Global ETD Search

1	Exploring Unease : A Study of How Unease is Produced in Kazuo Ishiguro’s Never Let Me Go Greijdanus, Wouter January 2014 (has links) This paper deals with the novel Never Let Me Go by Kazuo Ishiguro and explores the feeling of unease established by the author. The theoretical framework for this paper is based on questions of humanity and thus makes use of existentialism as established by Sartre and Kierkegaard. Initially the essay explores how the setting of the novel helps establish a familiar world with unfamiliar elements. After that questions of humanity are raised and how these questions relate to the clones by showing that the clones have human qualities yet are not treated as human. These questions are expanded in the following part about ethical issues and it is shown that the reader is tempted by the author to cross certain ethical boundaries leading to a feeling of unease. Special attention is given to freedom of choice in the third part of the analysis and it is shown how the choices of the clones are very limited, especially if they are considered human. The fourth part then discusses the narrative perspective and how the narrator Kathy H. is used by the author to establish a connection and a perception of the narrator as human. Unease Existentialism Ishiguro Never Let Me Go Uncanny Unheimlich
2	Becoming – Pakeha: questioning the use of native birds in representation as a means of exploring New Zealand post-settler identity in visual art Wilkin-Slaney, Katherine January 2008 (has links) The depiction of birds by artists such as Don Binney, Bill Hammond, Michael Parekowhai and Grant Whibley has served as metaphors in the conceptual systems of post-settler New Zealanders’ expression of identity. This project investigated unease in New Zealand post-settler identity and its dislocation from the past by considering works depicting native birds. Is depicting native - rather than introduced birds, an incongruous and romantic settler iconography in identity, leading to a re-telling of our place in this land at the expense of not only the rightful indigenous place of Maori, but of our own cultural becoming? By exploring the painting of birds as metaphors of New Zealand post-settler identity, the project aimed to contribute to the complex issues surrounding the entwined and entangled post-settler relationships of both the past and present. This painting project investigated these issues through the medium of oil paint, culminating in a body of artwork presented in an exhibition with an accompanying exegesis representing 20% of the work. Painting birds Introduced birds in representation New Zealand contemporary gothic Pakeha identity Post-settler unease
3	Becoming – Pakeha: questioning the use of native birds in representation as a means of exploring New Zealand post-settler identity in visual art Wilkin-Slaney, Katherine January 2008 (has links) The depiction of birds by artists such as Don Binney, Bill Hammond, Michael Parekowhai and Grant Whibley has served as metaphors in the conceptual systems of post-settler New Zealanders’ expression of identity. This project investigated unease in New Zealand post-settler identity and its dislocation from the past by considering works depicting native birds. Is depicting native - rather than introduced birds, an incongruous and romantic settler iconography in identity, leading to a re-telling of our place in this land at the expense of not only the rightful indigenous place of Maori, but of our own cultural becoming? By exploring the painting of birds as metaphors of New Zealand post-settler identity, the project aimed to contribute to the complex issues surrounding the entwined and entangled post-settler relationships of both the past and present. This painting project investigated these issues through the medium of oil paint, culminating in a body of artwork presented in an exhibition with an accompanying exegesis representing 20% of the work. Painting birds Introduced birds in representation New Zealand contemporary gothic Pakeha identity Post-settler unease
4	Physiological Reactions To Uncanny Stimuli: Substantiation Of Self-assessment And Individual Perception Ballion, Tatiana 01 January 2012 (has links) There is abundant anecdotal evidence substantiating Mori’s initial observation of the "uncanny valley", a point at which human response to non-human entities drops sharply with respect to comfort (Mori, 1970), and the construct itself has a long-standing history in both Robotics and Psychology. Currently, many fields such as design, training, entertainment, and education make use of heuristic approaches to accommodate the anticipated needs of the user/consumer/audience in certain important aspects. This is due to the lack of empirical substantiation or, in some cases, the impossibility of rigorous quantification; one such area is with respect to the user’s experience of uncanniness, a feeling of "eeriness" or "wrongness" when interacting with artefacts or environments. Uncanniness, however, continues to be defined and measured in a largely subjective way, and often after the fact; an experience or product’s uncanny features are pointed out after the item has been markedly avoided or complained about by the general public. These studies are among the first seeking to determine a constellation of personality traits and physiological responses that incline the user to have a more frequent or profound "uncanny" reaction when presented with stimuli meeting the criteria for a level of "eeriness". In study 1, 395 adults were asked to categorize 200 images as uncanny, neutral, pleasant, or other. In Study 2, physiological and eye-tracking data was collected from twenty two adults as they viewed uncanny, neutral and pleasant images culled from study 1. This research identifies components of the uncanny valley related to subjective assessment, personality factors (using the HEXACO and Anthropomorphic Tendencies Scale), and biophysical measures, and found that traits unique to Emotionality on the HEXACO inventory, compounded with a form of anthropomorphism demonstrates a level of relationship to the subjective experience of uncanny stimuli. There is evidence that HEXACO type and forms of anthropomorphic perception mediates the biophysical iv expression and the subjective perception of the stimuli. In keeping with psychological hypotheses, stimuli to which the participants had greatest response centered on death, the threat of death, or mismatched/absent facial features. Uncanny valley anthropomorphism hexaco emotionality unpleasant reaction uncanny human robot interaction eerie eeriness uncanniness personality traits inventory robot cgi android actroid humanlike cognition perception eye tracking perception of the uncanny user perception individual differences anthropomorphization anthropomorphisation anthropomorphic tendencies fear horror terror unease uneasiness entertainment psychology film environment environments immersion narrative social adjectives user description popular media Psychology

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