The thesis examines the perceptions and treatment of Gypsies in Britain during the early twentieth century. This enquiry touches upon a number of historically important themes and also has a contemporary relevance. Firstly it outlines the tradition of writing about the Gypsies which had developed over the previous two centuries and considers the treatment of the group in the work of early commentators. Secondly, it explores the nature of stereotypes of the Gypsies in early twentieth century society and considers the ways in which romantic and antipathetic images of the Gypsies could be crafted into a coherent rather than a contradictory body of thought by drawing on ideas of hierarchy and degeneration. Thirdly, it analyses responses to Gypsies from across sedentary society. The focus here is on the treatment of the group by legislators, local authorities, missionaries and scholars. Finally, it argues that responses to the group must be considered as of part of the age-old tradition of hostility towards nomadism in Europe. The examination of the treatment of the Gypsies in Britain reveals significant differences with their treatment elsewhere in Europe during the same period. Although there is evidence of antipathy towards the Gypsies at every level of British society there is a relative absence of institutionalised intolerance. However, it is evident that the ideas which were used to justify such treatment of the Gypsies elsewhere in Europe were also present in Britain, and that the treatment of immigrant Gypsies by the British state, in particular, reveals that it was not immune from antipathy.

This thesis covers social and cultural aspects of the motorcycling movement during the interwar period of 1919 to 1939. Using contemporary records of both written and oral nature, a diverse set of themes are explored, beginning with the origins of the motorcycle enthusiasm, from its invention towards the end of the nineteenth century, to the dawn of the twenties, when for a while it held the dominant position in personal motorised transport, until through processes of economics such as the trickle down theory of consumer goods ownership, dominance was transferred to the motorcar. Next, the phenomenon of motorcycling clubs, their composition, practices and distribution, is covered in detail. Turning towards gender issues, the place women held within the movement is discussed. Despite a persistent element of male dominance within the pastime, some women held a prominent position, many achieving fame and acclaim both at a personal and national level. In the next chapter, legislative processes are covered, following governmental and police force involvement in controlling the increasing numbers of motorists of all types. Here, a special study of magistrates' records for the Darlington area provides a snapshot, which complements the national trends. Social class issues regarding the choice of motorized transport are addressed in the next chapter, allowing for a discussion of the wider, national picture and concentrating upon an analysis of the social structure of motorcyclists in the Darlington area, derived from records of registrations of 1920 machines. The motorcycle's place in art and related cultural themes is discussed in chapter six, allowing for analysis of artistic genre such as Futurism, Bauhaus, and other forms of modernist interpretation. Literary links with motorcycling, either through enthusiast journals or mainstream literature is explored, together with film and music, to provide an overview of motorcycling in these themes. Overall, the thesis discusses a wide range of hitherto unexplored themes relating to motorcycling during this era, and attempts to shed new light upon an important set of elements within social and cultural history.

This interdisciplinary thesis explores the connection between mental health and lifestyle in the eighteenth century. The thesis draws upon scholarly and medical writings on melancholy, from Robert Burton‘s Anatomy of Melancholy (1622) onwards, and consider these works alongside eighteenth-century literary representations and biographical testimonies from those suffering from melancholy. The thesis provides a new perspective and understanding of the terms in which depression and other associated nervous illnesses were medicalised in the eighteenth century. I argue against recent scholarly work which regards melancholy as a label interchangeable with nervous illnesses such as vapours, spleen and hysteria. I argue that in the eighteenth century melancholy was a clearly identified medical condition in its own right and that it was a depressive illness which can be closely related to today‘s depression. The thesis argues that there is a direct link between idleness and the melancholy state of mind and that a depressed state of mind was often the result of an idle lifestyle. Melancholy is also considered in relation to gender and the idle lifestyle that many females were forced to adopt. It then focuses upon three prominent literary figures: Samuel Johnson, William Shenstone and William Cowper, all of whom suffered from depression. The thesis considers Johnson‘s preoccupation with idleness as a symptom of his melancholy, a notion that has received little critical attention. Shenstone‘s experience is used to illustrate the depressing effect that a retired lifestyle could have on the individual. I argue that his melancholy was largely caused by the conflict created between his decision to live the idle lifestyle of a country gentleman and his desire to remain amongst society. Finally I re-evaluate the account of the mental turmoil expressed by Cowper in his spiritual autobiography Adelphi and provide evidence that suggests Cowper may have feigned the symptoms of religious melancholy in an attempt to resist the pressures placed upon him to follow a profession. Ultimately the thesis reveals that, in the eighteenth century, idleness was regarded as a major cause of, and symptom of, melancholy. Idleness was also seen as an obstruction to one of the most widely prescribed methods of cure for melancholy: occupation.

