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Digital scaling of binary imagesUlichney, Robert January 1979 (has links)
Thesis (M.S.)--Massachusetts Institute of Technology, Dept. of Electrical Engineering and Computer Science, 1979. / MICROFICHE COPY AVAILABLE IN ARCHIVES AND ENGINEERING. / Includes bibliographical references. / by Robert A. Ulichney. / M.S.
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A metaphysical and linguistic approach to type design and typography /Rocha, Ivan Terestschenko. January 1993 (has links)
Thesis (M.S.)--Rochester Institute of Technology, 1993. / Typescript. Includes bibliographical references (leaves 80-82).
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From Gutenberg to gigabytes: Writing machines in historical perspectiveRawnsley, Richard William 01 January 1995 (has links)
No description available.
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Jednotné grafické a technické řešení tiskových a elektronických výstupů z grantových projektů VUT / The Unified Graphic and Technical Solution of Printed and Electronic Outputs of FFA Grant ProjectsKalinová, Nikola Unknown Date (has links)
Applications Alice is subtitled Application Elegantly Formating Books automatically. I think this subtitle, where each word begins with the letter of the name Alice (in czech), expresses the function of application quite clearly :) Try it with it too. If you choose to use Alice, everything what you need to know, you will discover during the process itself. Alice is actually a nice assistant who will help to you with everything. Simple advices will lead you to through the process. It guides you through five steps - just enter a few details, upload the text as it is (like Word) and at the end of prosecc you can download the publication formatted and ready to print. Application automatically did everything for you. You do not need any graphic designer or paid any graphic software. It takes you about 30 minutes. Application is running on the web, so it is not necessary any installation.
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Formatting variables and typeface variations of dot-matrix print and their effect on reading comprehension and reading speedHolmes, James A. 03 February 2004 (has links)
The purpose of this study was to determine whether three typeface variations of dot matrix print [single density, dual density, and photocopied dot matrix type] and two formatting variations [fully justified and left justified] had any effect on the reading rates or reading comprehension of college students when compared to the same typewritten material. A pretest/posttest design with experimental and control groups utilized the Cloze Reading Test and the Nelson Denny Reading Test to measure reading comprehension and reading rates respectively to college students [N= 240]. Subjects were randomly assigned to the groups to test the effects of the six treatment levels and two control groups of the independent variables [typefaces and type formatting] on the dependent variables [reading comprehension and reading rates. Four test sessions were used to collect the data and answer the research question: Do either of the three typeface variations of dot matrix print or the two formatting variables have any effect on reading comprehension or reading rates of the subjects when compared to typewriter type? A factorial analysis of covariance [p. < .05] was used to analyze reading comprehension; and a two way analysis of variance [p. < .05] was used to analyze reading rates. The findings indicated that typefaces or formatting made no significant difference in the reading rate or reading comprehension scores of the subjects tested. / Ph. D.
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Women at the Crossroads, Women at the Forefront, American Women in Letterpress Printing In the Nineteenth CenturyRoman, Dianne L, Ms 01 January 2016 (has links)
The significant role of the female printer in the American home-based print shops during the colonial and early republic periods has been documented in print history, socioeconomic, labor, and women studies, yet with the industrialization of the printing trade, women’s presence is thought to have disappeared. Contrary to the belief that industrialization of the print shop eradicated women’s involvement in skilled employments such as typesetting, the creation of the Women’s Cooperative Printing Union in California and the creation and chartering of the Women’s Typographical Union in New York, both in the late 1860s, clearly indicate that women continued to work in printing. The assumption that industrialization brought with it the unionization of the trade denies the possibility of non-union shops, as well as the continuation of home-based businesses across the ever-expanding nation as it moved westward.
This research has sought to uncover and restore to history women who have been involved in the trade from the early transition of the home shop at the beginning of the 1800s to the signing of the WTU charter in 1869 by union employed compositors, as well as to identify establishments that hired female compositors. Digital newspaper databases have been used as a means of locating both women and opportunities available to them in the American printing trade between 1800 to 1869. Several women significant to this history, both those who have been found to be employed as compositors/typesetters and those who created opportunities for the employment of trained women compositors/typesetters, are discussed.
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