Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2017-01-13T12:34:55Z No. of bitstreams: 1 RafaelLeiteFreire_DISSERT.pdf: 5587232 bytes, checksum: af7254b0e2cbb0b57a16d93d8d90d36e (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2017-01-23T16:06:21Z (GMT) No. of bitstreams: 1 RafaelLeiteFreire_DISSERT.pdf: 5587232 bytes, checksum: af7254b0e2cbb0b57a16d93d8d90d36e (MD5) / Made available in DSpace on 2017-01-23T16:06:21Z (GMT). No. of bitstreams: 1 RafaelLeiteFreire_DISSERT.pdf: 5587232 bytes, checksum: af7254b0e2cbb0b57a16d93d8d90d36e (MD5) Previous issue date: 2016-03-28 / Este trabalho tem como objetivo geral compreender as continuidades e descontinuidades hist?ricas na representa??o dos corpos monstruosos/alien?genas no di?logo entre a linguagem televisiva, teatral e cinematogr?fica. Procuro, assim, o entre-lugar que o corpo transversaliza nos espa?os acerca dessas linguagens com base no seriado Jornada nas Estrelas dos anos 1960, no projeto de teatro de rua ?Trek in The Park? (2009-2013), e no filme hom?nimo ao seriado (2009). Nesses tr?s objetos art?sticos-midi?ticos se verificou uma mudan?a na percep??o ao corpo monstruoso. No decorrer da hist?ria, esse corpo foi visto em produ??es art?sticas variadas, como a representa??o do feio, e produtor dos sentidos de medo, constrangimento e riso. No corpus de an?lise pressuponho uma mudan?a ao olhar esses corpos na contemporaneidade, por se tratar de um per?odo no qual se assiste a um maior protagonismo de minorias, a exemplo de gays, negros e mulheres, e ainda maior visibilidade do corpo monstruoso - agora gerador de identifica??o positiva - nos ?mbitos da performance e da cena em geral. Portanto, os objetivos espec?ficos s?o: percorrer historicamente as concep??es de corpo monstruoso, relacionar as concep??es de corpo na contemporaneidade, analisar a produ??o de sentidos e o investimento pol?tico nos corpos alien?genas. Para tanto, o trajeto te?rico-metodol?gico se constitui por meio do movimento interic?nico proposto por Courtine (2013), o qual se refere a imagens que est?o ligadas ? mem?ria interna (lembran?as) e externa (diversas imagens visualizadas). Tal como ao conceito de Dispositivo, de Foucault (1979), entendido como a rede que interliga discursos, institui??es, proposi??es filos?ficas ou morais, enunciados cient?ficos, etc. Assim como o conceito ampliado e atualizado por Agamben (2009). Analiso, pois, dois epis?dios de Jornada nas Estrelas encenados tamb?m pela companhia Teatral ?Trek in the Park: Tempo de Loucura? e ?A Caminho para Babel?, procurando de forma aprofundada debater a respeito do corpo dos Vulcanos e seu gestual. Por fim, concluo o personagem Spock como controverso e com ares de anti-her?i. / This study aims to understand the continuities and discontinuities in the historical representation of the monstrous / alien bodies in the dialogue among the television, theatrical and cinematic language, seeking thus the betweenplace distance that goes along the body in a transversal direction in the spaces between these languages based on the Star Trek television series of the 1960s, the street theater project "Trek In The Park" (2009-2013), and the eponymous to the show, the film of (2009). These three artistic-media objects have been a change in the perception of the monstrous body. Down through history, this body was seen in various artistic productions as representing the ugly and producer of fear of felt, embarrassment and laughter. The analysis corpus presupposes a change to look at these bodies in contemporary times, because it is a period in which we are witnessing a major role of minorities, such as gays, blacks and women, and greater visibility of the monstrous body - now a generator of positive identification - in the areas of performance and the overall scene. Therefore, the specific objectives are: to go historically through the monstrous body of conceptions, to relate the concepts of body in contemporary times, and to analyze the production of senses and political investment in alien bodies. Thus, the theoretical and methodological path is constituted through intericonic movement proposed by Courtine (2013), which refers to images that are linked to the internal memory (memories) and external (various images viewed). As the concept of device, of Foucault (1979), understood as the network that interconnects speeches, institutions, philosophical or moral propositions, scientific statements, etc. As well as the expanded and updated concept by Agamben (2009). Thus, I analyze, two episodes of Star Trek also staged by the Theatre Company "Trek in the Park: Amok Time" and "Journey to Babel", looking in depth to debate about the body of Vulcan and his gestual. Finally, I conclude the character Spock as controversial and with anti-hero characteristics.