This thesis examines the role of the British merchant firm Jardine, Matheson & Co. (Jardine Matheson) in promoting and facilitating Chinese migration into and around the British Empire between 1833 and 1853. It argues that existing historiography on Chinese migration has focused too heavily on the late-nineteenth century and has paid insufficient attention to earlier experiments with Chinese labour. The case study of Jardine Matheson also emphasises the varied roles played by commercial organisations in the British Empire. Existing work has focused on the role of the firm’s partners either as opium traders or elite businessmen in colonial Hong Kong, with little analysis of their interest and involvement in Chinese migration. By examining Jardine Matheson’s archive of letters and accounts, official colonial correspondence, parliamentary papers, newspapers, books, journals and periodicals, the thesis will shed light on both the changing perceptions and uses of Chinese migrant labour in various imperial contexts from the 1830s to the 1850s. Chinese migration to different colonial destinations, including Singapore, Assam, New South Wales and Ceylon, will be examined comparatively. The colonial case studies examined in the thesis demonstrate how imperial experiments with Chinese labour in the mid nineteenth century were dependent on the resources and networks of Jardine Matheson on the China coast. The firm’s publishing network simultaneously circulated ideas about Chinese migrants that were reproduced across the British Empire. Additionally, Anglo-Chinese contact zones that developed over the 1830s and 1840s were crucial to the formation of stereotypes about a specifically Chinese ethnic character and systems of onward migration to global destinations. This thesis demonstrates the importance of Jardine Matheson – as well as connected Western commercial organisations and individuals – in facilitating Chinese migration and creating demand for Chinese labour during a period of rapid change in the British Empire.

This work examines the role of private elites in addition to public actors in West German-American relations in the post-World War II era and thus joins the ranks of the “new diplomatic history” field. It studies the Atlantik Brücke and the American Council on Germany (ACG) from the early 1950s to the mid-1970s – a history that has hitherto been neglected. The focus on private elites and their contributions to fledgling public-private networks within each country and across the Atlantic helps to shed light on the ways hostilities between West Germany and the US were addressed. Based on original archival research and applying tools of Social Network Analysis (SNA), this thesis starts from the assumption that international relations are conducted by elites. These elites are not only composed of democratically legitimized politicians and diplomats. Private actors representing business, industry, media, and academia are also involved, albeit hidden from public scrutiny. Private actors are enabled to do so because they are integral parts of dense state-private networks. The state-private network concept is innovatively transferred to the transnational level. The network term emphasises the fact that those connections are neither limited in quantitative terms nor are they confined to national boundaries. The analysis illuminates three sustainable achievements of the ACG and Atlantik-Brücke. Firstly, they contributed to forging a bipartisan foreign policy consensus at whose core has been a strong West-German-American relationship. Key in achieving this was the redirection of West German Social Democracy away from anti-militarism, neutralism, and socialism. Secondly, in fulfilling an elite coordination function, the organisations helped to secure the transatlantic partnership consensus by conveying it into business, trade and 2 industry circles in the US as well as in West Germany. Thirdly, by utilizing their manifold links to media and academia they assisted in manifesting this consensus in public discourse.

An AHRC Collaborative Doctoral Award has made collaboration possible between Northumbria University and the Shipley Art Gallery, Gateshead in providing the opportunity to highlight a significant narrative in craft history. Henry Rothschild, a German émigré, ran the iconic craft outlet Primavera from 1946 to 1980. During this time, he built up an internationally significant collection of ceramics, now housed at the Shipley Art Gallery, along with a personal and business archive. By bringing this inaccessible and underused material to the fore and complementing it with interviews with Rothschild’s contemporaries, connections have emerged that were previously undiscovered. This thesis demonstrated how Rothschild’s position as a retailer, exhibitor and collector marked him as a unique character within the crafts as well as demonstrated the ways in which he utilised his position as an émigré to act outside of the confines of the traditional British standpoint. The narrative of Rothschild has been interwoven into the existing literature on craft in Britain, creating a previously unheard of account of post-war craft. Although Rothschild’s role in the post-war craft world has been remarked upon in a number of texts (Cooper, 2012; Harrod, 1995; Harrod, 1999; Buckley and Hochsherf, 2012) his wide reaching impact and contribution has never been explored in detail. This thesis considered the contradictory nature of Rothschild’s multiple roles and the resulting implications: as a retailer he was motivated to choose pieces that would sell, as an exhibitor he could allow for more creativity and daring in his curatorial choices, and as private collector he enjoyed established relationships with craftspeople. The aim of this thesis was to position Rothschild as collector, exhibitor and retailer not only within the context of British craft, but also to consider how Primavera operated within what David Kynaston calls the ‘justly iconic’ time period from 1945 to 1980 (Kynsaton, 2007). Through both his retail and exhibition activity at Primavera and beyond, craft was given a platform, made accessible to the wider public and influenced taste and fashion. His background as a German Jewish émigré emerged as key to understanding how he negotiated his position within this world. The resulting thesis confirmed and elucidated the significance of Rothschild and Primavera and called for further research into those individuals who are very much of the craft world but not always as producers or educators. As demonstrated here, such examinations have the potential to offer a narrative which is both complementary and challenging to those which dominate, and thereby contribute to the discourse on the nature of narrative based research and craft history.

