Video dissemination over Vehicular Ad Hoc Networks (VANETs) is an attractive technology which supports many novel applications. Hence, the merit of this thesis has twofold. Firstly, we evaluate and compare three routing techniques and two error resilience techniques. We select a sender-based routing technique called SUV and compare it with the other two selected receiver-based routing techniques named REACT-DIS and CDS. The results, more specifically, show that the receiver-based solutions outperform the sender-based solution. In addition, only CDS method fulfils the general quality requirements as it is the best that reduces redundancy packets and covers the whole topology. The results also indicate that the video coding scheme, Interleaving, can fix the multiple consecutive packet losses and guarantee reliable video qualities over VANETs. Network Coding, however, fails to provide satisfactory video quality for urban scenarios. This study next combines the selected receiver based routing techniques and the two error resilience techniques. We find the best combination is Interleaving over CDS. Secondly, we design a quality guaranteed video dissemination protocol for urban VANETs scenarios. Based on our comparison result, our protocol selects the CDS and Interleaving as the routing and error resilient techniques. To fix the single packet loses caused by the topology’s intermittent disconnection and collisions, we propose a store-carry-broadcast scheme for the nodes to re-transmit the local buffer saved packets. The results, when compared to the selected techniques and combinations, show that our proposed protocol is the most efficient one in terms of packet delivery, delay, overhead and video quality.

Video dissemination over Vehicular Ad Hoc Networks (VANETs) is an attractive technology which supports many novel applications. Hence, the merit of this thesis has twofold. Firstly, we evaluate and compare three routing techniques and two error resilience techniques. We select a sender-based routing technique called SUV and compare it with the other two selected receiver-based routing techniques named REACT-DIS and CDS. The results, more specifically, show that the receiver-based solutions outperform the sender-based solution. In addition, only CDS method fulfils the general quality requirements as it is the best that reduces redundancy packets and covers the whole topology. The results also indicate that the video coding scheme, Interleaving, can fix the multiple consecutive packet losses and guarantee reliable video qualities over VANETs. Network Coding, however, fails to provide satisfactory video quality for urban scenarios. This study next combines the selected receiver based routing techniques and the two error resilience techniques. We find the best combination is Interleaving over CDS. Secondly, we design a quality guaranteed video dissemination protocol for urban VANETs scenarios. Based on our comparison result, our protocol selects the CDS and Interleaving as the routing and error resilient techniques. To fix the single packet loses caused by the topology’s intermittent disconnection and collisions, we propose a store-carry-broadcast scheme for the nodes to re-transmit the local buffer saved packets. The results, when compared to the selected techniques and combinations, show that our proposed protocol is the most efficient one in terms of packet delivery, delay, overhead and video quality.

