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Chaozhou Opera performing centre /Cheng, Kai-mau, Joe. January 1995 (has links)
Thesis (M. Arch.)--University of Hong Kong, 1995. / Includes special report study entitled: Theatre design for Chaozhou Opera. Includes bibliographical references.
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Space machine : the evolution of theater and its developmentRo, Sung-Woo 12 1900 (has links)
No description available.
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Probleme des modernen Bauens -- und die Theaterarchitektur des 20. Jahrhunderts in DeutschlandStorck, Gerhard, January 1971 (has links)
Thesis--Bonn. / Vita. Includes bibliographical references.
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Chaozhou Opera performing centreCheng, Kai-mau, Joe. January 1995 (has links)
Thesis (M.Arch.)--University of Hong Kong, 1995. / Includes special report study entitled : Theatre design for Chaozhou Opera. Includes bibliographical references. Also available in print.
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The Iconography of London Theatre auditorium architecture, 1600-1900 /Macomber, Philip Alan January 1959 (has links)
No description available.
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Re-creating the context : the design of a community theaterCrosley, Mark Lauden January 1982 (has links)
Thesis (M. Arch.)--M.I.T., Dept. of Architecture, 1982. / MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH. / Supervised by Shun Kanda. / Includes bibliographical references (p. 104-105). / Herein lies the design of an imaginary building in a very real neighborhood. The building is, among other things, a theater, café, childcare facility and guest house. The neighborhood is a 100 year old urban residential neighborhood, a comfortably-scaled place that is well-liked by its inhabitants. The rationale for imagining a building into this context is the following: In a residential neighborhood, public and commercial buildings must be clearly seen as such, but ought not be so discontinuous as to disrupt the neighborhood. How, then, can the form of a public building reinforce the total form of the neighborhood, while establishing a clear difference in use? I have developed a method of analyzing an existing place in order to make conscious decisions about reinforcing and transforming the existing context, and applied it to the design of this single building. / by Mark Lauden Crosley. / M.Arch.
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The theatre concept of the BauhausRaison, William Terry, 1940- January 1974 (has links)
No description available.
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A film centre for Vancouver, British ColumbiaSchupp, John Alvin 11 1900 (has links)
This Thesis Project began as an attempt to explore the basic principles of Cinema: Light,
Time and Movement. As the project evolved I began to explore and develop various design
ideas. These included: the exploration of voyeuristic qualities within Cinema and Architec
tural ideas based on illusion and rhythm; cinema as a medium; and, geometric maipulations
and how different geometries might co-exist in an attempt to foster an image of diversity
while defocusing the stereotypical idea of school and institution.
The final product consisted of a 36,000 sq. ft. Film Centre, that housed a Film School, Indoor
and Outdoor Cinemas, the Vancouver Film Festival Offices, a multi-media Restaurant and
an Independant Film Studio.
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An investigation and application of the lessons of architecture and theaterEdwards, William Samuel 05 1900 (has links)
No description available.
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The physical attributes of the Japanese kabuki stage in relation to theElizabethan stage, with an emphasis upon their influence upon acting formDodds, Lynda Lee, January 1968 (has links)
Thesis (M.A.)--University of Wisconsin--Madison, 1968. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
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