This thesis offers a new perspective on the nature and experience of parent-child relationships c.1450-1620. Focusing on correspondence and family papers from selected aristocracy and gentry families, it argues that authority in parent-child relationships was renegotiated throughout the life cycle, particularly at points of tension or crisis such as marriage or death. These ‘crisis points’ are episodes which show us the negotiations that took place around domestic authority and give a personal insight into the emotional responses of parents and children and the nature of authority within early modern society. This thesis addresses a gap in knowledge about the changing reciprocal nature of this relationship over the life course. It understands ‘parent’ and ‘child’ as relational statuses experienced differently at different points throughout the life cycle. These new definitions argue that ‘parent’ and ‘child’ were not statuses that were limited to a single life stage but impacted on an individual throughout life. It reveals that individuals were motivated by societal expectation of family roles and also exhibited a range of emotional responses in reaction to perceived threats to the smooth running of family life according to the rules and structures of age, gender and status. The expectations associated with being a parent or a child continued to shape the actions and behaviour of individuals well into adulthood, as loyalty and obedience between parents and children was challenged and renegotiated. The thesis also considers how different roles within the family could overlap, leading to conflict as family members sought to manage their obligations and responsibilities as parents, children, siblings or step-relations. The personal source material is put into context with legal records and conduct literature considering the conflict between ideals of family life and its lived experience.

No description available.

In the historical record of British theatre in the latter half of the nineteenth century, the figures of London’s actor-managers are constantly present. As such, over the intervening century, they have been subjected to detailed historical enquiry by any number of different scholars in terms of their theatrical achievements, management styles, and their role in the changing nature of theatre in this period. However, despite the vast amount of extant visual material pertaining to these individuals in British, and other, collections, little attention has been paid to the image of the actor-manager in this period, and still less to the role of the body in the legacy of such figures. Given the nature of the actor’s craft as body-orientated, the explicitly visual nature of theatre in this period, and a burgeoning mass-media industry intent on the dissemination of such images, from a design history perspective this historiographical gap is surprising. Taking as its starting point the contention that the primacy of London’s actor- managers in this period was not, despite the claims of some contemporaries, an inevitable result of natural talent, but rather the outcome of carefully mediated verbal and visual discourses of theatrical and social achievements, this thesis examines how the framing of the body in such texts and images contributed to the legacy of the actor-manager as the central figure of late-Victorian theatre for a number of different audiences. It does this by using a synthetic approach which encompasses a number of distinct disciplines, including theoretical perspectives on the body, theatre historical scholarship that informs the context of the primary material, and design historical narratives of production and consumption. Ultimately, however, it is led by the depiction of actor-managers in the late nineteenth century, and the manifestation of multi-valent identities through the body, which constructed them for popular and critical consumption as artists, professionals and gentlemen of the late-Victorian era.

This thesis investigates how relations between the government of Britain, Ireland and Northern Ireland changed in the early years of the Northern Ireland Troubles until the collapse of the Sunningdale executive in May 1974. Specifically this research looks at the three relations studying many of the important aspects of intergovernmental relations within the three jurisdictions at the time and using a wide range of examples to demonstrate how the primary driver in relations between all three jurisdictions moved from economic to political, security and intelligence by 1972 and how these relationships grew and developed before their eventual collapse in the months following the Ulster Workers’ Council Strike. Primarily this study is based on archive research in London, Dublin and Belfast at the official national archives of the three states. However it has also made use of interviews with officials. It includes new insight into negotiations for membership of the EEC, Territorial Seas Delimitation, the Arms Crisis, British relations with Terence O’Neill (and the Northern Ireland government’s opinion of the British), the preparations for internment and Direct Rule, the origins of the Northern Ireland Office and the Irish government’s relations with Northern Ireland’s nationalists. This thesis, using recently released sources, challenges a number of conclusions from previously published research, particularly into North-South relations after 1966, and Britain’s preparations for sending British troops in support of the Northern Ireland government. Significantly, this PhD also demonstrates a long series of British attempts at the end of 1972 and throughout 1973 to tease the Irish government into increasing their border security operations. In doing so it explains the Sunningdale Agreement in the context of a relationship between the Cosgrave and Heath governments that went far beyond what was known at the time and was dependent to a far greater extent on security cooperation than has previously been accepted.