O presente estudo teve por objetivo investigar a dinâmica temporal da percepção de tamanho de objetos inseridos em gradientes de textura, provenientes de desenho gerado computacionalmente (gradiente de perspectiva) e de fotografia com elementos naturais (gradiente fotografado). Além disso, verificou-se a ocorrência e padrão dos movimentos oculares nestas condições. Para isso, foram realizados 2 experimentos. No primeiro experimento, dois círculos negros eram apresentados no meridiano vertical e a tarefa dos 96 participantes foi indicar em qual parte do campo visual, superior ou inferior, foi apresentado o maior círculo. Usando o método das escadas duplas, estes círculos eram apresentados brevemente (50, 100, 150 ou 200 ms) em três condições de fundos de tela (sem textura, gradiente de perspectiva ou gradiente fotografado). Foram calculados a inclinação da função psicométrica e o ponto de igualdade subjetivo (PIS) como medidas da sensibilidade discriminativa e da distorção perceptiva, respectivamente. Os resultados mostraram que os participantes discriminaram melhor o tamanho dos estímulos à medida que o tempo de exposição aumentava, independentemente do gradiente de textura. A análise do PIS revelou que há uma forte distorção do tamanho aos 100 ms para o gradiente de perspectiva e aos 150 ms para o gradiente fotografado. No segundo experimento, 24 participantes realizaram uma tarefa semelhante ao do primeiro experimento e utilizou-se um eye tracker para registrar o movimento ocular. Os resultados mostraram que, em apresentações de 150 e 200 ms, os movimentos oculares ocorreram em menos de 10% das tentativas em todos os fundos de tela. Isto indica que a redução das distorções de tamanho após os 100 ms observada no primeiro experimento não é explicada completamente pela alocação da atenção. Tomados em conjunto, estes resultados sugerem que o processamento e integração das informações de tamanho e profundidade são mediados principalmente por mecanismos bottom-up. Ademais, em uma condição de menor restrição temporal (1500 ms), a presença de informações de profundidade afetou a dimensão espacial das fixações e sacadas, mas não a dimensão temporal. Os participantes olharam preferencialmente para o estímulo apresentado no campo visual superior, o que indica que a atenção foi alocada às posições de maior profundidade. Os resultados também indicaram que os estímulos maiores capturaram tanto a atenção transitória quanto a atenção sustentada. Assim, este estudo permitiu um maior conhecimento sobre os mecanismos perceptivos e atentivos envolvidos no processamento das informações de tamanho e de profundidade. / This study aimed to investigate the temporal dynamics of object size perception under texture gradients from line-drawing (perspective gradient) and photograph with natural elements (photographed gradient). Additionally, it was analyzed the occurrence and the pattern of eye movements in these conditions. For this, we carried out 2 experiments. In the first experiment, two black circles were displayed in the vertical meridian and 96 participants reported whether the bigger one was presented at the lower or upper visual field. By using double staircase psychophysics method, these circles were briefly presented (50, 100, 150 or 200 ms) in three background conditions (no texture, perspective gradient or photographed gradient). The slope of the psychometric function and the points of subjectivity equality (PSE) were calculated and used as discrimination sensitivity and size distortion measures, respectively. The results showed a greater sensitivity to size discrimination as exposure time increased, regardless the texture gradient. The analysis of PSE indicated greater size distortions in perspective gradient at 100 ms and in photographed gradient at 150 ms. In the second experiment, 24 participants performed a task similar to that in Experiment 1 while an eye tracker recorded their eye-movements. The results showed that, at 150 and 200 ms, eye movements occurred in less than 10% of trials in all backgrounds. It indicates that the size distortion reduction after 100 ms observed in the first experiment cannot be fully explained by attention allocation. Taken together, these results suggest that the process and integration of size and depth information are mainly mediated by bottom-up mechanism. Moreover, in a less time constrain condition (1500 ms), depth cues affected the spatial measures of fixations and saccades, but not the temporal ones. The participants looked more frequently at the stimulus on the upper visual field, indicating that attention has been allocated to positions of greater depth. The results also indicated that large stimulus capture both transient and sustained attention. Thus, this study provides a better understanding of perceptual and attentive mechanisms involved in size and depth process.

