This diploma thesis deals with point of food and baverage services in human residences influenced by urbanization processes. It was necessary to analyse primary and secondary data during processing this thessis. Secondary data was got from technical literature and web sites. Primary data was got due to questionare research, managed interviews and my own observing. This information was used for creating business concept which is connected to impact of urbanization processes (especially social atmosphere and social relations between residents). This concept was created for family business based on knowing people in this part of city with aim to contibute to improve social atmosphere.

Les matériaux de construction constituent la matière la plus consommée par les villes après l’eau ainsi que la majeure partie des déchets que ces dernières génèrent. La relation entre cette mobilisation de matériaux et les processus d’urbanisation est peu étudiée et fait l’objet de cette thèse, menée en collaboration avec la Direction régionale et interdépartementale de l’environnement et de l’énergie d’Ile-de-France, responsable du schéma régional des carrières, et le Conseil régional, responsable du plan régional de prévention et gestion des déchets. Cette recherche, qui a donné lieu au développement de méthodes pour la quantification et localisation des flux et stocks de matériaux à l’échelle de l’Ile-de-France, montre que ressources primaires et ressources secondaires sont proches en quantités disponibles et extraites. En revanche, le taux d’utilisation des ressources secondaires est nettement plus faible car il est contraint par un cadre réglementaire et normatif. La mobilisation de matériaux de l’Ile-de-France en 2013 est essentiellement générée par un processus de renouvellement urbain. Ce dernier engendre une forte démolition-reconstruction de bâtiments mais se réalise aussi par densification et nécessite l’apport de matériaux extérieurs. En outre, renouvellement des ouvrages bâtis et configuration des espaces aménagés sont liés. Une projection de flux jusqu’en 2032 montre que l’atteinte des objectifs de construction de logements définis dans le schéma directeur régional (SDRIF) engendrerait une forte hausse du taux d’importation de matériaux. Ce constat appelle la recherche d’une autre action publique visant un aménagement des ressources urbaines. / Construction materials are the largest flows entering urban areas after water, while they constitute the top waste deposit. The relation between these material flows and urbanization processes has receive little attention and it is the object of this study. Work was conducted in collaboration with the Regional and inter-departmental directorate for the environment and energy Ile-de-France, responsible of the quarries regulation plan, and the Regional council, which is in charge of the C&D waste management plan. This research contributed to methodological improvement for the quantification and localisation of contruction material flows and stocks at regional scale with the case study of Ile-de-France region. Il demonstrates that that the primary and secondary resources available and extracted are close in terms of quantity. However, the utilization rate of the secondary resources is significantly lower than those of primary resources due to normative and regulatory frameworks.In 2013, the mobilization of construction materials from Ile-de-France was mainly generated by the process of urban renewal. This renewal causes major demolition and reconstruction, but it is also carried by urban densification and requires the import of external materials. In addition, the renewal of built works is strongly related to spatial configuration. A projection of material flows up to 2032 shows that achieving the targets for housing construction defined in regional master plan (SDRIF) would lead to a sharp increase in the import rate of materials. This observation calls for alternative public actions aiming at better management of urban resources.

