Global ETD Search

21	The Grundgestalt and network transformations in the late choral works of Anton Webern / Hoskisson, Darin Todd, January 2006 (has links) Thesis (Ph. D.)--University of Oregon, 2006. / Typescript. Includes vita and abstract. Includes bibliographical references (leaves 185-188). Also available for download via the World Wide Web; free to University of Oregon users.
22	Eclecticism and the American piano sonata : the assimilation of neoclassicism and the twelve-tone technique in the piano sonatas of Roger Sessions, Vincent Persichetti, and Ross Lee Finney / Schumann, Michelle Vera. January 2003 (has links) Treatise (D.M.A.)--University of Texas at Austin, 2003. / Vita. Includes bibliographical references (leaves 150-152). Also available also in an electronic version.
23	Eclecticism and the American piano sonata the assimilation of neoclassicim and the twelve-tone technique in the piano sonatas of Roger Sessions, Vincent Persichetti, and Ross Lee Finney / Schumann, Michelle Vera. January 2003 (has links) Treatise (D.M.A.)--University of Texas at Austin, 2003. / Vita. Includes bibliographical references. Available also from UMI Company.
24	The late choral works of Igor Stravinsky a reception history / Elder, Rusty Dale. Budds, Michael J., January 2008 (has links) The entire thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file; a non-technical public abstract appears in the public.pdf file. Title from PDF of title page (University of Missouri--Columbia, viewed on September 22, 2009). Thesis advisor: Dr. Michael Budds. Includes bibliographical references.
25	The theoretical treatises of Josef Matthias Hauer Harvey, Dixie Lynn. Hauer, Josef Matthias, Hauer, Josef Matthias, Hauer, Josef Matthias, January 1980 (has links) Thesis (Ph. D.)--North Texas State University, 1980. / Typescript. Includes the author's English translation of J.M. Hauer's Vom Wesen des Musikalischen ; Vom Melos zur Pauke ; and Zwölftontechnik. Includes bibliographical references (leaves 293-299).
26	A method of controlling local and large-scale rhythmic relationships in twelve-tone and other serial compositions Melby, John, January 1972 (has links) Thesis (Ph. D.)--Princeton University, 1972. / Typescript. "This essay and the composition '91 plus 5' together constitute the dissertation." Includes bibliographical references (leaf 79).
27	The array as a compositional unit a study of derivational counterpoint as a means of creating hierarchical structures in twelve-tone music ; Clarinet quartet / Kowalski, David. Kowalski, David. January 1985 (has links) Thesis (Ph. D.)--Princeton University, 1985. / This essay and the composition "Clarinet Quartet" together constitute the dissertation but are otherwise unrelated. Includes bibliographical references (leaves [123]-139 (vol. 1)) and index.
28	Essai sur la structure de L'offrande I de Serge Garant Dansereau, Ginette. January 1986 (has links) No description available. Twelve-tone system Garant, Serge. Offrande I. Musical analysis
29	The Development of Schoenberg's Twelve-Tone Technique From Opus Nine to Opus Twenty-Six Bryant, James Ronald 08 1900 (has links) The real importance of the twelve-tone system would seem to lie in its structural possibilities. It combines the inherent potentialities of the theme of a movement in sonata form with those of the theme of a fugue and of variations. It creates a coherent texture throughout the single movements and the work as a whole. It is needless to say that this kind of coherence can also be achieved in serial compositions, that is, in movements in which not the full row of twelve tones, but only seven or eight or nine tones form the basic row. twelve-tone system Arnold Schoenberg musical analysis music history Twelve-tone system.
30	Boulez's Sonatine and the Genesis of His Twelve-tone Practice Chang, Sangtae 05 1900 (has links) This dissertation proposes that the Sonatine broadly unfolds a kinetic structure that stems from the traditional tension-relief model and, consequently, its dependence on tradition proves much deeper than Boulez would acknowledge. Pierre Boulez Sonatine twelve-tone practice Twelve-tone system.

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