musical parameters contribute to the narrative of the track. By understanding the interaction of music and text, I create a platform from which Zappa’s music can be better understood.

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Southwest Louisiana Creoles underwent great change between World Wars I and II as they confronted American culture, people, and norms. This work examines that cultural transformation, paying particular attention to the processes of cultural assimilation and resistance to the introduction and imposition of American social values and its southern racial corollary: Jim Crow. As this work makes clear, the transition to American identity transmuted the cultural foundations of French- and Creole-speaking Creole communities. World War I signalled early transformative changes and over the next three decades, the region saw the introduction of English language, new industries, an increasing number of Protestant denominations, and the forceful imposition of racialized identities and racial segregation. Assimilation and cultural resistance characterized the Creole response, but by 1945, southwest Louisiana more closely resembled much of the American South. Creole leaders in churches, schools, and the tourism industry offered divergent reactions; some elite Creoles began looking to Francophone Canada for whitened ethnic identity support while others turned toward the Catholic establishment in Baltimore, Maryland to bolster their faith. Creoles were not the only distinct community to undergo Americanization, but Louisiana Creoles were singular in their response. As this study makes clear – in ways no historian has previously documented – Louisiana Creoles bifurcated as a result of Americanization. This study also contributes to, and broadens, the literature on Acadian identity. Previously, scholars simply assumed that whitened Latins in Louisiana had always identified with Acadia and their black-racialized brethren with Haiti. This thesis, however, suggests that Cajun and Creole are not opposites. Rather, they derive from the same people and culture, and their perceived and articulated difference emerged in response to Americanization. Through a critical analysis of that bifurcation process, this thesis demonstrates how Acadianized identity and culture emerged in the first half of the 20th century.