When I inspect phenomenon conception, different notional stress, I fix that it – slowdown, stand, psychological fence, which block our thinking and creative, incapacity, despair. It relate with varying circumstances. I analyse the stagnation phenomenon interpretation in artistic oeuvre. Frequent phenomenon in nature and in human work range. In master work I looked the stagnation in philosophy and in psychology dimension, but lot so this phenomenon meeting in artistic range (in verbal and in visual oeuvre). This is the person state of wind, which is different in different people life. Of ten we try interconnect state of mind with variation in nature. In nature when change seasons we feel slowdown, despair and this process also are in people life… Work purport – traverse the stagnation phenomenon meaningful and them read if for creative textile work. Master creative idea – textiles creative work ,, Stagnation’’ treat like the stagnation in natural and in culture atmosphere. To do the creative work pick the felt, because it fit the best to put for my idea, since the felt are stiff and keep his set good. My work consist of three parts. In my work I try constrain the people to pore about us outward problems.In contemporary vestige the unique people life tunes are pine, the people in the new age commonplaceing,greying because process life urbanize and increment,people make be not necessary.Technical type cultural advance bearing human... [to full text]

Šiame esė formos rašto darbe, keliauju simbolinę kelionę, kuri neturi aiškaus, konkretaus tikslo, nei uždavinių. Būtis, laikas, atmintis, praeitis, Dievas, gimimas, mirtis, laikinumas, amžinybė – padriki egzitenciniai klausimai, į kuriuos įsižiūriu, bet neatsakinėju. Vadovaujuosi fragmentiškais atminties žemėlapiais, menininkų kūriniais ir jų atsiradimo sąlygomis. Remiuosi fenomenologiniu metodu, kuris pagrįstas refleksija ir reikalauja pakartoti esmines intuicijas, siekia išugdyti dėmesingumą, leidžia naujai įprasminti, kaip ir ką mes išgyvename. Darbo skyrius žymiu dienoraštį primenančiais pavadinimais. Šis fragmentiškas dienoraštis – be pradžios ir be pabaigos (prasidėjęs labai seniai, pasibaigia sugrįžimu į pradžią). Jis tampa svarbia praktinio darbo dalimi, paaiškinimu. / In this work written as an essay, I make a symbolic trip which doesn‘t have a clear, precise goal nor aim. Existence, time, memory, past, God, birth, death, temporality, eternity – such are the unbound existential questions which I do look at but do not try to answer. I follow fragmented maps of memory, consider artists‘ creations and the conditions of their appearance. I base myself on phenomenological method which relies on reflection and demands to repeat the essential intuitions, asks to grow attentiveness, permits to give sense to what we experience and how we do it. I give titles to the parts of this work similar to personal diary titles. This fragmented diary is without beginning and without end (it started very long ago and it ends with returning to it‘s starting point). It becomes an important part of the practical work, it‘s explanation.