Esta tese traça um estudo comparativo entre o Romance policial contemporâneo e o discurso psicanalítico na produção ficcional de Luiz Alfredo Garcia-Roza (1936-) e Dennis Lehane (1963-), tomando, por base, relações de aproximação entre os métodos investigativos na literatura e na psicanálise. Para isso, o corpus constitui-se dos romances O silêncio da chuva (1996) e Espinosa sem saída (2006), ambos do escritor brasileiro e Sagrado [Sacred] (2004) e Paciente 67 [Shttter Island] (2005), do ficcionista norte-americano. A análise destas narrativas revela pontos de aproximação entre os dois discursos inseridos no cenário cultural caótico e desajustado. E questiona a emergência deste novo contexto sociocultural, onde personagens sem identidade definida, sendo o principal deles, o detetive, realizam sua flânerie através de deslocamentos constantes associados à paisagem e em busca do desvendamento do crime urbano. Como seres de ficção perdidos, estes private eyes precisam encontrar os desajustes psíquicos de toda espécie de criminosos daí a representação da cidade, que ora se converte no solo para a flânerie dos investigadores, ora contribui para o apagamento e/ou ocultamento das subjetividades criminais. A relação entre os discursos policial e psicanalítico aponta para a associação entre a obscuridade do texto literário e o da cultura onde estamos inseridos sem falar do mal-estar de um e de outro campo, que tem a ver com as transformações da esfera da sociedade contemporânea / This dissertation aims at outlining a comparative study between the contemporary detective novel and the psychoanalytical discourse in the fictional production by Luiz Alfredo Garcia Roza (1936- ) and Dennis Lahane (1966- ), approaching particular investigative methods in literature and psychoanalysis. To do so, the corpus consists of four novels altogether: O silêncio da chuva (1996) and Espinosa sem saída (2006) by the Brazilian writer and Sagrado [Sacred] (2004) and Paciente 67 [Shutter Island] (2005) by the American fictionist. The analysis on these narratives points out similarities and idiosyncrasies between two discourses within a conflictive and chaotic cultural environment. Moreover, it highlights this new social and cultural realm where characters with undefined identities (the detective, above all) strive to evade from the atmosphere in which they are set and search for the resolution of urban crimes. As lost subjectivities, these private eyes need to decipher psychic dysfunctions of every sort of criminal thence, the representation of the city, featuring sometimes as the ground on which investigators work for the law and, at other times, as a hiding space for murderers. The relation between detective and psychoanalytic discourses remarks the association between the obscurity of the literary text and our cultural background not to mention the overall discomfort triggered by changes in contemporary societies

Esta tese traça um estudo comparativo entre o Romance policial contemporâneo e o discurso psicanalítico na produção ficcional de Luiz Alfredo Garcia-Roza (1936-) e Dennis Lehane (1963-), tomando, por base, relações de aproximação entre os métodos investigativos na literatura e na psicanálise. Para isso, o corpus constitui-se dos romances O silêncio da chuva (1996) e Espinosa sem saída (2006), ambos do escritor brasileiro e Sagrado [Sacred] (2004) e Paciente 67 [Shttter Island] (2005), do ficcionista norte-americano. A análise destas narrativas revela pontos de aproximação entre os dois discursos inseridos no cenário cultural caótico e desajustado. E questiona a emergência deste novo contexto sociocultural, onde personagens sem identidade definida, sendo o principal deles, o detetive, realizam sua flânerie através de deslocamentos constantes associados à paisagem e em busca do desvendamento do crime urbano. Como seres de ficção perdidos, estes private eyes precisam encontrar os desajustes psíquicos de toda espécie de criminosos daí a representação da cidade, que ora se converte no solo para a flânerie dos investigadores, ora contribui para o apagamento e/ou ocultamento das subjetividades criminais. A relação entre os discursos policial e psicanalítico aponta para a associação entre a obscuridade do texto literário e o da cultura onde estamos inseridos sem falar do mal-estar de um e de outro campo, que tem a ver com as transformações da esfera da sociedade contemporânea / This dissertation aims at outlining a comparative study between the contemporary detective novel and the psychoanalytical discourse in the fictional production by Luiz Alfredo Garcia Roza (1936- ) and Dennis Lahane (1966- ), approaching particular investigative methods in literature and psychoanalysis. To do so, the corpus consists of four novels altogether: O silêncio da chuva (1996) and Espinosa sem saída (2006) by the Brazilian writer and Sagrado [Sacred] (2004) and Paciente 67 [Shutter Island] (2005) by the American fictionist. The analysis on these narratives points out similarities and idiosyncrasies between two discourses within a conflictive and chaotic cultural environment. Moreover, it highlights this new social and cultural realm where characters with undefined identities (the detective, above all) strive to evade from the atmosphere in which they are set and search for the resolution of urban crimes. As lost subjectivities, these private eyes need to decipher psychic dysfunctions of every sort of criminal thence, the representation of the city, featuring sometimes as the ground on which investigators work for the law and, at other times, as a hiding space for murderers. The relation between detective and psychoanalytic discourses remarks the association between the obscurity of the literary text and our cultural background not to mention the overall discomfort triggered by changes in contemporary societies