• Refine Query
  • Source
  • Publication year
  • to
  • Language
  • 4
  • Tagged with
  • 4
  • 4
  • 3
  • 2
  • 2
  • 1
  • 1
  • 1
  • 1
  • 1
  • 1
  • 1
  • 1
  • 1
  • 1
  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

The solo compositions for trumpet of Fisher Aubrey Tull an analysis of structural, technical and stylistic elements for performance preparation, with three recitals of selected works by Bozza, Fasch, Haydn, Tomasi and others /

Wenger, Alan J. January 2002 (has links)
Thesis (D.M.A.)--University of North Texas, 2002. / Accompanied by 4 recitals, recorded Nov. 25, 1996, Mar. 1, 1999, Nov. 1, 1999 and Apr. 8, 2002. Includes discography (p. 142-143) and bibliographical references (p. 144-150).
2

An annotated bibliography of selected chamber music for saxophone, winds and percussion with analyses of Danses exotiques by Jean Françaix and Nonet by Fisher Tull /

Fryer, Cheryl A. January 2003 (has links)
Thesis (D.M.A.)--University of North Texas, 2003. / Accompanied by 4 recitals. Includes bibliographical references (p. 77-80).
3

The Solo Compositions for Trumpet of Fisher Aubrey Tull: An Analysis of Structural, Technical, and Stylistic Elements for Performance Preparation, with Three Recitals of Selected Works by Bozza, Fasch, Haydn, Tomasi, and Others

Wenger, Alan J. 08 1900 (has links)
The compositions of Fisher Aubrey Tull are widely performed and many have become standard repertoire. Tull's compositions encompass a multiplicity of performance media including works for orchestra, chorus, symphonic band, jazz band, brass choir, and solo and chamber works. Tull's compositional output for the trumpet is prolific and is acknowledged to be music of high quality. An examination of Trumpet and Brass Programs, compiled and published annually by the International Trumpet Guild, shows Tull's solo and ensemble works for trumpet to be frequently performed. Furthermore, his compositions for trumpet have been performed and recorded by internationally acclaimed artists including Vincent DiMartino, Terry Everson, Håkan Hardenberger, Anthony Plog, Carl "Doc" Severinsen and Allen Vizzutti.This study investigates Fisher Tull's eight solo works for trumpet, which include: Vignette for Trumpet and Piano (1954); Concerto No. 1 for Trumpet and Orchestra (1964); Concerto No. 2 for Trumpet and Band (1974); Three Bagatelles for Trumpet and Piano (1975); Eight Profiles for Solo Trumpet (1978); Rhapsody for Trumpet and Band (1980); Sonata for Trumpet and Piano (1986); and Chromutations for Solo Trumpet (1988). Histories of each composition are chronicled. An analysis of formal organization and significant style features examines musical structure, harmonic language, rhythmic character, instrumentation, and orchestration. A discussion of technical concerns specific to the trumpet that addresses range, tessitura, articulation, flexibility, endurance and the use of extended techniques is included. Performance suggestions, pertaining to technical and artistic issues, offer the reader specific recommendations as an aid in performance preparation. Finally, the significance of Fisher Tull's works for trumpet and his impact on the trumpet literature is assessed. Evidence suggests that his prolific compositional output, diversity of forms, and musical quality rank him as one of the most significant composers for the trumpet in the twentieth century.
4

An Annotated Bibliography of Selected Chamber Music For Saxophone, Winds and Percussion with Analyses Of Danses Exotiques by Jean Françaix, and Nonet by Fisher Tull

Fryer, Cheryl A. 12 1900 (has links)
An expansive repertoire of original chamber works is available for ensembles comprised of saxophone, wind and percussion instruments. Many musicians, including saxophonists and conductors, are unaware of this enormous body of literature. This produces a compelling need for sources of identification available to conductors, performers and teachers. This study begins to provide such a source through the presentation of selected works and the accompanying annotated bibliography. The lack of awareness of available scores for chamber music with saxophone, winds and percussion among conductors and many performers often contributes to the absence of these works in concert halls. The objective of this lecture-recital document is to make available a tool that includes only original works for the saxophone in a variety of chamber ensemble settings. The nature of this study will be descriptive. The literature chosen for this project reveals varying levels of performance difficulty, compositional techniques, form, and instrumentation. Chosen works employ an ensemble size that requires a conductor or are more successfully performed with a conductor. Selected compositions are illustrated in which the saxophone is identified as a vital ingredient in an already existing repertoire of serious chamber literature. Works in this study include original compositions using from seven to seventeen musicians. Some of the works discussed in this study include double bass and piano. Chapters include information on the Parameters of Study (Introduction, Historical Perspective, Sources, Criteria, Selection of Works for Analysis), composer Jean Françaix, a Historical Overview and Detailed Study of Danses Exotiques, composer Fisher Tull, a Historical Overview and Detailed Study of Nonet and an Annotated Bibliography of compositions matching the established criteria. Appendices include List of Works of Fisher Tull and Jean Françaix.

Page generated in 0.0313 seconds