O presente estudo teve por objetivo investigar a dinâmica temporal da percepção de tamanho de objetos inseridos em gradientes de textura, provenientes de desenho gerado computacionalmente (gradiente de perspectiva) e de fotografia com elementos naturais (gradiente fotografado). Além disso, verificou-se a ocorrência e padrão dos movimentos oculares nestas condições. Para isso, foram realizados 2 experimentos. No primeiro experimento, dois círculos negros eram apresentados no meridiano vertical e a tarefa dos 96 participantes foi indicar em qual parte do campo visual, superior ou inferior, foi apresentado o maior círculo. Usando o método das escadas duplas, estes círculos eram apresentados brevemente (50, 100, 150 ou 200 ms) em três condições de fundos de tela (sem textura, gradiente de perspectiva ou gradiente fotografado). Foram calculados a inclinação da função psicométrica e o ponto de igualdade subjetivo (PIS) como medidas da sensibilidade discriminativa e da distorção perceptiva, respectivamente. Os resultados mostraram que os participantes discriminaram melhor o tamanho dos estímulos à medida que o tempo de exposição aumentava, independentemente do gradiente de textura. A análise do PIS revelou que há uma forte distorção do tamanho aos 100 ms para o gradiente de perspectiva e aos 150 ms para o gradiente fotografado. No segundo experimento, 24 participantes realizaram uma tarefa semelhante ao do primeiro experimento e utilizou-se um eye tracker para registrar o movimento ocular. Os resultados mostraram que, em apresentações de 150 e 200 ms, os movimentos oculares ocorreram em menos de 10% das tentativas em todos os fundos de tela. Isto indica que a redução das distorções de tamanho após os 100 ms observada no primeiro experimento não é explicada completamente pela alocação da atenção. Tomados em conjunto, estes resultados sugerem que o processamento e integração das informações de tamanho e profundidade são mediados principalmente por mecanismos bottom-up. Ademais, em uma condição de menor restrição temporal (1500 ms), a presença de informações de profundidade afetou a dimensão espacial das fixações e sacadas, mas não a dimensão temporal. Os participantes olharam preferencialmente para o estímulo apresentado no campo visual superior, o que indica que a atenção foi alocada às posições de maior profundidade. Os resultados também indicaram que os estímulos maiores capturaram tanto a atenção transitória quanto a atenção sustentada. Assim, este estudo permitiu um maior conhecimento sobre os mecanismos perceptivos e atentivos envolvidos no processamento das informações de tamanho e de profundidade. / This study aimed to investigate the temporal dynamics of object size perception under texture gradients from line-drawing (perspective gradient) and photograph with natural elements (photographed gradient). Additionally, it was analyzed the occurrence and the pattern of eye movements in these conditions. For this, we carried out 2 experiments. In the first experiment, two black circles were displayed in the vertical meridian and 96 participants reported whether the bigger one was presented at the lower or upper visual field. By using double staircase psychophysics method, these circles were briefly presented (50, 100, 150 or 200 ms) in three background conditions (no texture, perspective gradient or photographed gradient). The slope of the psychometric function and the points of subjectivity equality (PSE) were calculated and used as discrimination sensitivity and size distortion measures, respectively. The results showed a greater sensitivity to size discrimination as exposure time increased, regardless the texture gradient. The analysis of PSE indicated greater size distortions in perspective gradient at 100 ms and in photographed gradient at 150 ms. In the second experiment, 24 participants performed a task similar to that in Experiment 1 while an eye tracker recorded their eye-movements. The results showed that, at 150 and 200 ms, eye movements occurred in less than 10% of trials in all backgrounds. It indicates that the size distortion reduction after 100 ms observed in the first experiment cannot be fully explained by attention allocation. Taken together, these results suggest that the process and integration of size and depth information are mainly mediated by bottom-up mechanism. Moreover, in a less time constrain condition (1500 ms), depth cues affected the spatial measures of fixations and saccades, but not the temporal ones. The participants looked more frequently at the stimulus on the upper visual field, indicating that attention has been allocated to positions of greater depth. The results also indicated that large stimulus capture both transient and sustained attention. Thus, this study provides a better understanding of perceptual and attentive mechanisms involved in size and depth process.

