Thesis--University of Pittsburgh. / Includes bibliographical references (leaves 222-224).

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Studies of the Early Meiji Period have until now been mainly articulated around the issue of continuity and discontinuity between the Edo and Meiji eras. Thus Tokyo has become the central locus of production of multiple discourses on Japanese modernity, urbanity and culture. / This work adopts a discontinuist approach by considering each era as two entirely distinct, although related, historical assemblages. For this, I focus my study on the conditions of production of Tokyo as a modern urban space. The entry into modernity is the crossing of a threshold. As Edo is marked by the order of the general equivalent and the law of the sumptury, Tokyo is produced in abstract space. We shift from an essentially heterogeneous space to a homogeneous, fragmented and hierarchized space. Following Henri Lefebvre, I try to analyze the production of modern abstract space as it is associated with a new mode of control of social space through administrative policies, cartography and urbanism.

Typescript. Includes vita and abstract. Includes bibliographical references (leaves 121-133). Also available online.

Thesis (Ph.D.)--University of California, Berkeley, Spring 2005. / Includes bibliographical references (p. 450-468).

Thesis (Ph.D.)--Tufts University, 2005. / Chair: Gary Leupp. Submitted to the Dept. of Interdisciplinary Studies. Includes bibliographical references (leaves 185-189). Access restricted to members of the Tufts University community. Also available via the World Wide Web;

Thesis (D. Miss.)--Trinity Evangelical Divinity School, 1994. / Includes Japanese translation of Tamagawa Seigakuin graduate and teacher questionnaires. Abstract. Includes bibliographical references (leaves 237-246).

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Orientador: Gilberto Alexandre Sobrinho / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-27T22:55:13Z (GMT). No. of bitstreams: 1 Ishii_RegianeAkemi_M.pdf: 6759325 bytes, checksum: 58e1d65d408f67ebcc4a99ad2a50af31 (MD5) Previous issue date: 2015 / Resumo: Este trabalho propõe a análise de investimentos espaciais e processos de significação em filmes realizados em Tóquio por diretores não japoneses, na década de 2000. Nosso interesse recai sobre a relação entre cinema e cidade, tomando como principal aporte teórico as ideias de Giuliana Bruno, em Atlas of Emotion ¿ Journeys in Art, Architecture, and Film (2007). Assim, debruçamo-nos sobre as jornadas singulares dos títulos selecionados, analisando como cada filme, ao tomar como ponto de partida o espaço real de Tóquio, atualiza um novo espaço fílmico. Evidenciando as marcas de enunciação destes filmes, também investigamos como o espectador é convocado a confrontar uma emoção geográfica. No início, refletimos sobre a ligação entre o cinema, a arquitetura e a viagem, e fazemos um breve histórico de títulos que se dedicaram a filmar Tóquio. Em seguida, são analisados os três filmes que compõem o corpus da pesquisa: Encontros e Desencontros (Lost in Translation, 2003), de Sofia Coppola, Babel (2006), de Alejandro González Iñarritu, e Enter the Void (2009), de Gaspar Noé / Abstract: This work proposes the analysis of spatial investments and processes of meaning in films made in Tokyo by non-Japanese directors, in the 2000s. Our interest is focused on the relationship between cinema and city, taking as main theoretical contribution the ideas of Giuliana Bruno in Atlas of Emotion - Journeys in Art, Architecture, and Film (2007). Thus, we address to the singular journeys of selected titles, analyzing how each film, by taking as starting point the real space of Tokyo, updates a new filmic space. Having as evidence the marks of enunciation of these films, we also investigate how the viewer is called upon to confront a geographic emotion. At first, we reflect on the link between cinema, architecture and travel, and do a brief historical review of titles that were dedicated to film Tokyo. Then, the three films that make up the corpus of the research are analyzed: Lost in Translation (2003), by Sofia Coppola, Babel (2006), by Alejandro González Iñarritu, and Enter the Void (2009), by Gaspar Noé / Mestrado / Artes Visuais / Mestra em Artes Visuais