Global ETD Search

21	Originální a převzatý zdroj v síti internet / Original and Assumed Sources on World Wide Web Svatý, Michal January 2011 (has links) The thesis focuses on problem of authorship of the Internet content. It considers the question whether we can analyze the artwork purely as a closed structure of the symbols or whether it is necessary to take work as a broader structure. The first part of the thesis shows the Internet in general and its specifics it as a medium. The second part is devoted to the problem of authorship. It explains traditional view of Nelson Goodman, who examined the authenticity of artwork with regard to the internal arrangement of the elements structure of the object. The third part shows the later theories inconsistent with the views of Nelson Goodman, views of different contemporary authors who present the changes of authorship aspects in the environment which is under constant development, quickly sharing ideas and resources. New theories suggest to look beyond the authorship of the artwork domain, apply broader focous. The conclusion provides a synthesis of these views.
22	Hebrejský knihtisk v Praze 1512 - 1672 / Hebrew printing in Prague 1512 - 1672 Sixtová, Olga January 2018 (has links) The aim of the submitted dissertation is to offer a complete bibliographical list of the documented Hebrew and Yiddish production of Prague Jewish printing houses between 1512 and 1672. The list is based on an original and detailed description of the identified editions, including paratexts, types and decorative elements. The introductory synthetic study examines the published production from the viewpoint of its language, contents and genres and the identity of its intended recipients; the motivations of its publishers, as well as their possible orientation towards specific types of texts; the standards, methods and goals of editorial work; the function of rabbinical approbations, protection of publishers rights and control of the published matter by Jewish authorities, and the measure in which the printed body of texts reflects the spiritual and intellectual interests of the readers. The typological and typographical analysis of types and decorative elements serves to attribute the undated and anonymous imprints to specific printing houses and printers, whose complete production is listed and whose activities, social position or economic possibilities are also briefly characterized. An appendix sums up the findings relating to non-Jewish censorship documented in the books themselves. Thanks to...
23	Živý font / Live typeface Jiříček, Milan January 2012 (has links) The work describes the theoretical foundations of modern methods of creating new fonts, that is, using information technology, specifically vector programs. It also marginally shows the history of the font, Roman writing, the basic division of its compositions and describes its individual elements. The next part of the project focuses on creating digital fonts and continues with bringing it to live using algorithms and methods that can easily be processed in Matlab programming language. The method of implementation of the bringing the typeface to live is described and presentation of the generated results are then shown in few examples. Attention is also paid to the coordinates system, which is very important to solve geometric transformations, and two-dimensional vector graphics, which are widely used in the design and to render the fonts. Bézier curves and cubic Bézier curves are described in further detail along with vector graphics rasterization. One part of this text describes very important de Casteljau algorithm. The last chapter focuses on implementation in Matlab programming language, the creation of curves, that means single font characters, and the ways of how the algorithm works with transformations. Some sample images showing transformations using different input arguments are displayed in this section as well. There is evaluation of the contribution of this application and the possibilities of further expansion at the end.
24	Slovotvorba v německo-českém slovníku / Word Formation in German-Czech Dictionary Šemelík, Martin January 2014 (has links) The present thesis is based on my experience as one of the contributors to The Large Academic Dictionary German-Czech. It attempts to discuss the role of word formation in German-Czech dictionaries in that it focuses on presentation of word formation in outer texts, macrostructural ordering procedures, treatment of word forming elements, special word formation parts of dictionary entries and possibilities of typography as a means word formation description in a bilingual dictionary. The approach taken is both contemplative and transformative. The thesis rests on the study of existing German-Czech dictionaries published mostly after 1945, partly between 1802 and 1945 as well. Concrete function-based proposals centred on the supposed target users of the LADGC are discussed here. A considerable part of the thesis deals with German derived nouns in Ge-...(-e) seen from a corpus linguistic view.
25	Präsenz des Gedichts um 1900 Märtin, Björn Ludger 10 January 2023 (has links) Die Dissertationsschrift setzt sich mit der Karriere der Materialität in der Lyrik der Moderne auseinander. Im Übergang zur Moderne bildet die Lyrik Konzeptionen aus, die den Lyrikbegriff des 19. Jahrhunderts überwinden, indem sie materielle Eigenschaften von Literatur in die Produktion lyrischer Werke einbeziehen und im ästhetischen Erleben des Gedichts wirksam werden lassen. Die Untersuchung erforscht in ihrem Fortgang die produktive Wirksamkeit materieller Substrate der Lyrik in ihren technischen und poetologischen Ausprägungen. Im Zuge dessen werden Möglichkeitsbedingungen für die Rezeption lyrischer Werke herausgestellt, die durch einen veränderten Mediengebrauch entstehen. Dabei wird aufgezeigt, dass der Umgang mit den Substraten der Lyrik einer historischen Genese unterliegt, die zumindest in den bisher von der literaturwissenschaftlichen Forschung herausgestellten Gesichtspunkten zum Themenkomplex kaum beachtet wurde, die jedoch zu einem dezidierten Verständnis moderner Lyrik führt. In einer durch die Fragestellung gesteuerten Auswahl sind Gegenstände der Untersuchung sowohl Gedichte als auch Essays und Manifeste. / The dissertation is about the career of materiality in poems of the early modern period. In the shift from the 19th century to the beginning of the 20th century, lyricism develops conceptions comprising the material qualities of literature into the production of lyric works and make them operant in the aesthetical experience of poems. In this project I do research on the productive efficacy of material substrates of poems and describe them in their technical and poetical characteristics. In the course of this the basic preconditions for the reception of lyrical works as they effect from the changed use of media are elucidated. Based on this I assume, that the use of the substrates of lyrical production is subject to a historical genesis, that was neglected by studies in literature until now, although it would help to develop a deicide understanding of lyrical works of the modern period. Due to a problem based selection of texts the subjects of the research are poems as well as essays and manifestos. Lyrik George Hofmannsthal Medientheorie Systemtheorie Typografie Buchgestaltung Wahrnehmung Präsenz Affekt Interface Experimantalpsychologie Poetry George Hofmannsthal Media Theory Systems Theory Typography Book Design Perception Presence Affection Interface Experimental Psychology 002 Das Buch 831 Deutsche Versdichtung GM 3775 GM 3204 ddc:830 ddc:002 ddc:831 ddc:152 ddc:028 ddc:800

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