La reconnaissance d’objets est une tâche complexe au cours de laquelle le cerveau doit assembler de manière cohérente tous les éléments d’un objet accessible à l’œil afin de le reconnaître. La construction d’une représentation corticale de l’objet se fait selon un processus appelé « bottom-up », impliquant notamment les régions occipitales et temporales. Un mécanisme « top-down » au niveau des régions pariétales et frontales, facilite la reconnaissance en suggérant des identités potentielles de l’objet à reconnaître. Cependant, le mode de fonctionnement de ces mécanismes est peu connu. Plusieurs études ont démontré une activité gamma induite au moment de la perception cohérente de stimuli, lui conférant ainsi un rôle important dans la reconnaissance d’objets. Cependant, ces études ont utilisé des techniques d’enregistrement peu précises ainsi que des stimuli répétitifs. La première étude de cette thèse vise à décrire la dynamique spatio-temporelle de l’activité gamma induite à l’aide de l’électroencéphalographie intracrânienne, une technique qui possède des résolutions spatiales et temporelles des plus précises. Une tâche d’images fragmentées a été conçue dans le but de décrire l’activité gamma induite selon différents niveaux de reconnaissance, tout en évitant la répétition de stimuli déjà reconnus. Afin de mieux circonscrire les mécanismes « top-down », la tâche a été répétée après un délai de 24 heures. Les résultats démontrent une puissante activité gamma induite au moment de la reconnaissance dans les régions « bottom-up ». Quant aux mécanismes « top-down », l’activité était plus importante aux régions occipitopariétales. Après 24 heures, l’activité était davantage puissante aux régions frontales, suggérant une adaptation des procédés « top-down » selon les demandes de la tâche. Très peu d’études se sont intéressées au rythme alpha dans la reconnaissance d’objets, malgré qu’il soit bien reconnu pour son rôle dans l’attention, la mémoire et la communication des régions neuronales distantes. La seconde étude de cette thèse vise donc à décrire plus précisément l’implication du rythme alpha dans la reconnaissance d’objets en utilisant les techniques et tâches identiques à la première étude. Les analyses révèlent une puissante activité alpha se propageant des régions postérieures aux régions antérieures, non spécifique à la reconnaissance. Une synchronisation de la phase de l’alpha était, quant à elle, observable qu’au moment de la reconnaissance. Après 24 heures, un patron similaire était observable, mais l’amplitude de l’activité augmentait au niveau frontal et les synchronies de la phase étaient davantage distribuées. Le rythme alpha semble donc refléter des processus attentionnels et communicationnels dans la reconnaissance d’objets. En conclusion, cette thèse a permis de décrire avec précision la dynamique spatio-temporelle de l’activité gamma induite et du rythme alpha ainsi que d’en apprendre davantage sur les rôles potentiels que ces deux rythmes occupent dans la reconnaissance d’objets. / Recognizing objects is a complex task requiring the brain to assemble visual information in such a way that coherent perception can happen. Building a visual cerebral representation is done through a bottom-up process, involving mainly occipital and temporal areas. A top-down mechanism from parietal and frontal areas, is thought to facilitate recognition by taking into account expectations and generating possible candidates. However, the precise mechanisms by which all these processes are done are still unclear. Studies investigating induced gamma response were able to link this activity to coherent perception of objects, suggesting a significant role of this activity in object recognition. However, these studies used imprecise recording techniques and stimuli repetition. The first study of this thesis aimed at describing with more precision the induced gamma activity using intracranial encephalography and a fragmented images paradigm in which only new stimuli are presented. Moreover, the task was presented again 24 hours later to circumscribe top-down mechanisms. Results show that the induced gamma activity is highest at recognition in regions involved in bottom-up processes. Top-down mechanism involved occipito-parietal areas when images were presented for the first time. When images were presented again 24 hours later, frontal areas mediated top-down facilitation, suggesting that top-down mechanisms vary according to task demand. Alpha rhythm has been less clearly related to visual perception, but is nevertheless well known to be involved in attention, memory and long-distance brain communication. The second study of this thesis investigated the role of alpha rhythm in object recognition, using the same technique and task as in the first study. Time-frequency analysis revealed a strong alpha activity unspecific to recognition, which was propagating from posterior to anterior regions. Phase coherence analysis, however, showed significant phase synchronisation specific to recognition. A similar pattern of alpha activity was found 24 hours later. However, the activity was stronger in frontal regions and the phase synchronisation was more distributed. Alpha rhythm is thus thought to be involved in attentional and communicational mechanisms of object recognition. In conclusion, this thesis was able to describe the precise spatio-temporal dynamics of induced gamma and alpha activity and suggest potential roles of these rhythms in response to object recognition.