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No. of bitstreams: 2 Dissertação - Cleber de Sousa Carvalho - 2016.pdf: 4402314 bytes, checksum: e2bad7f5fa3908ba2cb1a855795cd2d6 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2016-09-19 / Fundação de Amparo à Pesquisa do Estado de Goiás - FAPEG / This dissertation shows reflections about the Festivity in Honor of Our Lady of the Rosary and Saint Benedict of Village João Vaz (Goiânia, GO) and the body movements of the congo’s dancers of Terno de Congo Verde e Preto focusing on processing procedures and permanence which are subject traditions and expressions of popular culture. The Rosary celebrations of black men are also known as Congada parties or Congado are produced from a conversion universe to Catholicism present in Brazil, since the colonial period with an ambiguous character who reconstructed and a new meant the sacred made its own and articulated with knowledge and concepts bounded to the ancestral notion of Bantu people. Onwards from a theoretical reference aligned by an interdisciplinary aproach the research purpose is to perceive how the congadeiros of Village João Vaz, especially the participants of congo’s dancers, they living the processes of transformation and permanence of their rituals and body movements (dancing, singing and drumming). To do this, initially, will be shown the structure of the Feast of the João Vaz, its relations with Congada Party of Catalan (GO), and main ceremonies, enabling the perception of the cycle of the Feaste, from the participation of Terno de Congo Verde e Preto. Then we will discuss about the contact’s points between the processes of urbanization and modernity and the ceremonies of the Feast of João Vaz that have presented to “congadeiros” the necessity of modifications and new meanings in their rituals, as the demands of urban life. So understand that, the same time that the life settings in the city point to the formation of an individualistic and apathetic subjectivit based on monetary values it was observed as the existence of manifestations of popular culture as the Congada between others present in regions considered marginalized comunities that they went occupied by people with limited financial resources who value sociability, solidarity coexistence affection and friendship. Finally, we will discuss about how the dancers of Terno de Congo Verde e Preto are living the changes and continuities in the configuration of body movements and rituals they perform, in view of the embodiment of knowledge that are manifested in dancing, singing and drumming, as basic features make up the african-Brazilian performances. The survey conducted the understanding of the interrelationships between the material sphere of existence and spiritual or symbolic sphere that operated in the manifestations of popular culture. This being one of the aspects that allow the observation of their movements and transformations and the realization that the knowledge of Congada that are sedimented in Congadeiro(congo dancer) body in built-in memory, the formation of a habitus, which manifests in festive ceremonies and celebration rituals. / Esta dissertação apresenta reflexões sobre a Festa em Louvor a Nossa Senhora do Rosário e São Benedito da Vila João Vaz (Goiânia, GO) e os movimentos corporais dos dançadores do Terno de Congo Verde e Preto, tendo como foco os processos de transformação e permanência, os quais estão sujeitas as tradições e manifestações da cultura popular. As festas do rosário dos homens pretos, também conhecidas como Festas de Congada, ou Congado, são produzidas a partir de um universo de conversão ao catolicismo, presentes no Brasil, desde o período colonial possuindo um caráter polissêmico, que reconstituiu e ressignificou o sagrado feito de uma forma própria e articulada a saberes e concepções vinculadas à noção de ancestralidade dos povos Bantos. Partindo de um referencial teórico alinhado por um eixo interdisciplinar, o intuito da pesquisa é perceber como os congadeiros da Vila João Vaz, em especial os participantes do Terno de Congo Verde e Preto, vivenciam os processos de transformação e permanência de seus rituais e movimentos corporais(danças, cantos e batuques). Para tanto, inicialmente, será apresentada a estrutura da Festa da João Vaz, suas relações com a Festa de Congada de Catalão (GO) e principais cerimônias, possibilitando a percepção do ciclo da Festa, a partir da participação do Terno de Congo Verde e Preto. Em seguida, será discutido a respeito dos pontos de contato entre os processos de urbanização e da modernidade e as cerimônias da Festa da João Vaz que têm apresentado aos congadeiros a necessidade de modificações e ressignificações em seus rituais, conforme as exigências da vida urbana. Percebe-se que, ao mesmo tempo em que as configurações da vida na cidade apontam para a formação de uma subjetividade individualista e apática, fundamentada por valores monetários, observa-se, também, a existência de manifestações da cultura popular, como a Congada, entre outras, presentes em regiões consideradas marginalizadas, ocupadas por populações com poucos recursos financeiros, que valorizam a sociabilidade, a convivência solidária o afeto e a amizade. Finalmente, discutiremos sobre como os congadeiros do Terno de Congo Verde e Preto vivenciam as transformações e permanências na configuração dos movimentos corporais e rituais que realizam, tendo em vista a corporificação de saberes que são manifestados no dançar, cantar e batucar, como características básicas que compõem as performances afro-brasileiras. A pesquisa possibilitou o entendimento das inter-relações entre a esfera material da existência e a esfera espiritual ou simbólica que operam nas manifestações da cultura popular, sendo este um dos aspectos que permitem a observação de seus movimentos e transformações; bem como a percepção de que os saberes da Congada estão sedimentados no corpo do congadeiro, em uma memória incorporada, pela constituição de um habitus, que se manifesta nas cerimônias festivas e nos rituais de celebração.