This essay analyzes and tries to untangle the meaning and intention of dystopian literature, by analyzing two novels (Neal Shusterman‟s “Unwind” and Aldous Huxley‟s “Brave New World”). From this analysis, whether or not the futures portrayed in dystopian literature relate to our own future is riddled out, furthermore the importance of the authors‟ intention is debated and a conclusion is reached. As the dystopian future unravels, ethnicity, gender, class and sexual orientation, to mention a few factors, find their own place in the new world; this essay tries to establish their roles in the new society. When discussing the characters in the novels, Bourdieu‟s theories on fields, habitus and social capital are used to figure out what they are competing for and in what ways they struggle for the reward. Furthermore, the development of dystopian imagining is discussed and its function as a reflection of contemporary society and the state of science. Delineating the roles of social classes in dystopias is an important task in figuring out whether social power still reduces minorities depending on class or gender. Our antiquated morals and ethics aren‟t suitable anymore and need to be reformed; this is discussed based on dystopian literature and the image of the future. Furthermore, this essay gets into detail with the reduction of man and by what means we are enslaved and made to believe in the faux utopias. In the end, the conclusion reached is that dystopian literature delivers a hefty and important point that needs to be heeded and used as a rare look into the future.

By examining critical studies of the dystopian genre from Gregory Claeys, Fátima Vieira, and Keith Booker as well as the studies of young adult dystopian novels from Roberta Trites, Kenneth Donnelson, and Sean Connors, I argue that young adult literature (YAL) has literary merit and is worth studying. This literariness stems from a novel's ability to explore complex themes like religion, sacrifice, and societal contracts. I introduce and analyze a subgenre of YA dystopian literature, which I classify as the medical dystopia, a genre that is uniquely positioned to explore the complex moral questions that surround advancing medical technologies and their impact on society. To demonstrate how YAL can deal with the complex ideas inherent to themedical dystopian genre, I analyze Neal Shusterman's Unwind and Nancy Farmer's The House of the Scorpion. The analysis concludes that novels like these do not lack substance and have literary value due to their ability to invite young adults to view the darkness that exists within society from a position of safety and light.

This thesis deals with modeling dynamics of printing machine, made by SOMA Engineering, in toolbox SimScape of simulation program Simulink/Matlab. There are descibed properties, progress, important principles and laws of modeling in this toolbox. The first part is focused on creating models, which consist as mechanical as eletrical and control parts. In the second part is explained how to create user interface to control models and creating standalone application, executable without installation of Matlab or Simulink. In last part is explained principle of identification parameters of material from the measured data, using an optimalization algorithm Nelder-Mead. Created models and identification algorithm are controlled via user interface.