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Esta dissertação tem como objetivo analisar a figuração dramatúrgica do indivíduo em duas peças produzidas pelo grupo teatral The Provincetown Players: Suppressed Desires (1915), de Susan Glaspell e George Cram Cook, e Before Breakfast (1916), de Eugene ONeill. Consideramos que o estudo da produção desse grupo norte-americano traz importantes reflexões acerca da representação de questões históricas, políticas e estéticas recentes naquela época , e que vieram a ter desdobramentos em diversas direções no teatro contemporâneo. / This work aims at analyzing the dramaturgical figurations of the self in two plays produced by The Provincetown Players: Suppressed Desires (1915), by Susan Glaspell and George Cram Cook, and Before Breakfast (1916), by Eugene O\'Neill. We believe that the study of the production of this American group introduces important reflections on the representation of historical, political and aesthetic factors recent then , which came to have developments in several directions in contemporary theater.

Yip Ting Wai Chris. / "Architecture Department, Chinese University of Hong Kong, Master of Architecture Programme 2000-2001, design report." / Includes bibliographical references. / Project Background / Initiation --- p.1 / Project vision --- p.2-3 / Scenario --- p.4 / Project brief --- p.5 / Site Study --- p.6-10 / Design Process / Idea generation --- p.11 / First phase --- p.12-15 / Second phase --- p.16 / Third phase --- p.17 / Final Design --- p.18-24 / Appendix / Background Research / Hong Kong cinema / Hong Kong Architecture / Program research / Analysis of existing state / Client & User / Site analysis / Future State / Architectural issues & goals / List of activities / Building Program

李麗虹. / 論文(碩士) -- 香港中文大學硏究院音樂學部, 1996. / 參考文献 : leaves 131-137. / Li Lihong. / Chapter 第一章 --- 前言 --- p.6-12 / Chapter 第一節 --- 硏究地區之選擇 / Chapter 第二節 --- 過去及當前之硏究 / Chapter 第三節 --- 硏究目標 / Chapter 第四節 --- 資料來源 / Chapter 第二章 --- 台灣布袋戲的源流、發展及布袋戲名稱的由來 --- p.13-28 / Chapter 第一節 --- 布袋戲名稱的由來 / Chapter 第二節 --- 台灣布袋戲的源流及發展 / Chapter 第三章 --- 布袋戲班的構成因素及《小西園》布袋戲班的介紹 --- p.29-49 / Chapter 第一節 --- 布袋戲班的構成因素 / Chapter 第二節 --- 小西園布袋戲班建團歷史及內部組織的硏究 / Chapter 第四章 --- 布袋戲音樂在台灣的發展、演變及北管音樂的使用 --- p.50-72 / Chapter 第一節 --- 布袋戲音樂的發展與演變 / Chapter 第二節 --- 北管的範圍與分類 / Chapter 第三節 --- 北管的演出形式 / Chapter 第四節 --- 布袋戲伴奏的樂器 / Chapter 第五章 --- 布袋戲北管聲部音樂的分析 --- p.73-104 / Chapter 第一節 --- 艾倫´Ø洛馬克斯，歌唱測定體系（Alan Lomax Cantometrics)方法的說明 / Chapter 第二節 --- 十首歌曲的分析硏究 / Chapter 第三節 --- 十首歌曲聲響效果的總結 / Chapter 第六章 --- 結論 --- p.105-107 / 附錄一 譜例 --- p.108-119 / 附錄二圖片說明 --- p.120-130 / 參考書目 --- p.131-138

吳國鈞. / "2010年2月". / "2010 nian 2 yue". / Thesis (M.Phil.)--Chinese University of Hong Kong, 2010. / Includes bibliographical references (leaves 199-209). / Abstracts in Chinese and English. / Wu Guojun. / Chapter 第一章 --- 導言 --- p.1 / Chapter 第二章 --- 電影中心的電影放映活動景觀 / Chapter 2.1 --- 前言 --- p.24 / Chapter 2.2 --- 香港「非主流」電影放映的脈絡 --- p.26 / Chapter 2.3 --- 院線主導的「非主流」電影放映景觀 --- p.46 / Chapter 2.4 --- 院線主導的「非主流」電影活動景觀 --- p.63 / Chapter 2.5 --- 作爲本地「非主流」電影活動的核心場地 --- p.83 / Chapter 2.6 --- 小結 --- p.98 / Chapter 第三章 --- 「非主流」電影與文化產業項目的結合 / Chapter 3.1 --- 前言 --- p.100 / Chapter 3.2 --- 「非主流」電影作爲本地文化項目接合點的歷史脈絡 --- p.103 / Chapter 3.3 --- 「kubrick」作爲本地文化產業的平台 --- p.118 / Chapter 3.4 --- 「kubrick」文化形象的前線構建 --- p.132 / Chapter 3.5 --- 小結 --- p.144 / Chapter 第四章 --- 社區空間與電影中心的公共性質 / Chapter 4.1 --- 前言 --- p.145 / Chapter 4.2 --- 電影院於本地社區角色的歷史脈絡 --- p.147 / Chapter 4.3 --- 油麻地社區與百老匯電影中心 --- p.161 / Chapter 4.4 --- 電影閱覽室的公共角色 --- p.175 / Chapter 4.5 --- 小結 --- p.188 / Chapter 第五章 --- 總結 --- p.189 / 參考書目及資料 --- p.199

Thesis (M. Arch.)--University of Hong Kong, 1999. / Includes bibliographical references.

Thesis (M. Arch.)--University of Hong Kong, 2002. / Includes bibliographical references.