La reconnaissance d’objets est une tâche complexe au cours de laquelle le cerveau doit assembler de manière cohérente tous les éléments d’un objet accessible à l’œil afin de le reconnaître. La construction d’une représentation corticale de l’objet se fait selon un processus appelé « bottom-up », impliquant notamment les régions occipitales et temporales. Un mécanisme « top-down » au niveau des régions pariétales et frontales, facilite la reconnaissance en suggérant des identités potentielles de l’objet à reconnaître. Cependant, le mode de fonctionnement de ces mécanismes est peu connu. Plusieurs études ont démontré une activité gamma induite au moment de la perception cohérente de stimuli, lui conférant ainsi un rôle important dans la reconnaissance d’objets. Cependant, ces études ont utilisé des techniques d’enregistrement peu précises ainsi que des stimuli répétitifs. La première étude de cette thèse vise à décrire la dynamique spatio-temporelle de l’activité gamma induite à l’aide de l’électroencéphalographie intracrânienne, une technique qui possède des résolutions spatiales et temporelles des plus précises. Une tâche d’images fragmentées a été conçue dans le but de décrire l’activité gamma induite selon différents niveaux de reconnaissance, tout en évitant la répétition de stimuli déjà reconnus. Afin de mieux circonscrire les mécanismes « top-down », la tâche a été répétée après un délai de 24 heures. Les résultats démontrent une puissante activité gamma induite au moment de la reconnaissance dans les régions « bottom-up ». Quant aux mécanismes « top-down », l’activité était plus importante aux régions occipitopariétales. Après 24 heures, l’activité était davantage puissante aux régions frontales, suggérant une adaptation des procédés « top-down » selon les demandes de la tâche. Très peu d’études se sont intéressées au rythme alpha dans la reconnaissance d’objets, malgré qu’il soit bien reconnu pour son rôle dans l’attention, la mémoire et la communication des régions neuronales distantes. La seconde étude de cette thèse vise donc à décrire plus précisément l’implication du rythme alpha dans la reconnaissance d’objets en utilisant les techniques et tâches identiques à la première étude. Les analyses révèlent une puissante activité alpha se propageant des régions postérieures aux régions antérieures, non spécifique à la reconnaissance. Une synchronisation de la phase de l’alpha était, quant à elle, observable qu’au moment de la reconnaissance. Après 24 heures, un patron similaire était observable, mais l’amplitude de l’activité augmentait au niveau frontal et les synchronies de la phase étaient davantage distribuées. Le rythme alpha semble donc refléter des processus attentionnels et communicationnels dans la reconnaissance d’objets. En conclusion, cette thèse a permis de décrire avec précision la dynamique spatio-temporelle de l’activité gamma induite et du rythme alpha ainsi que d’en apprendre davantage sur les rôles potentiels que ces deux rythmes occupent dans la reconnaissance d’objets. / Recognizing objects is a complex task requiring the brain to assemble visual information in such a way that coherent perception can happen. Building a visual cerebral representation is done through a bottom-up process, involving mainly occipital and temporal areas. A top-down mechanism from parietal and frontal areas, is thought to facilitate recognition by taking into account expectations and generating possible candidates. However, the precise mechanisms by which all these processes are done are still unclear. Studies investigating induced gamma response were able to link this activity to coherent perception of objects, suggesting a significant role of this activity in object recognition. However, these studies used imprecise recording techniques and stimuli repetition. The first study of this thesis aimed at describing with more precision the induced gamma activity using intracranial encephalography and a fragmented images paradigm in which only new stimuli are presented. Moreover, the task was presented again 24 hours later to circumscribe top-down mechanisms. Results show that the induced gamma activity is highest at recognition in regions involved in bottom-up processes. Top-down mechanism involved occipito-parietal areas when images were presented for the first time. When images were presented again 24 hours later, frontal areas mediated top-down facilitation, suggesting that top-down mechanisms vary according to task demand. Alpha rhythm has been less clearly related to visual perception, but is nevertheless well known to be involved in attention, memory and long-distance brain communication. The second study of this thesis investigated the role of alpha rhythm in object recognition, using the same technique and task as in the first study. Time-frequency analysis revealed a strong alpha activity unspecific to recognition, which was propagating from posterior to anterior regions. Phase coherence analysis, however, showed significant phase synchronisation specific to recognition. A similar pattern of alpha activity was found 24 hours later. However, the activity was stronger in frontal regions and the phase synchronisation was more distributed. Alpha rhythm is thus thought to be involved in attentional and communicational mechanisms of object recognition. In conclusion, this thesis was able to describe the precise spatio-temporal dynamics of induced gamma and alpha activity and suggest potential roles of these rhythms in response to object recognition.