Thesis (D.M.A.)--University of North Texas, 2007. / System requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded June 21, 2004, June 13, 2005, Mar. 27, 2006, and Sept. 21, 2007. Includes bibliographical references (p. 141-143).

abstract: The indigenous communities of Chiapas, Mexico, have long manifested resistance to oppression and discrimination. This study centers on the analysis of Chiapas: el fin del silencio (1998) by Alberto Turok, connecting the work of the photographer to the problems faced by indigenous people in the region, such as inequality and marginalization. Race, class, gender, and globalization, in addition to the emergence of the Ejército Zapatista de Liberación Nacional (EZLN), are essential factors to the discourse of resistance. EZLN, an armed indigenous group in Chiapas, led by its famed leader, Subcomandante Marcos, clearly opposed the implementation of the North American Free Trade Agreement (NAFTA). In examining resistance, ritual, and performance, the photography of Turok serves as testimony of the struggles of indigenous people and the relevance it has for a diverse Mexican society. / Dissertation/Thesis / M.A. Spanish 2012

This document discusses the relationship between trumpet and percussion over the past centuries, the development of music for trumpet and percussion ensembles, trumpet and percussion in twentieth-century chamber music and the creation of music for trumpet and marimba. A listing of all known trumpet and percussion duos is included. An exploration of the development of the Wilder Duo and a listing of all known trumpet and marimba duos is also included. There are analyses of works by Gordon Stout, Paul Turok and Alec Wilder. These analyses examine sound, form, harmony, melody and rhythm for each piece. Musical illustrations are included. These analyses are divided into chapters. Each chapter begins with a short biography of each composer. A short description of each work is also given. Summaries are included at the end of each analytical chapter.